Editor Edward Bolland Osborn | ||
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Similar Battle Pieces: The Civil, Georgian Poetry, Our Debt to Greece and Rome, MUSE IN ARMS A COLL OF, NEW ELIZABETHANS A 1ST SE | ||
The Muse in Arms is an anthology of British war poetry published in November 1917 during World War I. It consists of 131 poems by 52 contributors, with the poems divided into fourteen thematic sections. The poets were from all three branches of the armed services, land, sea and air, from a range of ranks (though mostly officers) and from many parts of the UK. Twenty of the poets who contributed to this volume died during the war. The editor was the journalist and author Edward Bolland Osborn (1867–1938), and the book was printed in London by the publishers John Murray. This anthology was one of several collections of war poetry published in the UK during the war. It "achieved large sales", and was reprinted in February 1918. It has been referenced in several analyses of First World War poetry and has been described as "the most celebrated collection of the war years".
Contents
Contents
The anthology's title page describes the book as "A collection of war poems, for the most part written in the field of action, by seamen, soldiers, and flying men who are serving, or have served, in the Great War". The dedication is to the journalist and Times Literary Supplement editor Bruce Lyttelton Richmond (1871–1964).
The first edition of the book contains 38 pages of prefatory material including publication details, the dedication, an introduction by the editor, acknowledgments (several of the poems had been previously published), a list of 46 authors, and a list of contents. This is followed by 131 poems over 295 pages. Eight of the 131 poems are by civilian or anonymous authors, some referenced by name or pseudonym and others only by their initials, bringing the total number of contributors to 52.
Osborn's introduction discusses several aspects of the collection and includes a quote from Pericles when considering the cost of the war against the poetry produced:
The book is divided into fourteen thematic sections:
Poets
At the time of the anthology's publication in November 1917, the death during the war of sixteen of the forty-six authors was marked in the list of authors with an asterisk, and are so-marked in the following list as well. The deaths during the war of four other authors who were killed or died following publication of the book, or whose deaths had occurred earlier but not been recorded by Osborn, are marked with a double asterisk. The military rank and unit given in the list of authors is also included in the list below.
Selection of photographs of some of the poets and titles of their poems from The Muse in Arms:
Poetry
The poems that mention wartime places, battles, people and events include:
The opening lines of 'To the Poet Before Battle' by Ivor Gurney, who would survive the war:
Lines from 'Better Far to Pass Away' by Richard Molesworth Dennys, who was killed during the war:
Reception
The Muse in Arms has been described as one of several "important anthologies in the canonization of poetic taste", including work by Siegfried Sassoon and Rupert Brooke. While other major war poets such as Wilfred Owen and Isaac Rosenberg are absent from the book, the collection has also been noted for its inclusion of poems by "servicemen who perished during wartime and whose literary output was strictly limited". The collection was published at the point in the war where there was a shift from "patriotism and romanticism" to a more realistic verse that reflected the "brutal reality" of trench warfare, answering "to a public demand, particularly strong during the period of the great battles of 1915–17, for poetry from the trenches". The introduction by Osborn has been described as articulating the "appallingly anachronistic concept of war as a game". In his 2007 work, Sillars draws further attention to the imagery used in the introduction by Osborn, and concludes that The Muse in Arms and similar anthologies of that period of the war used poetry to locate the war "within a spiritual landscape that makes mystical the English countryside by endowing it with heroic virtues". The symbolic meaning of the anthology and the works it contains has also been examined, with Haughton (2007) describing the title of the work as representing a "muse enlisted in the service of the State, Church and British Army".