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Stanley Clarke

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Stanley Clarke

June 30, 1951 (age 64) Philadelphia, Pennsylvania United States (

Jazz, jazz fusion, funk, rock, pop, R&B

Musician, composer, film scorer

Double bass, electric bass, piano, organ, vocals

Mack Avenue Records, Polydor, Epic, Jazz Door, Heads Up International, Columbia, Sony, Portrait, Nemperor, IMS

Associated acts
Return to Forever, Chick Corea, Jeff Beck, Clarke/Duke Project, SMV, Animal Logic, George Duke, Jean-Luc Ponty

Musician ·

Night School: An Evening with Stanley Clarke & Friends

Music groups
Return to Forever, SMV, Animal Logic (1986 – 1992)

The Stanley Clarke Ba, School Days, The Rite of Strings, The Clarke/Duke Project, Journey to Love


George duke stanley clarke performing medley born to love you sweet baby

Stanley Clarke (born June 30, 1951) is an American bassist and founding member of Return to Forever, one of the first jazz fusion bands. He has composed music for films and television and has worked with musicians in many genres. Like Jaco Pastorius, Clarke gave the bass guitar a prominence it previously lacked.


Stanley Clarke Stanley Clarke Band Cultuurpodium Boerderij Zoetermeer

The Stanley Clarke Band - Festival de Jazz de Vitoria-Gasteiz 2017

Music career

Stanley Clarke An Interview with Stanley Clarke

Clarke was born in Philadelphia. His mother sang opera around the house, belonged to a church choir, and encouraged him to study music. He was introduced to the bass as a schoolboy when he arrived late on the day instruments were distributed to students, and acoustic bass was one of the few remaining selections. He took lessons on double bass at the Settlement Music School in Philadelphia, beginning with five years of classical music. He picked up bass guitar in his teens so that he could perform at parties and imitate the rock and pop bands that girls liked. He cites as influences Ron Carter and Charles Mingus.

Clarke attended the Philadelphia Academy of Music. After graduating, he moved to New York City in 1971 and at the age of eighteen was a member of Horace Silver's band. He also worked with Art Blakey, Stan Getz, Dexter Gordon, Joe Henderson, Pharoah Sanders, and Gil Evans. He intended to become the first black musician in the Philadelphia Orchestra until he met jazz pianist Chick Corea.

In 1973, Clark and Corea were founding members of the jazz fusion group Return to Forever with Lenny White and Bill Connors. Fusion was a combination of rock and jazz that was beginning to take shape and become popular during the early 1970s. Like Jaco Pastorius, he was playing a new kind of music, using new techniques, and giving the bass a prominence it had lacked. He drew attention to the bass as a solo instrument that could be melodic and dominant in addition to being part of the rhythm section. For helping to bring the bass to the front of the band, Clarke cites Pastorius, Paul McCartney, Jack Bruce, and Larry Graham.

After Return to Forever's second album, Light as a Feather, Clarke received job offers from Bill Evans, Miles Davis, and Ray Manzarek of the Doors, but he remained with Corea. Corea produced Clarke's first solo album, Children of Forever (1973), and played keyboards on it with guitarist Pat Martino, drummer Lenny White, flautist Art Webb, and vocalists Andy Bey and Dee Dee Bridgewater. Clarke played double bass and bass guitar. While on tour, British guitarist Jeff Beck was performing the song "Power" from Clarke's second album, and this was the impetus for their meeting. They toured together, and Beck appeared on some of Clarke's albums. School Days (Epic, 1976) brought Clarke the most amount of attention and praise he had received so far. With its memorable riff, the title song became so revered that fans called out for it during concerts.

In 1981, Clarke and keyboardist George Duke formed the Clarke/Duke Project, which combined pop, jazz, funk, and R&B. They met in 1971 in Finland when Duke was with Cannonball Adderly. They recorded together for the first time on Clarke's album Journey to Love. The first Clark/Duke Project album produced the hit "Sweet Baby". They reunited for tours in 2005 and 2014.

Clarke was a member of the New Barbarians, a band Ronnie Wood of the Rolling Stones assembled in 1979. Other band members included Keith Richards, Ziggy Modeliste, Ian McLagan, and Bobby Keys. This version of the New Barbarians played their final concert at the Knebworth Festival in 1979.

In 1988, Clarke and drummer Stewart Copeland of the rock band the Police formed Animal Logic with singer-songwriter Deborah Holland. Clarke and Copeland were friends before the Police formed. Copeland appeared on Clark's album Up (Mack Avenue, 2014).

In 2005 Clarke toured as Trio! with Béla Fleck and Jean-Luc Ponty. The U.S. and European tour was nominated for a 2006 Jammy Award in the category of "Tour of the Year." He has also played with Jeff Beck, Ron Wood, Larry Carlton, Billy Cobham and Al Di Meola.

In 2008, he recorded Thunder with two other bassists, Victor Wooten and Marcus Miller.

In 2009 he released Jazz in the Garden, featuring the Stanley Clarke Trio with pianist Hiromi Uehara and drummer Lenny White. The following year he released the Stanley Clarke Band, with Ruslan Sirota on keyboards and Ronald Bruner, Jr. on drums; the album also features Hiromi on piano.

TV and movies

Clarke has written scores for television and movies. His first score, for Pee-wee's Playhouse, was nominated for an Emmy Award. He also composed music for the movies Boyz n the Hood, Passenger 57, and What's Love Got to Do with It, the television programs Lincoln Heights and Soul Food, and the video for "Remember the Time" by Michael Jackson.

In 2007, Clarke released the DVD Night School: An Evening of Stanley Clarke and Friends, a concert that was recorded in 2002 at the Musicians' Institute in Hollywood. Clarke plays both acoustic and electric bass and is joined by guests Stewart Copeland, Lenny White, Béla Fleck, Shelia E., and Patrice Rushen.

Record label

In 2010, Clarke founded Roxboro Entertainment Group in Topanga, California. He named it after the high school that he attended in in the 1960s. The label's first releases were by guitarist Lloyd Gregory and composer Kennard Ramsey. Roxboro's roster also includes keyboardist Sunnie Paxson, pianist Ruslan Sirota, and pianist Beka Gochiashvili.

Electric bass technique

When playing electric bass, Clarke places his right hand so that his fingers approach the strings much as they would on an upright bass, but rotated through 90 degrees. To achieve this, his forearm lies above and nearly parallel to the strings, while his wrist is hooked downward at nearly a right angle. For lead and solo playing, his fingers partially hook underneath the strings so that when released, the strings snap against the frets, producing a biting percussive attack. In addition to an economical variation on the funky Larry Graham-style slap-n'-pop technique, Clarke also uses downward thrusts of the entire right hand, striking two or more strings from above with his fingernails (examples of this technique include "School Days", "Rock and Roll Jelly", "Wild Dog", and "Danger Street").


A Church of Scientology web site reported that Clarke was a member and performed at one of its Hollywood parties in 2012. In 2013, the Morton Report web site wrote that Clarke was no longer a member.

Awards and honors

  • Grammy Award for Best Jazz Performance by a Group, No Mystery, with Return to Forever, 1977
  • Grammy Award for Best Contemporary Jazz Album, The Stanley Clarke Band, 2011
  • Grammy Award for Best Jazz Instrumental Album, Forever with Chick Corea and Lenny White, 2012
  • Miles Davis Award, 2011
  • Lifetime Achievement Award, Bass Player, 2006
  • Honorary doctorate in fine arts, The University of the Arts, 2008
  • References

    Stanley Clarke Wikipedia