8.4 /10 1 Votes
Country France Originally published 1967 Translator Donald Nicholson-Smith | 4.2/5 Goodreads Language French | |||||||||||||||||||||||||||||||||
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Original title Traité de savoir-vivre à l’usage des jeunes générations Media type Print (Hardcover, Paperback) Pages 216 (Left Bank Books and Rebel Press edition) ISBN 0-946061-01-7 (UK)
ISBN 0-939306-06-9 (US) Page count 216 (Left Bank Books and Rebel Press edition) Similar Raoul Vaneigem books, Anarchism books, Cultural studies books | ||||||||||||||||||||||||||||||||||
The Revolution of Everyday Life (French: Traité de savoir-vivre à l’usage des jeunes générations) is a 1967 book by Raoul Vaneigem, Belgian author, philosopher and one time member of the Situationist International (1961–1970). The original title literally translates as, Treatise on Living for the Younger Generations. John Fullerton and Paul Sieveking chose the title under which the work appears in English.
Contents
Summary
Vaneigem takes the field of "everyday life" as the ground upon which communication and participation can occur, or, as is more commonly the case, be perverted and abstracted into pseudo-forms. He considers that direct, unmediated communication between "qualitative subjects" is the 'end' to which human history tends - a state of affairs still frustrated by the perpetuation of capitalist modes of relation and to be "called forward" through the construction of situations. Under these prevailing conditions, people are still manipulated as docile "objects" and without the "qualititive richness" which comes from asserting their irreducible individuality - it is toward creating life lived in the first person that situations must be "built" . So to speak, it is the humiliation of being but a "thing" for others that is responsible for all the ills Vaneigem equates with modern city life - isolation, humiliation, mis-communication - and toward creating new roles that flout stereotyped convention that freedom comes.
Influence
The Revolution of Everyday Life was, along with Guy Debord’s The Society of the Spectacle (1967), one of the most significant works written by members of the Situationist International (1957–1972).