Neha Patil (Editor)

The Melancholy of Departure

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Year
  
1916

Created
  
1916

Medium
  
Location
  
Tate Modern, London

Media
  
Oil paint

The Melancholy of Departure httpsuploadwikimediaorgwikipediaenthumbc

Dimensions
  
68.2 cm × 52.4 cm (26.9 in × 20.6 in)

Periods
  
Surrealism, Metaphysical art

Similar
  
Giorgio de Chirico artwork, Metaphysical art artwork, Oil paintings

Sand snowman the melancholy of departure


The Melancholy of Departure (1916) is a painting by the Greek-Italian metaphysical painter Giorgio de Chirico. This painting was created after de Chirico returned to Italy from Paris to join the Italian Army in World War I.

Contents

During this time de Chirico was moving away from the bright open scenes of his previous work. He was now focusing on more abstract combinations of objects and indoor settings, and seeking to paint the hidden meanings behind the surface of things. The themes of travel and departure are present in much of de Chirico's canon, as seen in his many paintings of trains and railways stations.

This painting depicts a random cluster of objects used to make paintings, and an easel which holds up a triangular map. The map shows a channel between two land masses with outlines of different routes. The surroundings are the inside of a room at night. The room has an open archway through which can be seen a tower.

This is the second painting by de Chirico by this title after his 1914 work Gare Montparnasse (The Melancholy of Departure). In 1987 the American jazz musicians Mark Isham and Art Lande released a song titled “The Melancholy of Departure” on their collaborative album We Begin.

Mark isham the melancholy of departure


References

The Melancholy of Departure Wikipedia


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