Bells Are Ringing (musical)

Productions

The original Broadway production, directed by Jerome Robbins and choreographed by Robbins and Bob Fosse, opened on November 29, 1956 at the Shubert Theatre, where it ran for slightly more than two years before transferring to the Alvin Theatre, for a total run of 924 performances. It starred Judy Holliday as Ella and Sydney Chaplin as Jeff Moss,. It also featured Jean Stapleton as Sue Summers, Eddie Lawrence as Sandor, George S. Irving, Jack Weston, Peter Gennaro, and Donna Sanders. Scenic and Costume design was by Raoul Pène Du Bois and the lighting design was by Peggy Clark. During her vacation, Holliday was replaced briefly by Betty Garrett.

An original cast album was released by Columbia Records.

The West End production opened on November 14, 1957 at the Coliseum, where it ran for 292 performances. The cast included Janet Blair as Ella Peterson, George Gaynes as Jeff Moss, Jean St. Clair as Sue Summers, Eddie Molloy as Sandor, and Allyn McLerie as Gwynne Smith.

In 1960, a film adaptation of the same name was released by MGM.

A Broadway revival, directed by Tina Landau and choreographed by Jeff Calhoun, opened on April 12, 2001 at the Plymouth Theatre where, struggling to overcome mediocre reviews and ongoing hostility between the show's producers and its cast and crew, it finally closed after 68 performances and 36 previews. The cast included Faith Prince as Ella, Marc Kudisch as Jeff, David Garrison, and Beth Fowler.

The Union Theatre in London staged a revival of Bells Are Ringing in late 2010, with leading lady Anna-Jane Casey in the role of Ella Peterson. The production was well-reviewed and sold out its brief run.

In November 2010 New York City Center's Encores! series produced a semi-staged concert of the show starring Kelli O'Hara, Will Chase, and Judy Kaye. Reviews for O'Hara were excellent, but critics felt the show itself was too dated for modern audiences. Ben Brantley in his New York Timesreview wrote: "Ms. O’Hara is the possessor of a liquid soprano that was made for the shimmering romantic confessions so essential to classic American musicals. Offering sincerity without saccharine, her voice seems to emerge almost involuntarily, as if she just couldn’t help acting on an irresistible urge. Though obviously highly trained, that voice brims with a conversational ease that makes you forget that singing is not usually the form we choose for confiding in others, even in this age of 'Glee'...This 1956 musical ... was revived on Broadway only nine years ago (with Faith Prince), and it seemed irretrievably dated then."

Plot

ACT ONE

Ella Peterson works for "Susanswerphone", a telephone answering service owned by a woman named Sue. She listens in on others' lives and adds some interest to her own humdrum existence by adopting different identities – and voices – for her clients. They include Blake Barton, an out-of-work Method actor, Dr. Kitchell, a dentist with musical yearnings but lacking talent, and playwright Jeff Moss, who is suffering from writer's block and with whom Ella has fallen in love, although she has never formally met him. Ella considers the relationships with these clients "perfect" because she can't see them and they can't see her ("It's a Perfect Relationship").

Jeff is writing a play called "The Midas Touch," the first play he's written since his writing partner left him ("Independent (On My Own)"). One day the producer of the play insists that he finish the play by the next morning and meet him at 9:00 am. While asking her to wake him up on time, he turns to Ella (who he only knows as the Susanswerphone lady) for help in writing the play. Meanwhile, Sandor, Sue's rich boyfriend, reveals plans to a group of gangsters to use Susanswerphone as a bookmaking operation, by pretending to be a record seller and taking orders for "symphonies" as code. ("It's a Simple Little System").

Ella wants to go visit Jeff's apartment to help him write the play, but she is intercepted by a policeman who is convinced that Susanswerphone is a front for an "escort service." Ella asks him "Is it a Crime?" to help someone in need? He agrees that it isn't, and lets her go. She arrives at Jeff's apartment and offers him help with his play, and a romance ensues "I Met a Girl," "Long Before I Knew You."

ACT TWO

Ella is preparing to go to a party at Jeff's apartment, feeling nervous about meeting his friends. Carl, a friend of hers, helps her regain her confidence with a cha-cha dance ("Mu-Cha-Cha"). The guests at the party are all very pretentious and rich and snobby ("Drop That Name") and they make Ella feel very out of place. She leaves Jeff ("The Party's Over").

Carl, a music nerd, thwarts Sandor's operation when he receives an order for "Beethoven's 10th symphony," because he knows that Beethoven only wrote 9 symphonies. The policeman arrests Sandor. Meanwhile, Jeff comes to Susanswerphone to confess his love for Ella. She quits Susanswerphone in order to make a life with herself and Jeff ("I'm Going Back").

Song list

Note: "Better Than a Dream" was actually written during the Broadway run and later incorporated into the 1960 film.