Alfredo Aceto (born 1991) is a visual artist based in Switzerland. Aceto was born in Turin , Italy . He studied fine arts at ECAL. His practice is defined by constant narration and humor. Alfredo Aceto works on the paradox of immortality and its impossibility. His work has been shown at institutions and galleries such as Museo del Novecento , Blancpain Art Contemporain and Centre d'Art Contemporain Geneva
Aceto first gained international recognition with his obsessional relationship with French artist Sophie Calle. Aceto convinced Calle to make her signature tattooed on his arm (2009). By asking for a permanent artistic gesture Aceto becomes part of Sophie Calle’s work. In NGC 6543, Aceto constructed a real-size whale that constitutes the effigy of a sculpture, appearing in a stately pose with one of the two eyes that belong to the artist. Almost without expression, it touch a sort of spirituality. In 2013, he founded Allianz with his friend Emanuele Marcuccio. Allianz is a small platform for broad experimentation in culture. In 2015, Aceto began teaching art at ECAL
2017 'Unreachable Turtles, Lateral Art Space, Cluj-Napoca 2017 Endemisms , Andersen's Contemporary, Copenhagen 2016 Something between Posthistoria and Prehistoria , Barriera and Albert Stiftung Foundation, Turin 2016 Modesty or Surprise , Museo Pietro Canonica a Villa Borghese, Rome 2016 Everyone stands alone at the heart of the world, pierced by a ray of sunlight, and suddenly it’s evening , COSMIC Galerie, Bugada & Cargnel Paris 2015 Refaire le Portrait #Acte 1 , Kunsthalle Geneva , Genève 2015 Refaire le Portrait #Acte 2 , Lavorare lavorare lavorare, preferisco il rumore del mare , Kunsthalle Geneva, Centre D'Art Contemporain, Geneva 2014 Prophétie et Croque-Monsieurs , Happy Baby Gallery, Lausanne 2014 HARAM , Frutta, Rome 2013 iii-ooo , BLANCPAIN ART CONTEMPORAIN, Geneva 2012 Drugs , curated by Aurore Valade, Galerie Vol de Nuits, Marseille 2011 Lullabies for obsessions , Galleria Changing Role, Rome 2010 Format à l'italienne , Espace le Carré, Lille 2009 Poursuite , curated by Olga Gambari, Centre Culturel Francais, Turin 2017 Terrasse 2017 , Silicon Malley, Lausanne 2017 Greffes , Villa Medici, Rome 2016 Happiness is a Fiat 500 , White Cuib, Cluj-Napoca 2017 Mementos , curated by Piper Marshall and Jens Hoffmann, Art Brussels , Bruxelles 2017 Prix MAIF pour la sculpture 2017 , MAIF Social Club, Paris 2017 Alfredo Aceto, Nicola Martini, Lionel Maunz , DITTRICH & SCHLECHTRIEM, Berlin 2017 Premio Moroso , curated by Andrea Bruciati and Paola Pivi, Museo Etnografico, Udine 2017 Solidi Platoonici , La Rada, Locarno 2017 General Audition , curated by Samuel Gross and Stéphane Kropf, L'élac, Lausanne 2016 In Mostra - corpo, gesto, postura , curated by Simone Menegoi, Artissima, Turin 2016 The Milky Way , Gio Marconi, Milan 2016 Il Principio è solo e solo un centro spostato verso il centro , COSMIC Galerie, Bugada & Cargnel Paris 2016 Souvenir d'été , Villa Medici, Rome 2016 I would've Done Everything For You / Gimme More! , Flat 7, 22 Westland Place, curated by Cédric Fauq, London 2016 Kiefer-Ablitzel , Swiss Art Awards, Basel 2016 All the Lights We Cannot See , Random Institute, Pyongyang 2016 Texture and Liquidity , The Workbench International, Milan 2015 Death of the Shambls , Silicon Malley, Prilly 2015 Wincklemans , PAZIOLI, Chavannes-près-Renens 2015 Unter 30 Junge Schweizer Kunst Kiefer Hablitzel Preis , Kunsthaus Glarus , Glarus 2015 Nuit des Musées , Musée Jenisch, Vevey 2015 Kiefer-Ablitzel , Swiss Art Awards, Basel 2015 LISTE , Bugada & Cargnel, Basel 2015 L'heure qu'il est , Centre d'Art Contemporain (CACY), Yverdon-les-Bains 2015 Lavorare lavorare lavorare, preferisco il rumore del mare , Kunsthalle Geneva, Centre D'Art Contemporain, Geneva 2015 Club of Matinée Idolz , CO2, Turin 2014 The Go-Between , Museo di Capodimonte, Naples 2014 The Arcades Project , Galerie Bugada & Cargnel, Paris 2014 Jump , Gasconade at Art-O-Rama, Marseille 2014 Partis Pris , Blancpain Art Contemporain, Geneva 2014 World Wide , WALLRISS, Fribourg 2013 One Thousand Four Hundred and Sixty Peep-Hole , Peep-Hole, Milan 2013 Sol LeWit Loves Pancakes , ZIP, Basel 2013 ARI MORTIS , curated by Milovan Farronato and Roberto Cuoghi, Museo del 900, Milan, Italy 2012 There is a différence between a shaky or out-of-focus photograph and a snapshot of clouds and fog banks , curated by Philippe Decrauzat, ECAL 2011 Fforfake , Belvedere di San Leucio, Caserta 2011 This is Tomorrow , Alfredo Aceto, Trisha Baga , Benjamin Senior, Jacob Kerray, Aaron Angell, Ben Schumacher, David Ostrowski, Galleria Annarumma, Naples 2011 Nero su Nero , Galleria Franz Paludetto, Turin 2011 Soirée , Centro Luigi Pecci, Prato 2011 Lanificio , Lanificio 159 Magazzino dell'arte, Rome 2011 Bramante & Friends , Galleria Nicola Pedana, Caserta 2011 Km011 , Turin Museum of Natural History , Turin 2010 OPS! , Ambassade de France en Italie, Turin 2009 La ricostruzione dei mondi , Galleria Changing Role, Rome 2009 I ricordanti , Museo d'arte contemporanea La Filanda dei Cipressi del Real Belvedere di San Leucio, Caserta 2017 MAIF, Prix pour la sculpture, Paris 2017 Premio Moroso, Udine 2016 Cité Internationale des Arts, Paris 2016 MSA^, Mountain School of Art, Los Angeles 2015 Kunsthalle Geneva, Centre d’Art Contemporain, Geneva 2014 Residency Unlimited (RU), New York City 2013 Full Scale, Museo del Novecento, Milan 2013 ArtPort, Tel Aviv 2010 Ville de Lille, Lille Premio Moroso, text by Cédric Fauq. Catalogue As If We Never Said Goodbye, text by Elise Lammer. Ed. Dittrich & Schlechtriem Something between Posthistoria and Prehistoria. Texts by Stéphanie Serra and Tristan Lavoyer. Barriera and Albert Stiftung Foundation (Pro Helvetia) Alfredo Aceto | Andrea Bellini. First Monograph HAPAX. JRP Ringier 2015 Unter 30 XI Junge Schweizer Kunst Kiefer Hablitzel Preis. Catalogue. Kunsthaus Glarus L'heure qu'il est, Centre d'Art Contemporain Yverdon (CACY). Catalogue TEXTSCORE. Entretiens avec Arthur Fouray De Generation of Painting. Fondazione 107 The Go In Between. Museo di Capodimonte Km011. Umberto Allemandi & C Interview Julien Previeux. Alfredo Aceto and Jean Bourgois, ECAL