Samiksha Jaiswal (Editor)

Graffiti (Chris Brown album)

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Recorded  2008–09
Graffiti (2009)  F.A.M.E. (2011)
Release date  7 December 2009
Length  51:50
Artist  Chris Brown
Label  Jive Records
Graffiti (Chris Brown album) httpsuploadwikimediaorgwikipediaenthumb6

Released  December 7, 2009 (2009-12-07)
Producer  Swizz Beatz Polow Da Don Ester Dean The Messengers Brian Kennedy Eric Prydz The Runners The Monarch Ryan Leslie Tha Bizness Scott Storch
Genres  Hip hop music, Contemporary R&B, Pop music, Dance-pop, Synth-pop, Gothic rock
Nominations  Grammy Award for Best Contemporary R&B Album
Similar  Chris Brown albums, Contemporary R&B albums

Chris brown for your love

Graffiti is the third studio album by American recording artist Chris Brown. It was released on December 7, 2009, by Jive Records. The album serves as a follow-up to his previous album Exclusive (2007). Recording sessions took place from 2008 to 2009, with these several record producers, including Polow da Don, Swizz Beatz, The Runners and Brian Kennedy, among others. Primarily an R&B and pop outing, Graffiti incorporates elements of hip hop music with synthesizers. The album debuted at number 7 on the US Billboard 200, selling 102,489 copies in its first week. To date, "Graffiti" has sold 341,000 copies in the United States. The album became his third consecutive top-ten debut in the United States following Exclusive in 2007, while producing two singles that has achieved moderate chart success.


Upon its release, Graffiti received generally negative reviews from most music critics. Graffiti was nominated for two Grammy Awards; including one for the Best Contemporary R&B Album and the other for the Best R&B Performance by a Duo or Group with Vocals for this track, "Take My Time" featuring Tank.

Chris brown i can transform ya


In 2008, Chris Brown commenced work on his third studio album and confirmed the title, Graffiti, at the 2008 American Music Awards. It was revealed in June 2008 that Brown was working with producers The Runners to create an "amazing, insane record. Something you've never heard before." Producer Scott Storch, who had previously worked with Brown, also announced his involvement in the album stating, "He's good. I'm working with him in Orlando on some stuff." Recording for the album primarily took place in Orlando and on September 5, 2009, via Twitter, Brown announced that he had completed the album, and also revealed that the album would be released outside of the US on December 7 and in the US on December 8. Speaking to MTV, Swizz Beatz revealed, "he's got something to prove," and "has worked on 60–70 songs."


The album's musical style is various, containing songs of mixed genres, including R&B, pop, rock and Euro-disco. Greg Kot of the Chicago Tribune was dismissive of the album, calling it an inconsistent "pity party". He found most of its music suitable for the dance-floor and said "Brown aims to expand his music" beyond the genres of his previous work. Kot thought Graffiti was not as good as Rihanna's post-romance Rated R album. Kot said that Brown "borrows from the cross-genre experiments of Kanye West, Saul Williams, and Lil Wayne." According to Mikael Wood of the Los Angeles Times, most of the album is in "upbeat party mode", mixed with power ballads, observed to "illuminate" his remorse over the Rihanna incident.

Lead single "I Can Transform Ya", lyrically about introducing someone to a luxurious life, has a robotic-crunk groove, while making a heavy use of synthesizers and guitar riffs. "Pass Out" featuring Eva Simons, an Eurodisco song, samples the "Call on me" Steve Winwood's "Valerie", which was also used in Eric Prydz worldwide dance hit, "Call on Me". The song has been compared to Lady Gaga. "Sing Like Me" and "Take My Time" recall Brown's earlier R&B/pop work. "Fallin' Down is a goth rock and R&B song, with synthpop influences, that features lyrics about Brown falling in depression. The hip-hop-influenced "Wait", with Game and R&B singer Trey Songz features "bouncy sirens", and according to Jon Caramanica of The New York Times is closest to capturing the "frenetic energy" of Brown's early singles. The song has been called the male counterpart to Keri Hilson's "Knock You Down", which Brown references in the song and was also produced by "Wait" producer Polow da Don. Sarah Rodman of Boston Globe said the song needed a dance floor for full realization. According to Dan Gennoe of Yahoo! Music UK, "I.Y.A" is a tribute to 80's music, and the song has been compared to Blake Lewis' "Heartbreak on Vinyl.

"So Cold" has been described as a "piano-laden apology" as "Famous Girl" has been called a "heavy hearted dance track." The previous track as well as "Crawl" feature an apologetic Brown, pining at points. The previous has been described to bear a sonic resemblance to Madonna's "Drowned World/Substitute for Love." The latter, "Famous Girl", featuring new wave influences and a bouncy, light melodic line, seems to throw accusations of infidelity in Rihanna's direction, as well as implying she "had a temper of her own." The song also references songs Drake's "Best I Ever Had", Hilson's "Knock You Down", Keyshia Cole's "Heaven Sent", Beyoncé's "Halo", and Jazmine Sullivan's "Bust Your Windows", as well as Rihanna's "Disturbia" and his "Forever", as Brown laments on writing the first song and confronts the rumor about busting Rihanna's car windows. "Take My Time" is an R&B song that features American singer Tank, and has slow drums, and heavy female breathing, prompting innuendo. Jon Caramanica of The New York Times said that "Lucky Me", lyrically about downs of life in the limelight, has a melody lifted from Michael Jackson's "Man in the Mirror."


The week of the album's release, Brown took to his Twitter page to express his extreme displeasure with stores that are not visibly stocking the album, including a Walmart in Wallingford, Connecticut, stating: "The[y] didnt even have my album in the back… not on shelves, saw for myself, i'm tired of this shit. major stores [are] blackballing my cd. [They are] not stockin the shelves and lying to costumers. what the fuck do i gotta do. im not biting my tongue about shit else… the industry can kiss my ass. WTF… yeah i said it and i aint retracting shit...we talked to the managers and they didnt even know anything. wow!!! but they had Alicia Keys' album, The Element of Freedom, ready for release for this tuesday comin … the manager told me that when there are new releases its mandatory to put em on the shelves.. BUT NO SIGN OF #GRAFFITI. BS. No disprespect to Alicia at all, just givin an example to whos album is loaded and ready to go next week".

Packaging and cover art

The album was released internationally on December 7, 2009, and in the US on December 8, 2009. It was released on all major formats and, in addition to the standard edition, an extended deluxe edition was also released, containing an additional six songs. The international edition differs slightly from the US edition, with one extra song ("Girlfriend") appearing on the standard edition and another ("Chase Our Love") appearing on the deluxe extended edition with the inclusion of track ("Movie") omitted. The European deluxe edition was issued as a single-CD, while US and Japanese deluxe editions are two-disc sets. The album cover displays Brown with robotic hands, wearing black clothing and sunglasses, holding a guitar over his shoulder, and spray-painting the album title, which is written in a font similar to that of Purple Rain by Prince and the Revolution. To promote the album, Brown embarked on the "Fan Appreciation Tour" on October 27, 2009, in New Jersey. The tour took place in the US. The tour ended on December 15, 2009, in New York and a portion of the proceeds from the tour will go to charity to help the victims of domestic violence as well as people with developmental disabilities.


"I Can Transform Ya" was released as the album's lead single on September 29, 2009. The song received mostly positive reviews, noting the song's club feel and catchiness. "I Can Transform Ya"'s reached the top ten of New Zealand, whilst achieving chart success in Australia, the United Kingdom and the United States. The song's dance-heavy accompanying music video features choreography with hooded ninjas, and makes puns on the Transformers series. "Crawl" and "Sing Like Me" were released on iTunes on November 24, 2009, the first as the album's second single, and the latter as a promotional single. The previous received positive to mixed reviews, reaching the top twenty in Japan and New Zealand. Its accompanying music video features Brown and American R&B singer Cassie as his love interest, as he yearns for their relationship on a winter night in a city and in a desert scene. The song "Pass Out" was planned to be the third single for the album, but was not released. Other singles "Stranger (Sexy Flamethrower)" and "Not My Fault" (the latter featuring vocals by Pharrell Williams) were also planned for the album, but not included.

Critical reception

Graffiti received negative reviews from most music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 39, based on 12 reviews, which indicates "generally unfavorable reviews". Rolling Stone writer Jody Rosen expressed a mixed response towards its "punchydance-pop songs full of club-ready beats and Casanova gestures", calling it "a bland, occasionally obnoxious, proforma R&B album". Slant Magazine's Eric Henderson commented that "the only compelling thing about the incoherent Graffiti is the material (both external and internal) that makes it even less palatable than a simply below-average collection of paint-by-numbers R&B beats." Michaelangelo Matos of The A.V. Club gave the album an F rating and stated "The production is clean and often lively, and Brown sings well enough. The problem is what he’s singing". Allmusic editor Andy Kellman also dismissed the album's songwriting and called Brown "exceptionally insufferable" on most of the songs. Chicago Sun-Times writer Jim DeRogatis gave the album one out of four stars and described it as "thoroughly mediocre and at times just garbage". Pete Paphides of The Times panned its ballads, called them a "slopfest of mawkish penitence". Jon Caramanica of The New York Times questioned the lyrics' substance and called Graffiti "a curiously faceless album that largely thumbs its nose at close reading".

However, Steve Jones of USA Today gave the album two-and-a-half out of four stars and commented that Brown "succeeds in expanding his sonic horizons with rock and Euro-dance influenced rhythms that are sure to ignite dance floors and innervate his electrifying performances". Billboard's Gail Mitchell complimented its music as "a forward-moving fusion of R&B, pop, rock and Euro-dance". Thomas Golianpoulous of Spin said Brown sounded "generally remorseful", but said that Brown didn't "let any of this obstruct a good party, complimenting the album's "monster club tracks." Despite writing that it has filler tracks, Dan Gennoe of Yahoo! Music gave the album a seven out of 10 rating and called it the "highest point of his career". Chicago Tribune writer Greg Kot noted a "inconsistent and sometimes contradictory tone" in Brown's lyrics, but commented that the album has "several top-notch pieces of innocuous dance music". Leah Greenblatt of Entertainment Weekly complimented its "zero-gravity pleasures", writing that "at its best moments, it still floats". Sarah Rodman of The Boston Globe commended the music and production, but criticized Brown's songwriting, stating "As co-writer of 12 of the 13 tracks, that’s where he sabotages a lot of the album’s purely musical promise". Joey Guerra of the Houston Chronicle said the album might have worked, but much of it "never takes flight, instead recycling the usual slick touches and arrangements." BBC Online's Jude Rogers noted "slinky RnB body-poppers and cheesy, breathy ballads" and commented that "plodding melodies draw attention to Brown's unpleasantly macho style".

Commercial performance

The album debuted at number seven on the Billboard 200, selling 102,000 copies in its first week. Graffiti was the week's second highest debut, only behind Glee: The Music, Volume 2.To date the album has sold 341,000 copies in the United States. The sales were disappointing compared to his previous two albums.

Track listing

  • (co.) signifies a co-producer.
  • Sample credits
  • "Famous Girl" contains re-sung lyrics from "Bust Your Windows" performed by Jazmine Sullivan.
  • "Pass Out" contains elements of "Call on Me" performed by Eric Prydz.
  • "Lucky Me" contains a re-sung melody from "Man in the Mirror" performed by Michael Jackson & Re-Sung Lyrics from "Lucky Me" performed by Jay Z
  • "Movie" contains replayed elements of "Can You Stand the Rain" performed by New Edition.
  • "Brown Skin Girl" contains replayed elements from "You're the Inspiration" by Chicago.
  • Songs

    1I Can Transform Ya3:48
    2Sing Like Me4:15


    Graffiti (Chris Brown album) Wikipedia