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Ismail Merchant

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Ethnicity  Indian Gujarati
Role  Film producer
Name  Ismail Merchant

Years active  1960–2005
Citizenship  United Kingdom
Education  New York University
Ismail Merchant Ismail Merchant Interview Stumped Magazine
Full Name  Ismail Noormuhammad Abdul Rahman
Born  25 December 1936 (1936-12-25) Bombay, Bombay Presidency, British India (now Maharashtra, India)
Resting place  Marine Lines, Mumbai, India
Occupation  Producer, director, actor, and screenwriter
Died  May 25, 2005, City of Westminster, United Kingdom
Books  My Passage from India, Ismail Merchant's Indian cuisine
Parents  Hazra Memon, Noormohamed Haji Abdul Rehman
Movies  A Room with a View, Howards End, The Remains of the Day, Maurice, The White Countess
Similar People  James Ivory, Ruth Prawer Jhabvala, Madhur Jaffrey, Richard Robbins, E M Forster

Ismail merchant india


Ismail Merchant (25 December 1936 – 25 May 2005) was an Indian-born film producer and director. He worked for many years in collaboration with Merchant Ivory Productions which included director (and Merchant's longtime professional and domestic partner) James Ivory as well as screenwriter Ruth Prawer Jhabvala. Their films won six Academy Awards.

Contents

Ismail Merchant Ismail Merchant IndianAmerican producer Britannicacom

Merchant succeeded as an independent producer in Hollywood for more than 40 years. His strength lay in funding his projects, particularly in his ability to produce films for several million dollars less than those of his contemporaries.

Ismail Merchant IndoAmerican Arts Council Inc

Ismail Merchant & James Ivory from the set of Merchant Ivory film shoot Hifazat Mein


Background

Born Ismail Noor Md Abdul Rahman (Gujarati: ઈસ્માઈલ નૂરમોહમદ અબ્દુલ રહમાન, Urdu: اسماعیل نور محمد عبد الرحمن,) in Bombay, he was the son of Hazra (maiden name, Memon) and Noor Mohamed Rehman, a Mumbai textile dealer. He grew up bilingual in Gujarati and Urdu, and learned Arabic and English at school. When he was 11, he and his family were caught up in the 1947 partitioning of India. His father was president of the Muslim League, and refused to move to Pakistan. Merchant later said that he carried memories of the 'butchery and riots' into adulthood.

As a child at the age of 9, he delivered an emotionally riveting speech about partition, held at a political rally in front of a crowd of 10,000 people, inspiring the entire community. He met his first mentor in 1949 thanks to family networks and consequently aged 13, he developed a close friendship with Nimmi, an Indian Film Actress in her twenties, who introduced him to the glamorous studios of Bombay, which was the hub of India's film industry. It was she who inspired his ambitious rise to stardom. He studied at St. Xavier's College, Bombay & received BA degree of University of Bombay (Mumbai) to which College was affiliated. It was here that he developed his love for movies. When he was 22, he went to the USA to study at New York University, where he got MBA degree. He supported himself by working as a messenger for UN and used this opportunity to persuade Indian delegates to fund his film projects. He said of this experience "I was not intimidated by anyone or anything". Immersed in the new world of art and culture, it was here that Merchant discovered the films of Bengali director, Satyajit Ray, as well as those by European artists such as Ingmar Bergman, Vittorio De Sica, and Federico Fellini. In 1961, he made a short film, The Creation of Woman. It was shown at the Cannes Film Festival and also received an Academy Award nomination.

Merchant Ivory Productions

Merchant met director James Ivory at a screening, in New York City, of Ivory's documentary The Sword and the Flute in 1959. In May 1961, Merchant and Ivory formed the film production company Merchant Ivory Productions. Merchant and Ivory were long-term life partners. Their professional and romantic partnership lasted 44 years, from 1961 until Merchant's death in 2005.

Their partnership has a place in the Guinness Book of World Records for the longest partnership in independent cinema history. Until Merchant's death in 2005, they produced nearly 40 films, including a number of award winners. Novelist Ruth Prawer Jhabvala was the screenwriter for most of their productions.

In 1963, MIP premiered its first production,'The Householder', based upon a novel by Jhabvala (she also wrote the screenplay). This feature became the first Indian-made film to be distributed internationally by a major American studio, Columbia Pictures. However, it wasn't until the 1970s that the partnership "hit on a successful formula for studied, slow-moving pieces ... Merchant Ivory became known for their attention to period detail and the opulence of their sets". Their first success in this style was Jhabvala's adaptation of Henry James's The Europeans.

In addition to producing, Merchant directed a number of films and two television features. For television, he directed a short feature entitled Mahatma and the Mad Boy, and a full-length feature, The Courtesans of Bombay, made for Britain's Channel Four. Merchant made his film directorial debut with 1993's In Custody based on a novel by Anita Desai, and starring Bollywood actor Shashi Kapoor.Filmed in Bhopal, India, it won National Awards from the Government of India for Best Production Design and Special Jury award for lead actor Shashi Kapoor. His second directing feature,'The Proprietor', starred Jeanne Moreau, Sean Young, Jean-Pierre Aumont and Christopher Cazenove and was filmed on location in Paris.

Of his partnership with Ivory and Jhabvala, Merchant once commented: "It is a strange marriage we have at Merchant Ivory . . . I am an Indian Muslim, Ruth is a German Jew, and Jim is a Protestant American. Someone once described us as a three-headed god. Maybe they should have called us a three-headed monster!"

Cooking and writing

He was fond of cooking, and he wrote several books on the art including Ismail Merchant's Indian Cuisine; Ismail Merchant's Florence; Ismail Merchant's Passionate Meals and Ismail Merchant's Paris: Filming and Feasting in France. He also wrote books on film-making, including a book about the making of the film The Deceivers in 1988 called Hullabaloo in Old Jeypur, and another about the making of The Proprietor called Once Upon a Time . . . The Proprietor. His last book was entitled,My Passage From India: A Filmmaker's Journey from Bombay to Hollywood and Beyond.

Awards

In 2002, he was awarded the Padma Bhushan. He was also a recipient of The International Center in New York's Award of Excellence.

Death

Merchant died in Westminster, London, UK aged 68, following surgery for abdominal ulcers. He was buried in Bada Kabrestan in Marine Lines, Mumbai, India on 28 May 2005, in keeping with his wish to be buried with his ancestors.

Director

  • Mahatma and the Mad Boy (1974, short)
  • The Courtesans of Bombay (1983, docudrama)
  • In Custody (1993) (feature debut)
  • Lumière and Company (1995, segment "Merchant Ivory, Paris") Co-Director with James Ivory
  • The Proprietor (1996)
  • Cotton Mary (1999)
  • The Mystic Masseur (2002)
  • Producer

  • The Creation of Woman (1960, short)
  • The Householder (1963)
  • Shakespeare Wallah (1965)
  • The Guru (1969)
  • Bombay Talkie (1970)
  • Adventures of a Brown Man in Search of Civilization (1972, TV)
  • Helen: Queen of the Nautch Girls (1973, short)
  • Savages (1973)
  • Mahatma and the Mad Boy (1974, short) – also director
  • The Wild Party (1975)
  • Autobiography of a Princess (1975)
  • Sweet Sounds (1976, short)
  • Roseland (1977)
  • Hullabaloo Over Georgie and Bonnie's Pictures (1976)
  • The Europeans (1979)
  • Jane Austen in Manhattan (1980)
  • Quartet (1981)
  • Heat and Dust (1983)
  • The Courtesans of Bombay (1983) – also director
  • The Bostonians (1984)
  • A Room with a View (1985)
  • Noon Wine (1985, TV) – executive producer (not Merchant Ivory)
  • My Little Girl (1986) – executive producer
  • Maurice (1987)
  • The Perfect Murder (1988) – executive producer
  • The Deceivers (1988)
  • Slaves of New York (1989)
  • Mr & Mrs Bridge (1990)
  • The Ballad of the Sad Café (1990)
  • Howards End (1991)
  • Street Musicians of Bombay (1991) – executive producer
  • The Remains of the Day (1993)
  • Jefferson in Paris (1995)
  • Feast of July (1995) – executive producer
  • Surviving Picasso (1996)
  • A Soldier's Daughter Never Cries (1998)
  • Side Streets (1998) – executive producer
  • Cotton Mary (2000)
  • The Golden Bowl (2001)
  • Merci Docteur Rey (2002)
  • Le Divorce (2003)
  • Heights (2004)
  • The White Countess (2005)
  • References

    Ismail Merchant Wikipedia


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