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Carel Fabritius

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Covid-19
Movement  Delft School
Spouse(s)  Agatha van Pruyssen
Education  Rembrandt
Name  Carel Fabritius
Siblings  Barent Fabritius
Role  Painter

Carel Fabritius 2628jpg
Full Name  Carel Pietersz. Fabritius
Born  baptised 27 February 1622Middenbeemster, Dutch Republic
Died  October 12, 1654, Delft, Netherlands
Artwork  The Goldfinch, A View of Delft, Young Man in a Fur Cap, Portrait of a Seated Woman w, Slaughtered Ox
Similar People  Johannes Vermeer, Rembrandt, Barent Fabritius, Pieter de Hooch, Gabriel Metsu

Parents  Pieter Carelsz. Fabritius

Carel Fabritius (1622-1654) A collection of paintings 4K Ultra HD


Carel Pietersz. Fabritius ( [ˈkaːrəl ˈpitərs faːˈbritsijɵs]; bapt. 27 February 1622 – 12 October 1654) was a Dutch painter. He was a pupil of Rembrandt and worked in his studio in Amsterdam. Fabritius, who was a member of the Delft School, developed his own artistic style and experimented with perspective and lighting. Among his works are A View of Delft (1652), The Goldfinch (1654), and The Sentry (1654).

Contents

Carel Fabritius Carel Fabritius collage Flickr Photo Sharing

Biography

Carel Fabritius carelfabritiusportraitladyjpg

Carel Pietersz. Fabritius was born in February 1622 in Middenbeemster, a village in the ten-year-old Beemster polder in the Dutch Republic, and was baptized on 27 February of that year. He was the son of Pieter Carelsz., a painter and schoolteacher, and he had two younger brothers Barent and Johannes, who also became painters.

Carel Fabritius httpsuploadwikimediaorgwikipediacommons00

Initially he worked as a carpenter (Latin: fabritius). In the early 1640s he studied at Rembrandt's studio in Amsterdam, along with his brother Barent. In the early 1650s he moved to Delft, and joined the Delft painters' guild in 1652.

Carel Fabritius Carel Fabritius artist 1622 1654 The National

Fabritius died young, caught in the explosion of the Delft gunpowder magazine on October 12, 1654, which destroyed a quarter of the city, along with his studio and many of his paintings. Only about a dozen paintings have survived. According to Houbraken, his student Mattias Spoors and the church deacon Simon Decker died with him, since they were working on a painting together at the time.

Carel Fabritius Painter Carel Fabritius

In a poem written by Arnold Bon to his memory, he is called Karel Faber.

Painting

Carel Fabritius Portrait of Abraham de Potter Wikipedia the free

Of all Rembrandt's pupils, Fabritius was the only one to develop his own artistic style. A typical Rembrandt portrait would have a plain dark background with the subject defined by spotlighting. In contrast, Fabritius' portraits feature delicately lit subjects against light-coloured, textured backgrounds. Moving away from the Renaissance focus on iconography, Fabritius became interested in the technical aspects of painting. He used cool colour harmonies to create shape in a luminous style of painting.

Carel Fabritius Head of a Boy painting Carel Fabritius Oil Painting

Fabritius was also interested in complex spatial effects, as can be seen in the exaggerated perspective of A View of Delft, with a Musical Instrument Seller's Stall (1652). He also showed excellent control of a heavily loaded brush, as in The Goldfinch (1654). All these qualities appear in the work of Delft's most famous painters, Vermeer and de Hooch; it is likely that Fabritius was a strong influence on them.

List of works

  • ca. 1640 The Beheading of John the Baptist, oil on canvas, 149 x 121 cm, Rijksmuseum Amsterdam
  • 1643 The Raising of Lazarus, oil on canvas, National Museum, Warsaw
  • 1643/45 Hagar and the Angel, oil on canvas, 157.5 x 136 cm, Residenzgalerie Salzburg
  • c. 1644 Portrait of a Seated Woman with a Handkerchief, Art Gallery of Ontario, Toronto
  • c. 1645 Self-portrait, oil on panel, 65 x 49 cm, Museum Boijmans Van Beuningen, Rotterdam
  • 1645–47 Mercury and Aglauros oil on canvas, 72.4 x 91.1 cm, Museum of Fine Arts Boston
  • 1646 Portrait of an old man, oil on board, Louvre
  • 1646–1651 A Girl with a Broom, oil on canvas, 107.3 x 91.4 cm, signed as Rembrandt, National Gallery of Art, Washington D.C
  • 1649 Portrait of Abraham de Potter, oil on canvas, 68.5 x 57 cm, Rijksmuseum, Amsterdam
  • 1652 A View of Delft, with a Musical Instrument Seller's Stall, oil on canvas on panel, 15.4 x 31.6 cm, National Gallery London
  • 1654 The Goldfinch, oil on panel, Mauritshuis The Hague
  • 1654 The Sentry, oil on canvas, 68 x 58 cm, Staatliches Museum Schwerin Schwerin
  • 1654 Young Man in a Fur Cap, oil on canvas, 70.5 x 61.5 cm, National Gallery London (probably a self-portrait)
  • References

    Carel Fabritius Wikipedia


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