Away from Her

Plot

Grant and Fiona are a retired married couple living in rural Brant County, Ontario. Fiona begins to lose her memory, and it becomes apparent she suffers from Alzheimer's disease. Throughout the film, Grant's reflections on his marriage are woven with his reflections on his own infidelities, and influence his eventual decisions regarding Fiona's happiness.

When she feels she is becoming a risk to herself, Fiona decides to check into a nursing home, where one of the rules is that a patient cannot have any visitors for the first 30 days, in order to "adjust". Wary of this policy, Grant agrees anyway, at the insistence of his wife whom he loves. During the drive to the home, Fiona acknowledges Grant's past infidelity while he was a university professor. Despite the awkward situation, the couple makes love one last time before separating.

When the 30-day period ends, Grant goes to visit his wife again, only to find she has forgotten him, and turned her affections to Aubrey, a mute man in a wheelchair who has become her "coping partner" in the facility. A caregiver at the facility befriends Grant and gives him some advice and support.

While seeing his wife grow closer to Aubrey, Grant becomes an unhappy voyeur when visiting his wife at the nursing home. As time goes by and Fiona still does not remember him, Grant even wonders whether Fiona's dementia is an act, to punish him for his past indiscretions. After some time, Aubrey's wife Marian removes him from the home due to financial difficulties. This causes Fiona to sink into a deep depression, with her physical well-being also appearing to deteriorate. Grant is touched by this, and visits Marian in an effort to allow Fiona to see Aubrey again. He would rather see his wife happy with another man than miserable and alone. Marian initially refuses, but the meeting leads to a tentative relationship between her and Grant. As time passes, Grant continues to visit both Fiona and Marian. He eventually succeeds in taking Aubrey back to visit his wife. But in his "moment alone" before he brings Aubrey into Fiona's room, Fiona temporarily remembers him and the love she has for him. They embrace.

Development

Sarah Polley read the short story "The Bear Came Over the Mountain" in The New Yorker when she was on a flight from working on Hal Hartley's No Such Thing in Iceland. Polley claimed to be impressed by Alice Munro's piece, saying "I found it so moving and poignant and it went so deep in me". She also envisioned her No Such Thing co-star Julie Christie as Fiona.

At that point of Polley's career, she had acted and had directed numerous short films, while the Munro adaptation would be her first feature film as director. Although Polley said Christie liked the story, it was still challenging to persuade Christie to star given her desire to semi-retire, and she was secured after seven months of negotiation.

Atom Egoyan, who directed Polley in films such as The Sweet Hereafter, served as executive producer. He advised her on directing, telling her "the actor is the only person who is doing something genuinely magical on set- and that has to be protected at all costs".

Filming

Principal photography was underway in Ontario in February 2006, scheduled to take place to April 7. Most of the shooting occurred in Kitchener, Ontario, with some filming in Brant, Bracebridge, Paris, Ontario and Toronto.

For the nursing home scenes, Freeport Health Centre in King Street East, Kitchener was used. The actors and 60 crew members spent two weeks on an unused floor.

Release

The film premiered at the Toronto International Film Festival in September 2006. It was afterwards featured in the Sundance Film Festival and the Berlin International Film Festival.

In the United Kingdom, Away from Her opened on 27 April 2007. Distributed by Lions Gate Films, the film opened in New York City on 4 May 2007. Mongrel Media and Capri Releasing released the film in Canada on 4 May. The DVD release of the film included Polley's 2001 short film I Shout Love as a bonus feature.

Box office

By 8 June 2007, Mongrel Media and Capri Releasing reported the film had grossed $1 million in Canada. It was the first English Canadian film to cross the $1 million threshold in Canada in 2007. It made an additional $2 million in the U.S.

The film finished its run on 19 July 2007 after grossing $4,571,521 in North America. It made $4,622,762 in other territories, for a worldwide total of $9,194,283.

Critical reception

The film received universal acclaim from critics. As of January 6, 2008, the review aggregator Rotten Tomatoes reported that 95% of critics gave the film positive reviews, based on 128 reviews. Metacritic reported the film had an average score of 88 out of 100 signifying 'universal acclaim' based on 36 reviews. In Canada, the Toronto International Film Festival named it one of Top 10 Canadian films of the year. The Globe and Mail called it "heartbreaking" and "indelible". Geoff Pevere gave it three stars in The Toronto Star, saying Christie gave a wonderful performance and Pinsent was even better.

Roger Ebert awarded it four stars, calling the greatest of the films about Alzheimer's of the early 21st century, and "a heartbreaking masterpiece". Peter Bradshaw, writing in The Guardian, found the film smart and said this is possibly Christie's greatest performance. Dave Calhoun of Time Out said the film stood out for the idea that Fiona's Alzheimer's is punishment for Gordon's adulteries. Variety's Dennis Harvey complimented it for "a low-key, intelligent setting for performances marked by those same qualities", singling out Pinsent and Christie. Stella Papamichael, writing for BBC, gave it five stars, praising it as " a low-key yet powerful and uplifting story of love renewed", and said Christie's performance was memorable. Entertainment Weekly gave it a B, with Lisa Schwarzbaum writing Christie is "mesmerizing".

Top ten lists

The film appeared on many critics' top ten lists of the best films of 2007.

Accolades

Word about possible Academy Award recognition for Away from Her began at the Toronto International Film Festival, and critics associations particularly recognized Julie Christie for her performance. Lionsgate Films also chose to concentrate on promoting Christie in its Academy Award campaigning.

Criticism on the adaptation

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