Name Gerry Turpin | Role Film cinematographer | |
Died September 16, 1997, North Cotswold Rural District Awards BAFTA Award for Best Cinematography (Black and White) Movies Seance on a Wet Afternoon, Oh! What a Lovely War, The Last of Sheila, The Whisperers, The Queen's Guards Similar People Bryan Forbes, Nanette Newman, Kim Stanley, John Barry, Richard Attenborough | ||
Gerald Leslie "Gerry" Turpin (1 September 1925, Wandsworth, London – 16 September 1997, North Cotswold, Gloucestershire) was an English cinematographer.
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Biography
Turpin began his career in 1945 at Ealing Studios as a camera assistant to Douglas Slocombe and Stanley Pavey. From 1953, he worked as a camera operator, and worked with Pavey, Gordon Dines, Desmond Dickinson, Otto Heller, Gilbert Taylor, Reginald H. Wyer and Harry Waxman. He made his first film as director of photography, The Queen's Guards (1961) with director Michael Powell.
For his first collaboration with Bryan Forbes, Seance on a Wet Afternoon (1964), he received a nomination at the British Academy Film Awards in 1965. For a later film with Forbes, The Whisperers (1967), he received a BAFTA Award for Best Cinematography, and for Oh! What a Lovely War (1969), Richard Attenborough's directorial debut, he received the 1969 BSC Best Cinematography Award and his second BAFTA.
On Attenborough's, Young Winston (1972), Turpin used a camera lens mounted device he had developed called ColorFlex which represented an alternative to conventional pre-exposure (flashing) of negative film in the lab. The pre-exposure of the film material means dark areas of the image are brightened.
From 1973, Turpin developed his ColorFlex system into a comprehensive system called Flex which was used by cameramen such as Oswald Morris (The Wiz, 1978), Freddie Francis (Dune, 1984), Sven Nykvist (Swann in Love, 1984), Adam Greenberg (La Bamba, 1987) and Jost Vacano (Total Recall, 1990). At the 56th Academy Awards in 1984, Turpin received a technical Oscar (Scientific and Engineering Award) for Flex.