Publication date May 1989 | ISBN 0-426-20334-8 Originally published May 1989 Release number 1 | |
Subject Featuring:Sixth DoctorPeri Set in Period betweenRevelation of the Daleks andMission to Magnus Genres Science Fiction, Speculative fiction Similar Doctor Who books, Science Fiction books | ||
Doctor who cd review the nightmare fair
The Nightmare Fair is a story originally written for the 1986 season of Doctor Who, but never filmed. A novelisation based on the script was published in 1989 by Target Books, as the first volume of its Missing Episodes series. The script and novelisation were written by former series producer Graham Williams, and would have been directed by Matthew Robinson had it gone to air. It is the first novel-length text featuring The Doctor not to be based upon a previously transmitted production, although being a novelization it is not strictly speaking an "original" novel; the first such book appeared in 1991.
Contents
- Doctor who cd review the nightmare fair
- Synopsis
- Background
- Novelisation
- Notes
- Big Finish audio play
- Cast
- Continuity
- Production Notes
- References
An audio play closely based on Williams' script was released in May 2003, with profits going to the charity Sense. For this adaptation, the Sixth Doctor was played by Steve Hill, and Peri by Jennifer Adams Kelley.
A second audio adaption, done by Big Finish, was released in 2009. Adapted by John Ainsworth, it featured both Colin Baker and Nicola Bryant reprising their television roles of the Sixth Doctor and Peri respectively.
Synopsis
The Sixth Doctor and his companion Peri are lured in the TARDIS to Blackpool, where they discover something wrong in the local videogame arcade. The Doctor's adversary the Celestial Toymaker is behind it, and the Doctor and Peri must fight their way through his videogames in order to defeat him.
Background
Several stories were in the planning stages for the 23rd Season of Doctor Who, three of which were in the middle of being scripted when the (temporary) cancellation announcement was made. Former series Producer Graham Williams was to have written the season opener, featuring a return of the Celestial Toymaker as seen in the 1966 serial. Being the first slated for production, Williams script was by far the most advanced at the time of cancellation, with Matthew Robinson (who had helmed Resurrection of the Daleks and Attack of the Cybermen in the previous two seasons) pencilled in as director.
Novelisation
In 1988, Target Books, which had been successfully publishing novelisations of Doctor Who stories for many years, saw itself running out of available televised material (although a number of serials remained unadapted, most were off-limits due to licensing problems). While negotiations went forward with the BBC for the publication of new adventures, three of the cancelled scripts were published in book form. The writers of all three were approached, and all were signed to write the novels. The Nightmare Fair required far less additional material than the other two, and in May 1989 it became the first to be published under the Missing Episodes banner. It was the first of 275 releases from different publishers as of 2007 that were not televised or broadcast on radio (the novelisation of the radio story Slipback had been published in 1986).
The next two books in the series were The Ultimate Evil by Wally K. Daly, released in August 1989, and Mission to Magnus by Philip Martin, published in July 1990 (the first Doctor Who novel based on non-televised material to be published after the end of the original series).
Notes
Big Finish audio play
Big Finish Productions produced an audio drama adaptation of The Nightmare Fair in 2009. In early March 2009, Big Finish announced that the role of the Toymaker was to be played by David Bailie, who had previously played Dask in the 1977 story The Robots of Death. The original 1966 Toymaker story starred Michael Gough, but at the time of audio recording, he had retired from acting.
Cast
Continuity
Production Notes
Doctor who's Audio Series producer David Richardson briefed all the Composers including Jamie Robertson to give the lost stories season an original but classic "80's Retro" feel.
Jamie used Various Synths for the music soundtrack and sound design including an AKAI AX-80 and a Yamaha SY85.