Al Di Meola

Early life

Born in Jersey City, New Jersey, into an Italian family with roots in Cerreto Sannita, a small town north east of Naples, Di Meola grew up in Bergenfield, where he attended Bergenfield High School. He has been a resident of Old Tappan, New Jersey.

When he was eight years old, he was inspired by Elvis Presley and the Ventures to start playing guitar. His teacher directed him toward jazz standards. He cites as influences jazz guitarists George Benson and Kenny Burrell and bluegrass and country guitarists Clarence White and Doc Watson.

Career

He attended Berklee College of Music in the early 1970s. At nineteen, he was hired by Chick Corea to replace Bill Connors in the pioneering jazz fusion band Return to Forever with Stanley Clarke and Lenny White. He recorded three albums with them. He could play so fast that he was sometimes criticized for playing too many notes.

As Return to Forever was disbanding around 1976, Di Meola began recording solo albums on which he demonstrated mastery of jazz fusion, flamenco, and Mediterranean music. His album Elegant Gypsy (1977) received a gold certification. In 1980 he recorded the live album Friday Night in San Francisco with Paco de Lucía and John McLaughlin.

In the beginning of his career, as evidenced on his first solo album Land of the Midnight Sun (1976), Di Meola was noted for his technical mastery and extremely fast, complex guitar solos and compositions. But even on his early albums, he had begun to explore Mediterranean cultures and acoustic genres like flamenco. Good examples are "Mediterranean Sundance" and "Lady of Rome, Sister of Brazil" from the Elegant Gypsy album (1977). His early albums were influential among rock and jazz guitarists. Di Meola continued to explore Latin music within jazz fusion on Casino and Splendido Hotel. He exhibited a more subtle touch on acoustic numbers "Fantasia Suite for Two Guitars" from the Casino album and on the best-selling live album with McLaughlin and de Lucia, Friday Night in San Francisco. The latter album became one of the most popular live albums for acoustic guitar, selling more than two million copies worldwide.

With Scenario, he explored the electronic side of jazz in a collaboration with Jan Hammer (later of Miami Vice theme fame). Beginning with this change, he further expanded his horizons with the acoustic album Cielo e Terra. He began to incorporate the Synclavier guitar synthesizer on mid-1980s albums such as Soaring Through a Dream. By the 1990s, Di Meola recorded albums closer to world music and modern Latin styles than jazz.

However, in 2006 he rediscovered his love of the electric guitar, and the DVD of his concert at the Leverkusen Jazz Festival 2006 bears the subtitle Return to Electric Guitar.