6.6 /10 1 Votes
Language English | 3.3/5 Goodreads Originally published 1926 | |||||||||||||||||||||||||||||||||
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Pages 445 (Vintage international edition) ISBN 0-679-73493-7 (Vintage international edition) Page count 445 (Vintage international edition) Cover artist Dorothy Brett (for the first US edition, published by Knopf) Similar D H Lawrence books, Classical Studies books | ||||||||||||||||||||||||||||||||||
The alberino analysis land of the plumed serpent part 1 what s in a name
The Plumed Serpent is a 1926 novel by D. H. Lawrence. Set in Mexico, it was begun when the author was living at what is now the D. H. Lawrence Ranch near Taos in the U.S. state of New Mexico in 1924, accompanied by his wife Frieda and artist Dorothy Brett. Lawrence wanted to call the book "Quetzalcoatl", after the Aztec god of that name, but his publisher Knopf found the name strange and insisted on "The Plumed Serpent", a title Lawrence disliked. An early draft of the book, different enough to be considered a distinct work, was published under the title "Quetzalcoatl" in 1995. Critics have seen The Plumed Serpent as having political or fascist overtones, and as expressing Lawrence's fears about the decline of the white race and belief in women's submission to men.
Contents
Exploring the temple of the plumed serpent in mexico
Plot
The novel has a contemporary setting during the period of the Mexican Revolution. It opens with a group of tourists visiting a bullfight in Mexico City. One of them, Kate Leslie, departs in disgust and encounters Don Cipriano, a Mexican general. Later she meets his friend, an intellectual landowner Don Ramón, and travels to Sayula, a small town set on a lake. Ramón and Cipriano are leading a revival of a pre-Christian religion and Kate becomes drawn into their cult.
Reception
Cultural critic Philip Rieff writes that The Plumed Serpent is "a novel of pagan religiosity, raising the possibility of converting a Western woman to a primitive Indian cult." Rieff believes that in his "imaginative rehabilitation" of Aztec ritual, Lawrence "rightly understands sun dancing as an imitation — or a dramatic representation — performed in substantiation of the divine concern with the human being", but concludes that The Plumed Serpent is an embarrassment even to Lawrence's admirers. Novelist William S. Burroughs stated, in response to dismissive comments about Lawrence by Leslie Fiedler, that he was very influenced by the book.
Critic William York Tindall called The Plumed Serpent "a great metaphor for a feeling about reality." Critic Harold Bloom observes in his The Western Canon (1995) that Lawrence was writing as a "rather weird political theorist" in The Plumed Serpent, which he describes as a "Fascist fiction" inferior to The Rainbow (1915) and Women in Love (1920). Cultural critic William Irwin Thompson writes that The Plumed Serpent shows that Lawrence misunderstood the religion of ancient Mexico. Professor Louis L. Martz writes that the book resembles the Bible in its "combination of prose and poetry, its mingling of narrative and description with songs and hymns, lyrical sermons and eloquent authorial ruminations, along with its frequent use of occult symbols". Martz finds the work a success in its own terms so long as it is "read as a novel of prophecy, with all the abrupt shifts of tone and technique that prophecy manifests". Marianna Torgovnick writes that The Plumed Serpent "has been charged with protofascism" and that it "states its racialised theses quite clearly at times. It posts Lawrence's views, derived from theories circulating within his culture, of the fall and rise of races based upon energy and power. Lawrence's fear is specifically the fear that the white race will be supplanted". She believes that the book "advocates women’s slavelike submission to men and surrender of the drive toward orgasm" and that its "overblown prose" makes it easy to reject. Anne Fernihough calls The Plumed Serpent "stridently ideological".