Director Jack Curtis
Music director Julian Stein
Country United States
Genre Comedy, Horror, Sci-Fi
Screenplay Arnold Drake
Writer Arnold Drake
|Release date March 18, 1964|
Cast Martin Kosleck (Prof. Peter Bartell), Byron Sanders (Grant Murdoch), Barbara Wilkin (Jan Letterman), Rita Morley (Laura Winters), Ray Tudor (Omar)
Similar movies The Brain That Wouldnt Die (1962), Bride of the Monster (1955), Blood Feast (1963), Night of the Living Dead (1968), Monstrosity (1963)
Tagline Behind this Membrane...You Will Be Driven To a Point...Midway Between Life and Death!
Omar s death the flesh eaters 1964 avi
The Flesh Eaters is a 1964 American horror/science fiction thriller, directed on a low budget by Jack Curtis and edited by future filmmaker Radley Metzger. The film contains moments of violence much more graphic and extreme than many other movies of its time, making it one of the first ever gore films.
- Omar s death the flesh eaters 1964 avi
- the flesh eaters 1964 2 full length w nazi exper scene re added
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the flesh eaters 1964 2 full length w nazi exper scene re added
Jan Letterman (Barbara Wilkin), the personal assistant to a wealthy, over-the-hill actress named Laura Winters (Rita Morely), hires pilot Grant Murdoch (Byron Sanders) to fly her from New York to Provincetown, Rhode Island, but a storm forces them to land on a small island. They soon meet Prof. Peter Bartell (Martin Kosleck) a marine biologist with a German accent who is living in seclusion on the isle.
After a series of strange skeletons wash ashore (human, then fish) it turns out the water has become inhabited by some sort of glowing microbe which apparently devours flesh rapaciously. Bartell is a former US Government agent who was sent to Nazi Germany to recover as much of their scientific data as possible. He was chosen for the job for his scientific skills and knowledge of the German language. Using the methods learned there he hopes to cultivate a group of monstrous "flesh eaters" that can devour the skin off a screaming victim in mere seconds. A beatnik named Omar (Ray Tudor) joins the group after becoming shipwrecked on their shore. Tensions mount after the plane drifts off into the ocean, leaving the castaways and Bartell as potential meals for the ravenous monsters.
High-voltage electrification (from a battery system devised by Bartell) is utilized in an attempt to slay the monsters. Bartell explains that he has been tracking these creatures and attempting to cultivate them to sell as biological weapons. It is soon discovered that electrical shocks increase the creatures' powers. The high voltage causes the numerous smaller creatures to join into a larger conglomeration. By accident, the survivors stumble upon the solution. The creatures devour flesh but not blood, as in each case where remains have been found blood has been present. Bartell surmises that the creatures have a negative reaction to hemoglobin and, when directly injected with it, the creatures are indeed slain. Following a struggle Bartell is killed just before Murdoch destroys the last of the creatures.
The film has developed a cult following due to its gruesome, if primitive, special effects, including some memorably bloody death scenes. One character is eaten from the inside out by the titular monsters, resulting in a gushing fountain of intestinal matter. Another victim is stabbed with a wooden stake, then shot twice in the face, with resultant gaping bullet holes. These scenes, as well as some occasional unintentionally campy moments, have helped to make the film a favorite for late night TV fanatics for decades.
The deep focus cinematography was the work of director Jack Curtis (working under a pseudonym, Carson Davidson), who shot every scene outdoors under the sun of Long Island. The film was scripted by comic book writer Arnold Drake (The Doom Patrol, Marvel's Captain Marvel, et al.). Drake storyboarded the film, so every shot has the careful, formalized composition of a well-drawn comic strip. One shot, for example is a shot in deep focus: the right profile of the hero dominates the left-side foreground of the frame; in a moment, two or three tiny figures at the far-removed shoreline move left to right, from behind the actor's head, and in focus.
According to the film's writer and producer Arnold Drake, Tenny Curtis, wife of director Jack Curtis won $72,000 on the television quiz show: "High Low". Part of the money was used finishing the production. While filming on location at Montauk, New York, a real hurricane destroyed the sets and equipment. Production was delayed for a year and the cost rose from $60,000 to $105,000.
In 1967, George A. Romero began work on a horror film provisionally called Night of the Flesh Eaters; to avoid confusion with this film, the title was changed to Night of the Living Dead. The title was changed when its distributor, The Walter Reade Organization, expressed concern over confusion with The Flesh Eaters, released five years earlier. The film was copyrighted two years before its original release in 1964.
The film was first released in Phoenix, Arizona on March 18, 1964. It later had a re-release in 1968 which removed a flashback sequence showing the original Nazi human experiments with "the flesh eaters".
Allmovie gave the film a positive review, writing, "This fun, endearingly trashy B-movie gem is one of the best-kept secrets in cult movie fandom. Simply put, The Flesh Eaters offers everything one could want from a drive-in flick of this era: there are colorful characters, action, suspense, fun plot hooks, and a really cool monster".
Film critic Leonard Maltin awarded the film 1 1/2 out of 4 stars calling the film, "occasionally tense, but gruesome and boring".
The film was released on DVD by MPI Home Video on Oct 25, 2005.
ReferencesThe Flesh Eaters (film) Wikipedia
The Flesh Eaters (film) IMDbThe Flesh Eaters (film) themoviedb.org