8 /10 1 Votes8
3.9/5 Barnes & Noble Publication date September 23, 2014 Pages 368 Originally published 23 September 2014 | 4.1/5 Publisher Henry Holt and Co. Media type Hardcover ISBN 978-0805096682 Page count 368 | |||||||||||||||||||||||||||||||||
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Subject Death of General George Patton Nominations Goodreads Choice Awards Best History & Biography Similar Bill O'Reilly books, World War II books |
Killing Patton: The Strange Death of World War II's Most Audacious General is a book written by Bill O'Reilly and Martin Dugard about the final year of World War II and the death of General George Patton, specifically whether it was an accident or an assassination. The book is the followup to Killing Kennedy, Killing Lincoln, and Killing Jesus and was published in September 2014 through Henry Holt and Company.
Contents
Disputed Theory
O’Reilly suggests that Patton was poisoned while recovering from the automobile accident he endured on December 8, 1945, on the orders of Soviet dictator Joseph Stalin, ostensibly to prevent him from warning the United States about the imminent danger of the Soviet Union. “I think Stalin killed him,” O’Reilly told George Stephanopoulos on the ABC news program This Week. However, many historians have pointed out that O'Reilly and Dugard presented no hard evidence that foul play was involved. They have also speculated that the assassination idea was inspired by the fictional 1978 movie Brass Target.
Media Matters for America reported that several historians found O’Reilly’s theory highly implausible. Rick Atkinson, a two-time winner of the Pulitzer Prize, told the progressive news organization that Patton died of complications following “a fender bender." “You've got to look at what Patton's situation was,” said Carlo D’Este, the author of Patton: A Genius for War. “He was a quadriplegic, he was going to die anyway, he was totally immobilized, he couldn't move. What is the point of assassinating him and where did Stalin come from anyway? Sure, somebody could have snuck in the hospital, but why would you bother? You need to verify facts. That certainly raises a red flag with me.”
Patton’s grandson, Robert Patton, also rejected the suggestion of assassination. “The theory is he either died naturally or from a blood clot,” he said. “You’re paralyzed, and this is what happens.”
Reception
Writing in The Washington Post, Richard Cohen criticized the book's "chaotic structure" and "considerable padding," calling the work a "clunky hagiography." Cohen was especially critical of O'Reilly's "repellent admiration" for Patton in light of his demonstrable anti-Semitism. In The New Republic, James Wolcott dismissed the book as O'Reilly's "latest papier-mâché exercise in necrobiography." Patton biographer and documentary filmmaker Robert Orlando described Killing Patton and O'Reilly's "Killing" series as "not about new or penetrating discovery, but the same ol' same ol' only through this greatly successful marketer and his hired writer—a scheduled feeding for an audience already 'on the farm.'"
By contrast, Wes Vernon wrote in The Washington Times that “Killing Patton is rich in blow-by-blow accounts of some of the most significant battles of World War II, as well as of many off-battlefield lives of its primary movers whose personalities virtually come to life in this well-crafted narrative." Writing for the Amazon Book Review, Senator John McCain opined that the book was "[...] rich in fascinating details, and riveting battle scenes."
Sales
On his June 24, 2015 segment of The O’Reilly Factor, O’Reilly claimed that Killing Patton was “the bestselling tome . . . in 2014.” Publishers Weekly subsequently pointed out that according to Nielsen BookScan, Killing Patton "was the fifth bestselling print book of 2014, behind The Fault in Our Stars by John Green, Diary of a Wimpy Kid: The Long Haul by Jeff Kinney, and Divergent and Insurgent by Veronica Roth.”
Adaptation
On November 24, 2015, National Geographic Channel and Scott Free Productions jointly announced the television adaptation of Killing Patton. Anthony Peckham is attached to write the four-hour teleplay, with plans to air the film in 2017.