7 /10 1 Votes
Language English, Tagalog Pages 214 LC Class MLCM 2008/00864 (P) Genre Short story | 3.5/5 Goodreads Publication date August 18, 2008 ISBN 978-971542574-2 Originally published 18 August 2008 Page count 214 OCLC 262737716 | |||||||||||||||||||||||||||||||||
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Media type Print (Hardback & Paperback) Publishers University of the Philippines Press, University of Hawaii Press | ||||||||||||||||||||||||||||||||||
Ultraviolins is a collection of 14 short stories by Khavn, first published by the University of the Philippines Press in 2008 and subsequently, by the University of Hawaii Press in 2009. It is his first book of fiction.
Contents
On the book cover, National Artist for Literature Bienvenido Lumbera cautions you to "Accept that the author in front of you is consciously being insane so you don't have to go looking for anything as boring as sanity."
Description
Ultraviolins is a compendium of stories. Stories, in this sense, is a word used loosely to describe a form that looks suspiciously like one because what it says, it says in a way that’s storylike. But the forms shapeshift wildly without relaxing into anything resembling a conventional storyform: synopsized movie scripts leeched of film language so it’s easier to read, flash fiction or even creative non-fiction that resembles a confessional essay. The shape of the narrative is highly stylized, prompting the label, "postmodern story".
The Stories
1. adulturero | the adulterous man
2. amerika
3. ang bahista | the bassist
4. k. ang bagong katipunan | k. the new brotherhood
5. dedbol | deadball
6. ang ipis sa loob ng basurahan | the cockroach inside the trashcan
7. isang gabi | one night
8. ang nangyari sa adarna pagkatapos ng kanta | after the adarna’s song
9. nokturno | nocturne
10. ang pamilyang kumakain ng lupa | the family that eats soil
11. ang rapist sa loob ng puso ko | the rapist inside my heart
12. sm: mga lamang-isip ng isang maswerteng serial killer at ng mga malas niyang biktima | sm: the hidden thoughts of a lucky serial killer and his luckless victims
13. tanaga sa ateneo | tanaga in the ateneo
14. ang tao bilang makakalimutin | man as forgetful
Style
Ultraviolins is considered the first Filipino post-modern book of short stories. Postmodern storytelling, however, has been appropriated before, just not as a collection of short stories and some not even published yet. Works of note include Roland Tolentino's Microfiction, Mykel Andrada's Rizal In Dapitan, Allan Derain's Iskrapbuk, Eros Atalia's Suicide Manual, Norman Wilwayco's How I Fixed My Hair After A Rather Long Journey, Edgar Samar's Eight Spirits Of The Fall, and Mes de Guzman's Rancho Dyango.
Khavn is generally better known as a very experimental digital filmmaker, and this aesthetic: the manufactured reality, the editing techniques, the self-referentiality, the pungent prose, the grimy imagery—even down to how Khavn cuts his lines—is found in Ultraviolins.
Amerika is an angry and self-conscious contemplation of the meaning of Amerika—yes, with the “k”—initially reminiscent of Allen Ginsberg’s own long-form piece of basically the same name although Ginsberg’s anger is met with sarcasm in Khavn's. Dedbol is a series of disjointed dagli about random people—a serial killer, some kidnappers, a four-piece band, and girls on a shower party—converging for a split second in the Divine Intersection before splitting up again to conclude their narratives, borrowing Guillermo Arriaga’s narrative conceit from the seminal McOndo movie Amores perros only lacking the social and political implications of the original. “Ang Ipis Sa Loob ng Basurahan” is a post-Kafka humanized depiction of a cockroach stuck inside a trashcan deciding to build a home for itself in the interim before its expected escape and sudden death by way of slipper-squashing.
Reviews and Analysis
F. Sionil Jose, National Artist for Literature calls the book refreshingly original, irreverent, even kinky - a spicy read on any humdrum day.
On Good Reads, the book is rated by a user as a collection of "demented 'post-modern' stories, further saying that "The post-modern element in the stories of course make them interesting, but the treatment of violence almost bordered on what Fredric Jameson called the 'waning of the affect'; that is, Khavn exploited violence to much to the point that its essential brutality has disintegrated".
The Varsitarian, however, commends Ultraviolins as "a raw but genuine attempt to break through the normal conventions of short stories and poems and acts as a fluent introduction to comical postmodernism. "
Film Adaptation
One of the stories in Ultraviolins, the Family That Eats Soil, was first published in 2005, as part of the Philippine Speculative Fiction Sampler. Cory Doctorow of Boing Boing calls the anthology of stories, "pretty fascinating and often good", singling out The Family That Eats Soil as an example.
The Family That Eats Soil tells the story of a family that eats soil three times a day. It premiered at the 34th International Film Festival Rotterdam in 2005. The Village Voice criticized it as a "brown comedy" that is a "fast-forward favorite at the festival's video library". On the other hand, critic Alexis Tioseco praised the film as a highly political "dystopian view of the modern Filipino family. The repetitive chorus of the film that breaks up the separate stories of the individual family members is the image of a family meal, eating soil."