Berta Yampolsky

Early years

Berta Yampolsky was born in Paris. Her father, Naftali Yampolsky (1893–1980), was born in southern Russia. He was drafted into the Russian Imperial army, he succeeded to desert and reach France. Her mother Yokheved (Vera) Shenker (1900–1980), was born in Odessa. She was the daughter of a fruit merchant. She studied medicine in Geneva and University of Paris, where she met Yampolsky.

At the age of three, Yampolsky family emigrated to Palestine. They resided in Haifa. Berta studied at the religious school for girls in Haifa and at Hugim School as well as the Reali School.

She began to study dance with Valentina Arkhipova Grossman at the age of fourteen. Yampolsky met Hillel Markman, her future husband, in 1956. He was also a dance student. They married in 1957. The couple moved to England right after the marriage to continue dance studies. Hillel took lessons from Marie Rambert and Berta entered the Royal Academy of Dance. She also studied at Sadler's Wells. Both Hillel and Berta danced with many companies worldwide, including Belgium, Switzerland, France. They also performed with the Ballet Russe de Monte Carlo in USA. The couple returned to Israel in 1964. Upon return to Tel Aviv they were appointed as the main dancers and managers of the Israeli Opera's ballet company. After a year the couple decided to leave the opera, since their dream of starting a high profile ballet company will not be possible within the scope of being supplemental to operatic performances.

Israel Ballet

They couple's first independent company was an ensemble called The Classical Ballet of Holon, which they founded in 1967. Most of the performances of this company were based on duos from classical ballets. In 1970 Berta and Hillel established a ballet school in Tel Aviv. Their dance company grew up to include seven dancers. Yampolsky couldn't find high profile local dancers in Israel and she and Hillel approached immigrants from the United States. Their first known soloists were Pamela Osserman and Marcia Zussman.

Until 1975, the company was modest local ballet without high visibility. In 1975 they were invited to perform at the Israel Festival. George Balanchine granted the company the rights to perform Serenade and Pas de deux from Agon free of charge. They also performed Electrobach by Félix Blaska at the festival. Practically unknown at that time, Israel Ballet surprised the audience and received a lot of enthusiastic reviews from the critics.

Yampolsky toured in the USA with her Israel Ballet Company in 1975 and 1981. At that time it included twenty-five dancers. She was awarded prize for best foreign choreographer for her Dvorak Variations in Santiago, Chile.

Yampolsky was main choreographer for the following Israel Ballet's performances: The House of Bernarda Alba (1978), Carmen (1980), Untitled (1981), Dvorak Variations (1981), Mendelssohn Concerto (1982), Opus 1 (1983) and The Nutcracker (1985).

Berta Yampolsky was Israel Ballet artistic director for forty five years till 2013, when she had been fired by company's supervising auditor as a consequence for a long period of criticism, that her outdated taste and approach does not allow for company to evolve and adapt to the modern times.

Awards