Siddhesh Joshi

Vera Frenkel

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Education  Fine Arts
Alma mater  McGill University
Role  Artist

Name  Vera Frenkel
Movies  The Blue Train, Adoration
Vera Frenkel Vera Frenkel Artist fights for the right to work
Born  November 10, 1938 (age 77) (1938-11-10) Bratislava, Czechoslovakia
Notable work  String Games, ...from the Transit Bar, ONCE NEAR WATER: Notes from the Scaffolding Archive (2008), The Blue Train (2012-2014)
Awards  Governor General's Awards in Visual and Media Arts (2005)
Books  ... from the Transit Bar. Body Missing :

Artist interview vera frenkel

Vera Frenkel (born November 10, 1938) is a Canadian multidisciplinary artist based in Toronto. Her installations, videotapes, performances and new media projects address the forces at work in human migration, the learning and unlearning of cultural memory, and the ever-increasing bureaucratization of experience.


Vera Frenkel Vera Frenkel Cartographie d39une pratique Mapping a

Vera Frenkel was born in Bratazalava, Czechoslovakia, lived in England during her childhood and resided in Canada for her adult life. Frenkel graduated with a degree in Fine Arts from McGill University in 1959, then pursued further studies in Montreal under Arthur Lismer and Albert Dumouchel.

Vera Frenkel Vera Frenkel Cartographie d39une pratique Mapping a

She has exhibited in solo and group shows in Canada and internationally since the early 1970s. Her work has been exhibited at Documenta IX, the Offenes Kulturhaus, Linz; the Setagaya Art Museum, Tokyo, the National Gallery of Canada, Ottawa, the Museum of Modern Art, New York, and the Biennale di Venezia.

Vera Frenkel Drink in Vera Frenkel39s art homecoming at MOCCA Toronto Star

Vera frenkel at mocca a critic s view

Major Exhibitions

Vera Frenkel Vera Frenkel Art for Commuters

Frenkel's solo exhibitions include the following: Likely Stories: Text/Image/Sound Works for Video and Installation (Agnes Etherington Art Centre, Kingston, Ontario, 1982); Raincoats, Suitcases, Palms (Art Gallery of York University, Toronto, 1993); from the Transit Bar (Museum Fridericianum, Kassel, The Power Plant Contemporary Art Gallery, Toronto, 1994–95, and National Gallery of Canada, 1996); and Body Missing (Offenes Kulturhaus, Linz, Austria 1996; Gesellschaft für Aktuelle Kunst, Bremen, Germany, 1996–97). In recent years, Frenkel has exhibited her works at centre culturel canadien (Paris, 2002) and the Freud Museum (London, UK, 2003). Between November 15 and December 28, 2014, the Museum of Contemporary Canadian Art presented Ways of Telling, an exhibition presenting Frenkel's work from the early 1970s to present, including her more recent works. ONCE NEAR WATER: Notes from the Scaffolding Archive (2008) and The Blue Train (2012–2014). The exhibit was curated by the National Gallery of Canada's Associate Curator, Contemporary Art, Jonathan Shaughnessy.

Vera Frenkel wwwthenationalinstituteorgtourverafrenkelfi

Some examples of Frenkel's group exhibitions include the following: OKanada (Akademie der Künste, Berlin, 1982–83); Vestiges of Empire (Camden Arts Centre, London, UK, 1984); ...from the Transit Bar (Documenta IX, Kassel, Germany, 1992); Shifting Paradigms (Bucharest, 1994); Beyond National Identities (Tokyo, Kyoto, and Sapporo, Japan, 1995); and Archival Dialogues: Reading the Black Star Collection (Toronto, Ontario, Canada, 2012).


One of Frenkel's major works, ...from the Transit Bar, is a multi-media installation with a functioning bar and video monitors playing individuals testimonials recounting themes such as exile, translation and cultural migration. It was a collaboration between the National Gallery of Canada and The Power Plant. It was initially exhibited in 1992 at documenta IX in Kassel, Germany, toured Europe in the 1990s and has been most recently re-exhibited at the National Gallery of Canada in the spring and summer of 2014.

ONCE NEAR WATER: Notes from the Scaffolding Archive (2008) is a videotape about a city cut off from its lake and uses the scaffolding as a metaphor for both aspiration and loss. In the opening lines, its voice over narrative discusses the lake and sets the stage for the piece. According to the artist's website, "This report is about a lake, and about longing. Also about greed, and about ways of bearing witness. I don't know the whole story, one never does."


Frenkel is recipient of the 1989 Canada Council Molson Prize, the 1994 Toronto Arts Foundation Visual Arts Award, the 1993 Gershon Iskowitz Prize, the 1999 Bell Canada Award for Video Art and the 2007 iDMAa Pioneering Achievement Award. In 2005 she was awarded the Governor General's Awards in Visual and Media Arts by the Canada Council for the Arts.


Vera Frenkel Wikipedia

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