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"Good King Wenceslas" is a popular Christmas carol that tells a story of a Bohemian king going on a journey and braving harsh winter weather to give alms to a poor peasant on the Feast of Stephen (December 26, the Second Day of Christmas). During the journey, his page is about to give up the struggle against the cold weather, but is enabled to continue by following the king's footprints, step for step, through the deep snow. The legend is based on the life of the historical Saint Wenceslaus I, Duke of Bohemia or Svatý Václav in Czech (907–935). The name Wenceslas is a Latinised version of the modern Czech language “Václav”.
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In 1853, English hymnwriter John Mason Neale wrote the "Wenceslas" lyrics, in collaboration with his music editor Thomas Helmore, and the carol first appeared in Carols for Christmas-Tide, 1853. Neale's lyrics were set to the melody of a 13th-century spring carol "Tempus adest floridum" ("The time is near for flowering") first published in the 1582 Finnish song collection Piae Cantiones.
Source legend
Wenceslas was considered a martyr and a saint immediately after his death in the 10th century, when a cult of Wenceslas rose up in Bohemia and in England. Within a few decades of Wenceslas' death, four biographies of him were in circulation. These hagiographies had a powerful influence on the High Middle Ages conceptualization of the rex justus, or "righteous king"—that is, a monarch whose power stems mainly from his great piety, as well as from his princely vigor.
Referring approvingly to these hagiographies, a preacher from 12th century says:
But his deeds I think you know better than I could tell you; for, as is read in his Passion, no one doubts that, rising every night from his noble bed, with bare feet and only one chamberlain, he went around to God’s churches and gave alms generously to widows, orphans, those in prison and afflicted by every difficulty, so much so that he was considered, not a prince, but the father of all the wretched.
Several centuries later the legend was claimed as fact by Pope Pius II, who himself also walked ten miles barefoot in the ice and snow as an act of pious thanksgiving.
Although Wenceslas was, during his lifetime, only a duke, Holy Roman Emperor Otto I posthumously "conferred on [Wenceslas] the regal dignity and title" and that is why, in the legend and song, he is referred to as a "king". The usual English spelling of Duke Wenceslas's name, Wenceslaus, is occasionally encountered in later textual variants of the carol, although it was not used by Neale in his version. Wenceslas is not to be confused with King Wenceslaus I of Bohemia (Wenceslaus I Premyslid), who lived more than three centuries later.
Tempus adest floridum
The tune is that of "Tempus adest floridum" ("It is time for flowering"), a 13th-century spring carol in 76 76 Doubled Trochaic metre first published in the Finnish song book Piae Cantiones in 1582. Piae Cantiones is a collection of seventy-four songs compiled by Jaakko Suomalainen, the Protestant headmaster of Turku Cathedral School, and published by Theodoric Petri, a young Catholic printer. The book is a unique document of European songs intended not only for use in church, but also schools, thus making the collection a unique record of the late medieval period.
A text beginning substantially the same as the 1582 "Piae" version is also found in the German manuscript collection Carmina Burana as CB 142, where it is substantially more carnal; CB 142 has clerics and virgins playing the "game of Venus" (goddess of love) in the meadows, while in the Piae version they are praising the Lord from the bottom of their hearts.
The text of Neale's carol bears no relationship to the words of "Tempus Adest Floridum". In or around 1853, G. J. R. Gordon, Queen Victoria's envoy and minister in Stockholm, gave a rare copy of the 1582 edition of Piae Cantiones to Neale, who was Warden of Sackville College, East Grinstead, Sussex and to the Reverend Thomas Helmore (Vice-Principal of St. Mark's College, Chelsea). The book was entirely unknown in England at that time. Neale translated some of the carols and hymns, and in 1853, he and Helmore published twelve carols in Carols for Christmas-tide (with music from Piae Cantiones). In 1854, they published a dozen more in Carols for Easter-tide and it was in these collections that Neale's original hymn was first published.
The tune has also been used for the Christmas hymn Mary Gently Laid Her Child, by Joseph S. Cook (1859–1933); GIA's hymnal, Worship uses "Tempus Adest Floridum" only for Cook's hymn.
Neale's carol
John Mason Neale published the carol Good King Wenceslas in 1853, although he may have written his carol some time earlier, since he carried on the legend of St Wenceslas (the basis of this story) in his Deeds of Faith (1849). Neale was known for his devotion to High Church traditions. According to older Czech sources, Neale's lyrics are a translation of a poem by Czech poet Václav Alois Svoboda, written in Czech, German and Latin.
The hymn's lyrics take the form of five eight-line stanzas in four-stress lines. Each stanza has an ABABCDCD rhyme scheme. Lines 1, 3, 5, and 7 end in single-syllable (so-called masculine) rhymes, and lines 2, 4, 6, and 8 with two-syllable ("feminine") rhymes. (In the English tradition, two-syllable rhymes are generally associated with light or comic verse, which may be part of the reason some critics have demeaned Neale's lyrics as "doggerel".) In the music the two-syllable rhymes in lines 2, 4, and 6 (e.g. "Stephen/even", "cruel/fuel") are set to two half-notes (British "minims"), but the final rhyme of each stanza (line 8) is spread over two full measures, the first syllable as two half-notes and the second as a whole note—so "/fuel" is set as "fu-" with two half-notes and "-el" with a whole-note. Thus, unusually, the final musical line differs from all the others in having not two but three measures of 4/4 time.
Neale's words are now in the public domain.
Academics tend to be critical of Neale's textual substitution. H. J. L. J. Massé wrote in 1921:
Why, for instance, do we tolerate such impositions as "Good King Wenceslas?" The original was and is an Easter Hymn...it is marked in carol books as "traditional", a delightful word which often conceals ignorance. There is nothing traditional in it as a carol.
A similar sentiment is expressed by the editors (Percy Dearmer, Martin Shaw and Ralph Vaughan Williams) in the 1928 Oxford Book of Carols, which is even more critical of Neale's carol.
This rather confused narrative owes its popularity to the delightful tune, which is that of a Spring carol...Unfortunately Neale in 1853 substituted for the Spring carol this Good King Wenceslas, one of his less happy pieces, which E. Duncan goes so far as to call "doggerel", and Bullen condemns as "poor and commonplace to the last degree". The time has not yet come for a comprehensive book to discard it; but we reprint the tune in its proper setting...not without hope that, with the present wealth of carols for Christmas, Good King Wenceslas may gradually pass into disuse, and the tune be restored to spring-time.
Elizabeth Poston, in the Penguin Book of Christmas Carols, referred to it as the "product of an unnatural marriage between Victorian whimsy and the thirteenth-century dance carol". She goes on to detail how Neale's "ponderous moral doggerel" does not fit the light-hearted dance measure of the original tune, and that if performed in the correct manner "sounds ridiculous to pseudo-religious words;" a similar problem has arisen with the song O Christmas Tree, whose tune has been used for Maryland, My Maryland, The Red Flag, and other non-related songs.