The Cordoba African Film Festival (also known as FCAT Cordoba) celebrates its 9th edition from October 13 to 20, 2012. After 8 editions held in Tarifa, the Festival moves this year to Cordoba, located in Andalusia, Spain. Eight days dedicated to cinema from 28 African and Middle East countries.
Contents
The African Dream
Based on the true story of three women and their struggle to defend themselves from the constant sexual harassment women have to deal with in Egypt. When one of them decides to take action and sticks a knife into her attackers’ groin, she becomes an anonymous heroine, revolutionizing the city.
This film-within-a-film, set in the Rwandan capital of Kigali, follows the futile attempts of a determined filmmaker to fund his first feature, The Cycle of the Cockroach, a haunting drama about a brother and sister in the aftermath of genocide. The government refuses to finance his film but the filmmaker, Balthazar, hides the bad news from his team and continues prepping. Can this film exist only in his dreams? Grey Matter is one of Rwanda’s first feature-length narrative films.
François van Heerden, in his forties, lives a neat, orderly life in Bloemfontein, South Africa. The father of two children and a devoted husband, he does not know how to react to a fortuitous encounter that threatens his monotonous existence. It all happens on his daughter’s wedding day. He cannot tear his eyes away from the son of one of his old friends. The attraction soon becomes an obsession.
“I don’t steal, I just reimburse myself. I don’t traffic, I trade. I don’t lie, I’m already what I will be. I’m already ahead of reality, of my reality.” In Tangiers, Badia struggles to get away from her job at the shrimp canning factory. Together with Imane, Nawal and Asma, her companions in misfortune, she lives at a frenetic pace, working by day and pulling fast ones by night, with all the freedom and energy of those who will not give up.
Algeria, region of the high flatlands. As Islamist groups continue to spread terror, Rashid, a young Jihadist, leaves the mountains to return to his village. In keeping with the law “of pardon and national harmony”, he has to surrender to the police and give up his weapon. He thus receives amnesty and becomes a “repentant”. But the law cannot erase his crimes and for Rachid, it is the beginning of a one-way journey of violence, secrets and manipulation.
Today is the last day of Satché’s life. He knows this to be true even though he is strong and healthy. Nonetheless, Satché accepts his imminent death. He walks through the streets of his hometown, goes to the decisive places of his past: his parents’ house, his first love, the friends of his youth… It is a way for an exile who has returned to get to know his homeland again.
Mozambique, 1975. The revolutionary government wants to eradicate all the traces of the colonialism and swiftly! One of which is prostitution. So all the prostitutes are taken from all the towns and taken to the most isolated forest of the country where they will be reeducated and transformed in new women, under the watch of the guerrilla women warriors. Amongst the 500 whores placed in these reeducation centers is Margarida,a 14-year-old peasant who was in town to buy her bridal trousseau. For not having her identification documents, Margarida is taken by mistake. In the reeducation center a revelation occurs that will change everything: Margarida is a virgin. Treated with kindness she becomes the whores’ protégé and they start to worship her as a saint.
On the Other Side of the Straits
“Bîr d’Eau”, a Walkmovie, offers us a day in a street of Algiers during which a film is made and unmade under the camera’s eye. The director gives the floor to the inhabitants of Bîr d’Eau Street, in the Telemly neighborhood.
The Education of Auma Obama is a documentary on the life and times of Barack Obama’s half-sister told from her homestead in Kenya during the run up to the 2008 US Presidential elections. Auma embodies a post-colonial, feminist identity in her native Kenya. The film also documents a generation of politically and socially engaged Africans whose aspirations are formed by their parents’ experiences, and whose ambition to forge a better future starts from building from the ground up.
Michel K. Zongo leaves Burkina Faso on the trail of his elder brother who emigrated to the Côte d'Ivoire when the filmmaker was only 5. His brother died there in 1994 after 18 years away. But the road that follows the trail of this absent brother is long, the witnesses unsure, their memories already distant. But his journey resounds in the words of other exiles.
In Cape Town, one of the world’s most violent and unequal societies, a young white film student wants to make a Gangster Film, with real gangsters. After a lengthy search for a suitably ‘cinematic’ character, he finds the perfect gang and settles into their everyday rhythm. Reality soon catches up; fear, mourning, boredom and petty dealings are a distant cry from the expected flamboyant figures. A film between fiction and reality, where real truths are revealed and fiction stops being fiction.
In response to the call of the National Liberation Front, thousands of Algerians from Paris and its suburbs march to protest against the curfew imposed on them on October 17, 1961. Fifty years later, the filmmaker sheds light on the events of the day. Blending testimonies and previously unseen stock footage, the film retraces the events of that day and reveals the strategy and the outrageous methods applied at the highest levels by the French state.
August, 2010. In full Ramadan under Ben Ali’s regime, and despite the severity of censorship, Nadia El Fani films a country (Tunisia) that is apparently open to the principle of freedom of conscience and its relationship with Islam… Three months later, when the Tunisian Revolution breaks out, Nadia is out in the field. While the Arab world faces a radical change, Tunisia, after having set light to the sparks to the revolution, is once more the “lab” country as regards its view of religion. And if, just this once, by the people’s will, a Muslim country were to choose a secular constitution? Then we could say that Tunisians truly carried out “The Revolution”.
’One day Namir Abdel Messeeh, a filmmaker of Egyptian origin, watches a videotape of the Virgin Mary’s apparition in Egypt with his mother. Like millions of other Copts, she sees the Virgin on the screen while he sees nothing. Skeptical about the videotape, Namir travels back to Egypt to make a film about these apparitions but he soon discovers plenty of obstacles. The result is a humorous fictional documentary and family-drama-cum-culture-clash about religion in the Diaspora, the art of cinema and the boundless creativity of filmmakers.
Africa in Short
A father and a son spend the weekend fishing on the banks of a magical lake set against the lush sceneries of the Moroccan Rif. The son is a modern 25-year-old man who hopes to profit from these moments of intimacy and contemplation with his father to tell him his secret. The father, a traditionalist former service man, 60 years old, has no inkling as to what it is about. The revelation will destroy their relationship.
Amine, a young Algerian man, buys a video camera at a store in Oran and uses it to start recording his city, his house and, finally, his girlfriend and mother. He boards a boat with Malik, Lofti, Mohammad and Khalil to cross the Mediterranean. Camera in hand, Amine films the wake of their voyage.
Three young people speak in front of a building. Their conversation, which soon turns into an argument, swivels around the imminent departure of a friend. In an apartment above them, Fouad packs his bags in silence while his mother watches him, her eyes shining with tears. He hesitates, not sure whether to say goodbye to his friends, who are still waiting for him in the parking lot. Fouad speaks with his father about his return, “one day”, to a city, Algiers, that he will probably not recognize.
Drowning in desperation, Lofti is considering suicide. However, before he is able to turn thoughts into action, he has a terrible nightmare in which he sees the person he loves most in the world, his mother, Khadija, suffering the consequences of his terrible decision. The moral suffering and the feeling of guilt become unbearable, up until the point where they surpass his abysm of despair, making him rethink what he thought would be his liberation.
In the homes of the Tunisian bourgeoisie when a dramatic event occurs, everything is done to hide it. A girl comes home with her face covered in blood, she has been attacked. Her mother and brother help her but at the same time make her feel guilty. Her father is kept in the dark. Grief and pity will lead the mother once and for all to take her daughter’s side.
Leila and her two children, Sarah and Bilal, left their native land to settle down in France. Illegal immigrant, in search of her husband who refuged to England, Leila wishes to offer to her children a better life and tries to survive by raising them in the clandestinity. While she finds finally track of her husband and has the necessary money to join him, the vice tightens.
Portrait of a pregnant South African woman expecting her second child. Throughout the entire film, her face betrays her fear of the baby succumbing to AIDS like her first-born. From frantic hope to redemptive tears, her emotions are similar to the landscape featured in the film, evolving with the seasons - a metaphor of the destiny of a continent undergoing a profound change.
Yvette, or the reality of a woman in the village of Perkouan (Burkina Faso), which we will discover while she is at her daily chores, in her environment and her thoughts…
Who Killed Me offers a glimpse in to the life of a lower class Congolese immigrant in Toronto before, during and after he is shot and murdered outside his workplace. From his mother to the police officer who finds him, we see different lives in the same city