The Feelies

Early history

The band's name is taken from a fictional entertainment device described in Aldous Huxley's Brave New World. Glenn Mercer, Bill Million, Dave Weckerman and vocalist Richard Reilly began playing together in 1976 in Haledon, New Jersey in a band called the Outkids. The Outkids evolved into the Feelies with the addition of Vinny DeNunzio on drums and John Papesca on bass.

In 1978, the Village Voice dubbed the then-unsigned Feelies "The Best Underground Band in New York". With the line-up of Mercer, Million, Vinny DeNunzio's brother Keith DeNunzio on bass and Anton Fier on drums, the Feelies released their first single, "Fa Cé-La", on Rough Trade Records in 1979.

The Feelies' debut album, Crazy Rhythms, was released on Stiff Records in 1980, featuring the same line-up as on the "Fa Cé-La" Rough Trade single.

Earlier offshoots

After Crazy Rhythms, Fier and Keith DeNunzio left the band. With the Feelies in limbo, Mercer and Million collaborated with other local New Jersey musicians, forming one of a number of Feelies offshoots, The Trypes, featuring some once and future Feelies members, including Brenda Sauter, Dave Weckerman and Stanley Demeski, as well as John Baumgartner, Marc Francia and Toni Paruta. The Trypes, quieter and more psychedelic than the Feelies, played regular live gigs around the New York/Hoboken scene at clubs such as Maxwell's and Folk City. In 1984, Coyote Records released a Trypes 12" EP produced by Million and Mercer, The Explorers Hold, featuring three original songs (credited to Mercer alone or with other band members), plus a cover of the George Harrison song, "Love You To", which originally had appeared on The Beatles' Revolver. The Trypes also contributed a Million/Mercer-produced original song, "A Plan Revised", to the 1985 Coyote anthology of Hoboken acts, Luxury Condos Coming To Your Neighborhood Soon. Some members of the Trypes later formed the band Speed The Plough.

Million, Mercer, Sauter, Demeski and Baumgartner also gigged around New York and Hoboken under the name, Yung Wu, which was fronted by and featured the songs of Feelies' percussionist Dave Weckerman, who also sang lead. Yung Wu released one album on Coyote Records in 1986, titled Shore Leave. It featured Weckerman originals, plus covers of "Big Day", "Child of the Moon", and "Powderfinger", a staple of their live gigs.

The Willies, also known as The Willies From Haledon, were yet another Feelies offshoot that played around the New York/Hoboken clubs in the early 1980s. The Willies shared a similar lineup as the later Feelies, but their live sets consisted mostly of cover songs, extended instrumentals and psychedelic jams, such as "Third Stone From the Sun" and "Sedan Delivery". The Feelies' appearance in Jonathan Demme's Something Wild was credited to the Willies.

Later Feelies

The members of the Feelies never stopped playing and collaborating in the 1980s, earning them the distinction of being "the New York area's best-loved underground rockers since the late 1970s", according to Jon Pareles of the New York Times in 1986. The band occasionally even performed under the name "The Feelies", often on holidays at Maxwell's. At least one such gig featured a reunion of the Crazy Rhythms line-up of Million, Mercer, DeNunzio and Fier. By the late 1980s, the band re-emerged from their self-imposed exile with new members and their first new album in six years.

Reformed as a quintet featuring Mercer, Million, Weckerman, Sauter and Demeski, the Feelies recorded The Good Earth in 1985 with Peter Buck of R.E.M. on board as co-producer with Mercer and Million. The album was released in 1986 and featured ten original Mercer/Million compositions. The band toured in support of the album as an opening band for Lou Reed as well as R.E.M. that year.

In 1988, the Feelies signed to a major label and released the album Only Life on A&M Records. The lineup was the same as The Good Earth, and Mercer and Million again handled production duties. The disc was a critical favorite, coming in at No. 27 on the Village Voice's 1988 Pazz & Jop critics' poll. Recently, the album's title track has been used as the introductory music for the Harvard Business Review's HBR Idea Cast

The band's final album before a hiatus, Time for a Witness, was released on A&M in 1991. The album broke little new ground from Only Life but still earned the band critical praise.

In March 2011 The Feelies released an album entitled Here Before produced by Bill Million and Glenn Mercer, on the Bar/None record label. The band remains "one of the nation's most beloved alternative-rock bands."

The Feelies sixth studio album, In Between, was released in February 2017, also on the Bar-None label. Reviews were generally favorable, with metacritic calculating an average critical rating of 81%.

Reunion

The band played reunion shows in the summer and fall of 2008. A performance at Battery Park in NYC with Sonic Youth followed several warm-up shows at Maxwell's.

In June 2009, the band performed an acoustic show at the Whitney Museum. They also headlined a show at Millennium Park in Chicago.

In September 2009, they performed Crazy Rhythms live in its entirety as part of the All Tomorrow's Parties-curated Don't Look Back series.

Bar/None Records reissued Crazy Rhythms and The Good Earth on September 8, 2009. Domino Records will reissue both albums outside of the U.S. and Canada.

The Feelies have reunited sporadically over the last two decades to play concerts at their early home at Maxwell's. The band most recently performed there for three consecutive nights on July 4–6, 2013.

Film appearances

The band was featured in the 1986 Jonathan Demme movie, Something Wild playing a band at a high school reunion; however, they did not feature on the soundtrack. Credited as "The Willies", they performed bits of five songs, including "Crazy Rhythms" and "Loveless Love" as well as covers of David Bowie's "Fame" and the Monkees' "I'm a Believer" (written by Neil Diamond). The Feelies song "Too Far Gone" made it on to the soundtrack for the Demme film Married to the Mob. Million and Mercer were also brought together by director Susan Seidelman to create the score for her film, Smithereens. The song "Let's Go" from the band's second album "Good Earth" is featured on the soundtrack of Noah Baumbach's 2005 film "The Squid and the Whale".

"Loveless Love" was used on the soundtrack of Olivier Assayas's 2010 film Carlos.

Side projects and alumni bands

Band members

Former

Studio albums

Extended plays