Length 407:13 | Release date 2 October 2007 | |
Released October 2, 2007 (2007-10-02) Recorded June 1972 – May 1975; March 9, 1972; June 1, 1972; June 6, 1972; June 12, 1972; August 23, 1972; September 6, 1972; December 8, 1972; January 4, 1973; July 26, 1973; September 17, 1973; September 18, 1973; June 19, 1974; October 7, 1974; November 6, 1974; May 5, 1975 Similar Miles Davis albums, Jazz fusion albums | ||
Miles davis on the corner unedited master hq
The Complete On the Corner Sessions is a posthumous box set by American jazz musician Miles Davis, released on October 2, 2007, by Columbia Records. Like other Davis box sets, the included material is taken from a wider chronology of sessions than the dates which actually produced the titular album. The Complete On the Corner Sessions compiles material from 1972 through 1975 which, due to lineup changes Davis made throughout the era, features over two dozen musicians.
Contents
- Miles davis on the corner unedited master hq
- Recording history
- Content
- Track listing
- Collective personnel
- Performers by year
- Performers by song
- Performers by recording session
- Songs
- References
Columbia has released a series of ten box sets containing recordings from the 1950s to the 1970s. These contain material not available on other Columbia albums. Following The Complete In a Silent Way Sessions, The Complete Bitches Brew Sessions, The Complete Jack Johnson Sessions, and The Cellar Door Sessions, this release includes the funk/jazz fusion album On the Corner. His band was made up of musicians trained not only in the basics of jazz, but on the newer sounds of James Brown and Sly Stone.
The box set includes more than six hours of music. Twelve of these are previously unissued tracks. Another five tracks are previously unissued in full. They cover sixteen sessions from On the Corner, Big Fun, and Get Up with It until Davis's mid-seventies retirement. Miles is joined in these recordings by Chick Corea, Herbie Hancock, John McLaughlin, Jack DeJohnette, Billy Hart, and many others. The 6-CD deluxe edition also contains a 120-page full-color booklet with liner notes and essays by producer Bob Belden, journalist Tom Terrell, and arranger/composer Paul Buckmaster as well as rare photographs and new illustrations.
Recording history
As with many of the Miles Davis boxed sets, the overall title is rather misleading. The On the Corner boxed set covers three years of sessions, from March 1972 to May 1975, and contains music with different styles, concepts, approaches and personnel. Similarly, The Complete Bitches Brew Sessions includes all of the sessions Davis recorded between August 1969 and February 1970, although the actual Bitches Brew sessions took place over just three days in August 1969.
The sessions for the 1972 album On the Corner were recorded in June and September 1972. On the Corner was scorned by established jazz critics at the time of its release and was one of Davis' worst-selling recordings. Its critical standing has improved with the passage of time; today it is seen as a strong forerunner of the musical techniques of hip hop, drum and bass, and electronic music.
Davis claimed that On the Corner was an attempt to connect with a young black audience which had largely forsaken jazz for rock and funk. While there is a discernible rock and funk influence in the timbres of the instruments employed, from a musical standpoint the album was a culmination of sorts of the musique concrète approach that Davis and producer Teo Macero (who had studied with Otto Luening at Columbia University's Computer Music Center) had begun to explore in the late 1960s. Both sides of the record were based around simple, repetitive drum and bass grooves (the track delineations on the original album were arbitrary), with the "melodic" parts snipped from hours of meandering jams. These techniques, refined via the use of computers and digital audio equipment, are now standard amongst producers of electronically based music. Davis also cited the contemporary composer Karlheinz Stockhausen (who was later falsely rumored to have recorded with the trumpeter in the late 1970s) and Paul Buckmaster (who played electric cello on the album and contributed some arrangements) as musical influences on the album.
Content
The box set contains over three hours of previously unreleased material. On the November 6, 1974 date, guitarist Pete Cosey replaced Al Foster on drums on "Hip-Skip." Later that day he returned to guitar for "What They Do", playing alongside Dominique Gaumont. "Minnie" is based on the Minnie Ripperton song "Loving You", and is considered to have an almost commercial disco sound, the most mainstream-sounding track of the collection. Certain critics argue that it points towards Davis' more melodic and arranged music of the 1980s.
The Complete On the Corner Sessions also contains seven of the eight tracks that made up the 1974 double album Get Up with It. (The other track, "Honky Tonk", appears in unedited form on The Complete Jack Johnson Sessions.)
Track listing
This list is the same as the provisional one that was published in early 2007, but the CD order was swapped, some of the previously unreleased tracks were edited, and titles were given by Vince Wilburn, Davis' nephew, and Erin Davis, Miles' youngest son.
Disc 1 remixed by Richard King and Bob Belden in 2007
Track 1 from Big Fun Track 3 from Get Up With It Tracks 4 and 5 are outtakes from the same track, sections of which were previously released on Bill Laswell's Panthalassa as Agharta Prelude Dub. See note below. Tracks 2, 3 & 5 remixed by Richard King and Bob Belden in 2007
Track 1 from stereo LP master of Get Up With It Tracks 2-6 remixed by Richard King and Bob Belden in 2007
Both tracks from stereo LP master of Get Up With It
Tracks 1 & 2 from stereo LP master of Get Up With It Tracks 3-6 remixed by Richard King and Bob Belden in 2007
Track 1 from stereo LP master of Get Up With It Tracks 2-5 are the stereo LP master of On The Corner Tracks 6 & 7 are the masters for a 45 single, both are taken from Big Fun/Holly-wuud (take 3) (track 4 on CD 3).
Collective personnel
Performers by year
Performers by song
Performers by recording session
March 9, 1972 Miles Davis (tpt); Wally Chambers (hca); Cornel Dupree (g); Michael Henderson (el-b); Al Foster (d); Bernard Purdie (d); James Mtume Forman (cga, perc); Wade Marcus (brass arr); Billy Jackson (rhythm arr)
June 1, 1972 Miles Davis (tpt); Dave Liebman (ss); Chick Corea (synth); Herbie Hancock (org); Harold I. Williams (el-p); John McLaughlin (g); Collin Walcott (sitar); Paul Buckmaster (cello); Michael Henderson (el-b); Jack DeJohnette (d); Jabali Billy Hart (d, perc, bgo); Charles Don Alias (cga, perc); James Mtume Forman (cga, perc); Badal Roy (tabla)
June 6, 1972 Miles Davis (tpt); Carlos Garnett (as, ts); Bennie Maupin (bcl); Herbie Hancock (el-p, synth); Harold I. Williams (el-p, synth); Lonnie Liston Smith (org); David Creamer (g); Collin Walcott (sitar); Paul Buckmaster (cello); Michael Henderson (el-b); Jack DeJohnette (d, handclaps); Jabali Billy Hart (d, handclaps); Charles Don Alias (perc, handclaps); James Mtume Forman (perc, handclaps); Badal Roy (tabla, handclaps)
June 12, 1972 Miles Davis (tpt); Carlos Garnett (ss); Bennie Maupin (bcl); Lonnie Liston Smith (org); Harold I. Williams (el-p, synth); Michael Henderson (el-b); Al Foster (d); Jabali Billy Hart (d, perc); James Mtume Forman (cga, perc); Badal Roy (tabla)
August 23, 1972 Miles Davis (tpt); Cedric Lawson (org); Reggie Lucas (g); Khalil Balakrishna (sitar); Michael Henderson (el-b); Al Foster (d); Badal Roy (tabla); James Mtume Forman (cga)
September 6, 1972 Miles Davis (org); Reggie Lucas (g); Khalil Balakrishna (sitar); Cedric Lawson (synth); Michael Henderson (el-b); Al Foster (d); James Mtume Forman (cga, perc); Badal Roy (tabla)
November 29, 1972 Miles Davis (tpt); Carlos Garnett (ss); Cedric Lawson (keyb); Reggie Lucas (g); Khalil Balakrishna (sitar); Michael Henderson (el-b); Al Foster (d); James Mtume Forman (cga, perc); Badal Roy (tabla)
December 8, 1972 Miles Davis (org); Carlos Garnett (ss); Cedric Lawson (keyb); Reggie Lucas (g); Khalil Balakrishna (sitar); Michael Henderson (el-b); Al Foster (d); James Mtume Forman (cga, perc); Badal Roy (tabla)
January 4, 1973 Miles Davis (tpt); Dave Liebman (ss); Cedric Lawson (keyb); Reggie Lucas (g); Khalil Balakrishna (sitar); Michael Henderson (el-b); Al Foster (d); James Mtume Forman (cga, perc); Badal Roy (tabla)
July 26, 1973 Miles Davis (tpt, org); Dave Liebman (ss, fl); Pete Cosey (g); Reggie Lucas (g); Michael Henderson (el-b); Al Foster (d); James Mtume Forman (cga, perc)
September 17, 1973 Miles Davis (tpt, org); Dave Liebman (ts, fl); John Stubblefield (ss); Pete Cosey (g); Reggie Lucas (g); Michael Henderson (el-b); Al Foster (d); James Mtume Forman (cga, perc)
September 18, 1973 Miles Davis (tpt, org); Dave Liebman (ts); Pete Cosey (g); Reggie Lucas (g); Michael Henderson (el-b); Al Foster (d); James Mtume Forman (cga)
June 19, 1974 Miles Davis (tpt, org); Dave Liebman (fl); Pete Cosey (g); Reggie Lucas (g); Dominique Gaumont (g); Michael Henderson (el-b); Al Foster (d); James Mtume Forman (cga, perc)
October 7, 1974 Miles Davis (tpt, org); Sonny Fortune (ss, fl); Pete Cosey (g); Reggie Lucas (g); Dominique Gaumont (g); Michael Henderson (el-b); Al Foster (d); James Mtume Forman (cga, perc)
November 6, 1974 Miles Davis (tpt, org); Sonny Fortune (ss, ts, fl); Pete Cosey (g, d, perc); Reggie Lucas (g); Dominique Gaumont (g); Michael Henderson (el-b); Al Foster (d); James Mtume Forman (cga, perc)
May 5, 1975 Miles Davis (tpt, org); Sam Morrison (ts); Pete Cosey (g, perc); Reggie Lucas (g); Michael Henderson (el-b); Al Foster (d); James Mtume Forman (cga, perc)
Songs
1On the Corner (Unedited Master)19:27
2On the Corner (take 4)5:17
3One and One (Unedited Master)17:58