|Prominence 79 m (259 ft)|
Location Oxfordshire, England
Topo map OS Landranger 174
|Listing County Top|
OS grid SU301866
Elevation 261 m
|Similar Uffington Castle, Wayland's Smithy, Dragon Hill - Uffington, Westbury White Horse, Cerne Abbas Giant|
The Uffington White Horse is a highly stylised prehistoric hill figure, 110 m (360 ft) long, formed from deep trenches filled with crushed white chalk. The figure is situated on the upper slopes of White Horse Hill in the English civil parish of Uffington (in the county of Oxfordshire, historically Berkshire), some 8 km (5 mi) south of the town of Faringdon and a similar distance west of the town of Wantage; or 2.5 km (1.6 mi) south of Uffington. The hill forms a part of the scarp of the Berkshire Downs and overlooks the Vale of White Horse to the north. Best views of the figure are obtained from the air, or from directly across the Vale, particularly around the villages of Great Coxwell, Longcot and Fernham. The site is owned and managed by the National Trust and is a Scheduled Ancient Monument. The Guardian stated in 2003 that "for more than 3,000 years, the Uffington White Horse has been jealously guarded as a masterpiece of minimalist art." It has also inspired the creation of other white horse hill figures.
- Map of Whitehorse Hill Faringdon UK
- Uffington white horse england
- Nearby features and recent events
- Cultural references
Map of Whitehorse Hill, Faringdon, UK
Uffington white horse england
The figure presumably dates to "the later prehistory", i.e. the Iron Age (800 BC–AD 100) or the late Bronze Age (1000–700 BC). This view was generally held by scholars even before the 1990s, based on the similarity of the horse's design to comparable figures in Celtic art, and it was confirmed following a 1990 excavation led by Simon Palmer and David Miles of the Oxford Archaeological Unit, following which deposits of fine silt removed from the horse's 'beak' were scientifically dated to the late Bronze Age.
Iron Age coins that bear a representation comparable to the Uffington White Horse have been found, supporting the early dating of this artefact; it has also been suggested that the horse had been fashioned in the Anglo-Saxon period, more particularly during Alfred's reign, but there is no positive evidence to support this and the view is classified as "folklore" by Darvill (1996).
Numerous other prominent prehistoric sites are located nearby, notably Wayland's Smithy, a long barrow less than 2 kilometres (1 mi) to the west. The Uffington is by far the oldest of the white horse figures in Britain, and is of an entirely different design from the others.
It has long been debated whether the chalk figure was intended to represent a horse or some other animal, such as a dog or a sabre toothed cat. However, it has been called a horse since the 11th century at least. A cartulary of Abingdon Abbey, compiled between 1072 and 1084, refers to "mons albi equi" at Uffington ("the White Horse Hill").
The medieval Welsh book, Llyfr Coch Hergest [The Red Book of Hergest] (1375–1425), states: "Gerllaw tref Abinton y mae mynydd ac eilun march arno a gwyn ydiw. Ni thyf dim arno." which translates as "Near to the town of Abinton there is a mountain with a figure of a stallion upon it and it is white. Nothing grows upon it."
The horse is thought to represent a tribal symbol perhaps connected with the builders of Uffington Castle.
It is quite similar to horses depicted on Celtic coinage, the currency of the pre-Roman-British population, and the Marlborough, Wiltshire bucket.
Until the late 19th century the horse was scoured every seven years as part of a more general local fair held on the hill. When regular cleaning is halted the figure quickly becomes obscured; it has always needed frequent work for the figure to remain visible.
In August 2002 the figure was defaced with the addition of a rider and three dogs by members of the "Real Countryside Alliance" (Real CA). The act was denounced by the Countryside Alliance. Soon afterwards for a couple of days in May 2003, a temporary hill figure advertisement for the fourth series of Channel 4's series Big Brother was controversially placed near the figure.
In March 2012, as part of a pre-Cheltenham Festival publicity stunt, a bookmaker added a large jockey to the figure.
The Folkestone White Horse, Kent, is based on this horse.
Nearby features and recent events
The most significant nearby feature is the Iron Age Uffington Castle, located on higher ground atop a knoll above the White Horse. This hillfort comprises an area of approximately 3 hectares (7.4 acres) enclosed by a single, well-preserved bank and ditch. Dragon Hill is a natural chalk hill with an artificial flat top, associated in legend with St George.
Whitehorse Hill is designated a Site of Special Scientific Interest (SSSI). It is a geological SSSI due to its Pleistocene sediments, and a biological SSSI as it has one of the few remaining unploughed grasslands along the chalk escarpment in Oxfordshire.
To the west are ice-cut terraces known as the "Giant's Stair". Some believe these terraces at the bottom of this valley are the result of medieval farming, or alternatively were used for early farming after being formed by natural processes. The steep sided dry valley below the horse is known as the Manger and legend says that the horse grazes there at night.
The Blowing Stone, a perforated sarsen stone, which lies in a garden in Kingston Lisle, two kilometres away and which produces a musical tone when blown through, is thought possibly to have been moved from the White Horse site, in 1750.
The hill is also used by the local Paragliding and Hang Gliding Club.
The horse was a direct influence on much later hill figures of white horses, including Kilburn White Horse (1858) in Yorkshire and Folkestone White Horse (2003) in Kent, in addition to the white horse cut from heather that existed from 1981 until the mid-1990s in Mossley, Greater Manchester. The first Westbury White Horse, which faced left, is believed to also be inspired by the Uffington horse. Uffington White Horse has also inspired lookalike hill figures, including one facing left in Ciudad Juárez, Mexico. Direct replicas of the Uffington horse can be found at Cockington Green Gardens in Australia and Hogansville, Georgia, USA. Uffington White Horse has also inspired two sculptures in Wiltshire, namely Julie Livsey's White Horse Pacified (1987) in the nearby Swindon, a town which was also once considered for a white horse, and Charlotte Moreton's White Horse (2010) in Solstice Park, Amesbury.
A crop mark in a field in Whittlesford, Cambridgeshire, was discovered in September 2004 which was of a similar shape to the Uffington horse, prompting concern over whether it was the remains of white horse at the spot or whether the shape is the random result of peculiar growth patterns in the crop.