Name Amon Miyamoto Role Director | Movies Beat | |
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Magic flute news amon miyamoto
Amon Miyamoto (宮本亜門, born January 4, 1958 in Tokyo) is a Japanese director of musicals, operas, plays, kabuki and other art genres. He has directed over 110 productions (incl. revivals) worldwide, and 2017 marks his 30th anniversary as a director.
Contents
- Magic flute news amon miyamoto
- Japan house interview amon miyamoto
- Biography
- Career highlights
- Early life and education
- Early career
- International career highlights
- References

Miyamoto made his directing debut with his original musical I Got Merman, winning the National Performing Arts Festival Award. In 2004, he became the first Asian director on Broadway for his staging of the musical Pacific Overtures which received four Tony Award nominations. He made his North American opera-directing debut in 2007 with Tan Dun's TEA: A Mirror of Soul (U.S. premiere) at the Santa Fe Opera. In Europe, he directed Mozart's The Magic Flute at Landestheater Linz in Austria in 2013. He served as the inaugural Artistic Director of Kanagawa Arts Theater (KAAT) from 2010 to 2014. He is a recipient of the Matsuyo Akimoto Award of the Asahi Performing Arts Awards.

Japan house interview amon miyamoto
Biography

Beginning his career in theater as an actor and choreographer, Amon Miyamoto studied in London and New York for two years. Upon his return to Japan in 1987, he made his directing debut with his original musical I Got Merman, winning the National Performing Arts Festival Award, the most prestigious theatrical award in Japan.

In 2004, Miyamoto became the first Asian director on Broadway for his staging of Pacific Overtures which received four Tony Award nominations. In 2008, he conceived and directed Up in the Air, a new musical composed by Henry Krieger, which premiered at the Kennedy Center for the Performing Arts in Washington, D.C. Other overseas credits include: Tan Dun’s Opera TEA: A Mirror of Soul at The Santa Fe Opera in 2007, The Opera Company of Philadelphia in 2010, and the Vancouver Opera in May 2013; The Fantasticks in London’s West End at the Duchess Theatre in June 2010; The Temple of The Golden Pavilion, a play based on the novel by Yukio Mishima, which was invited to Lincoln Center Festival in NY in July 2011; Mozart's opera DIE ZAUBERFLÖTE (The Magic Flute) at Landestheater Linz in Austria in September 2013; and internationally renowned Japanese taiko drumming troupe DRUM TAO's DRUM HEART at NYU Skirball Center for the Performing Arts in New York in February 2016.

In 2015, he directed the musical The Wiz in March, and Ebizo Ichikawa's independent production KABUKI Ryugu Monogatari and Momotaro Onigashima Gaiden in June. In July, he directed DRUM TAO's newest production, as well as the revival production of Mozart's opera DIE ZAUBERFLÖTE (The Magic Flute) in Tokyo. The innovative opera production was presented together with an original mobile game Magic Flute: Puzzle Adventure developed by LabLike from Poland. The artistic direction of the game is based on Miyamoto's opera production, and the iOS game, originally accessible by the opera-goers only through the QR code displayed on the drop curtain, is now available worldwide. In October 2015, Miyamoto conceived and directed an original play Kourin (The Advent) which was dedicated in commemoration of the 42nd Shikinen Sengu ceremony at Kamigamo Shrine, the oldest shrine in Kyoto and UNESCO's World Heritage Site. In December 2015, Miyamoto directed SUPERLOSERZ SAVE THE EARTH, a brand new non-verbal entertainment featuring dance, music and technology.

In 2016, Miyamoto directed: the New York run of DRUM TAO's DRUM HEART; Yukio Mishima's play The Terrace of The Leper King; Stephen Sondheim's musical Sweeney Todd; Mozart's opera The Marriage of Figaro; the original Japanese musical Tanuki Goten; the original show The Land of the Rising Sun at the official kickoff event toward Tokyo 2020 Olympics & Paralympics games; YU GEN - The Hidden Beauty of Japan, the world's first 3D live theater featuring the Japanese Noh theater, in Singapore; and the first Japanese production of musical Priscilla, Queen of the Desert.
So far in 2017, he has directed an original adaptation of Stephen Sondheim's A Funny Thing Happened on the Way to the Forum in March 2017, in which the entire story took place in the city of Edo (former Tokyo) instead of Rome.
In July 2017, a reading performance of Fanatic Artist Hokusai, an original fictional play based on the life of ukiyo-e painter Katsushika Hokusai will be presented at the British Museum's Great Court.
Career highlights
Early life and education
Miyamoto was born to parents who ran a café named “Sugawa” (now “Sabou Erika”) across from the Shinbashi Enbujō, one of the most prominent kabuki theaters in Tokyo. As a child, he paid frequent visits to the Shimbashi Enbujō as well as movie theaters, Kabuki-za, and other theaters under the influence of his mother who was a former dancer of the Shochiku Revue Company. In kindergarten, he began to study (Nihon Buyō) at Fujima School of Japanese Dance where Nakamura Kanzaburō XVIII was one of his peers. Around that time, he became absorbed in Hollywood films and began to learn about musicals. When he was in elementary school, he began practicing Tea ceremony. He was brought up right in the middle of Hanamachi, a Japanese courtesan and geisha district.
While in high school, he was cast as the leading role in the school's theater club production of Godspell in which he made his acting debut. This musical received positive reviews and was featured in the Kinema Shunpo magazine. He proceeded to attend Tamagawa University, where he majored in Theater in the College of Arts. In the middle of his senior year, he was cast as a dancer in the musical Pippin.
Early career
He debuted as a dancer in 1980. He performed in musicals such as Hair, Annie Get Your Gun, and Chicago, and devoted his time to dance and choreography. He visited New York repeatedly, and studied in London for two years beginning in 1985.
He made his directing debut with his original musical I Got Merman in 1987. The following year, he received the Agency for Cultural Affairs' Performing Arts Festival Award.