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James Mtume

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Birth name
  
James Forman

Role
  
Musician

Also known as
  
Mtume

Parents
  
Jimmy Heath

Years active
  
1961–present

Music group
  
Mtume

Name
  
James Mtume


James Mtume Mtume Talks Miles Davis Donny Hathaway HipHop On RBMA


Genres
  
R&B, soul, post-disco, funk, quiet storm, smooth soul, hip hop, electro, jazz

Occupation(s)
  
Singer-songwriter, radio personality, composer, record producer, instrumentalist, musician

Instruments
  
Vocals, percussionist, piano, keyboards, sampler, drums, guitar, bass guitar,

Similar People
  
Reggie Lucas, Tawatha Agee, Al Foster, Jimmy Heath, Hubert Eaves III

James mtume on sampling and the glorification of mediocrity


James Forman (born March 27, 1946), better known by his stage name James Mtume, is an American Grammy Award-winning R&B musician, songwriter and radio personality. He came to prominence working with Miles Davis between 1971 and 1975. Mtume's group, also called Mtume, is perhaps best known for the 1983 R&B hit song "Juicy Fruit", which has been much sampled. Mtume the band also had a top-five R&B hit with the single "You, Me, and He". He and Mtume band member, fellow musician Reggie Lucas both won the Grammy Award for Best R&B Song for writing and producing fellow R&B artist Stephanie Mills' top-ten hit "Never Knew Love Like This Before", for which she also won a Grammy for Best Female R&B Vocal Performance.

Contents

James Mtume James Mtume Biography amp History AllMusic

On the spot with james mtume


Career

James Mtume Your Black World speaks with James Mtume YouTube

Mtume, born and raised in South Philadelphia, is the son of jazz saxophonist Jimmy Heath, and the father of Damu Mtume and Fa Mtume, both music producers. He was raised however by his stepfather, a Philadelphia local jazz pianist James "Hen Gates" Forman. Mtume grew up in a musical environment with famous jazz musicians frequenting his parents' house. He learned to play piano and percussion; however, from his teenage years he was pursuing a sportsman career as a swimmer, having achieved the title of the first black Middle Atlantic AAU champion in the backstroke, and in 1966 he entered Pasadena City College on a swimming scholarship.

James Mtume On The Spot WithJames Mtume YouTube

After his return from the West Coast he moved to New York to pursue musician's vocation and had his first gigs as a sideman for McCoy Tyner (Asante album), Freddie Hubbard and Miles Davis, whose group he wound up joining and playing in for the next few years. He has also worked as a session musician with Players Association, and has done on-air radio personality work at New York City's KISS 98.7 FM. His debut on a professional music scene was in a capacity of a composer when he contributed four out of five compositions on his uncle Albert "Tootie Kuumba" Heath's "Kawaida" jazz-album. As a songwriter, Mtume has written hits for various artists such as Phyllis Hyman, Roberta Flack, Donny Hathaway, Stephanie Mills, R. Kelly, Mary J. Blige, Teddy Pendergrass, Inner City, as well as being lead songwriter for his own band Mtume.

Discography

James Mtume theburtonwirecomwpcontentuploads201510wpss

As leader

  • Alkebu-Lan: Land of The Blacks (1972, Strata-East Records) - with Mtume Umoja Ensemble (Carlos Garnett- Tenor & Flute, Leroy Jenkins-Violin, Gary Bartz,- Alto and Soprano Sax, Stanley Cowell-Piano, Buster Williams- Bass, Billy Hart- Drums, and Joe Lee Wilson, Eddie Micheaux, and Andy Bey- Vocals. Yusef Iman and Weusi Kuumba -Poets.
  • Rebirth Cycle (1977 Third Street Records)) - with Jean Carn, Stanley Cowell, Dee Dee Bridgewater, Jimmy Heath, Cecil McBee, Leroy Jenkins, and Azar Lawrence.
  • Kiss This World Goodbye (1978) - with Mtume
  • In Search of the Rainbow Seekers (1980) - with Mtume
  • Juicy Fruit (1983)- with Mtume
  • You, Me and He (1984)- with Mtume
  • Theater of the Mind (1986) - with Mtume
  • As sideman With McCoy Tyner

  • Asante (Blue Note, 1970)
  • With Gato Barbieri

  • Under Fire (Flying Dutchman, 1971 [1973])
  • Bolivia (Flying Dutchman, 1973)
  • With Miles Davis

  • On the Corner (Columbia, 1972)
  • In Concert: Live at Philharmonic Hall (Columbia, 1973)
  • Big Fun (Columbia, 1974)
  • Get Up with It (Columbia, 1974)
  • Dark Magus (Columbia, 1974)
  • Agharta (Columbia, 1975)
  • Pangaea (Columbia, 1975)
  • Miles Davis at Newport 1955-1975: The Bootleg Series Vol. 4 (Columbia Legacy, 2015)
  • With Art Farmer

  • Homecoming (Mainstream, 1971)
  • With Jimmy Heath

  • The Gap Sealer (Muse, 1973)
  • The Time and the Place (Landmark, 1974 [1994])
  • With Eddie Henderson

  • Heritage (Blue Note, 1976)
  • Comin' Through (Capitol, 1977)
  • Mahal (Capitol, 1978)
  • with Harold Land

  • A New Shade of Blue (Mainstream, 1971)
  • With Azar Lawrence

  • Bridge into the New Age (Prestige, 1974)
  • With The Piano Choir

  • Handscapes 2 (Strata-East, 1975)
  • With Buddy Terry

  • Awareness (Mainstream, 1971)
  • Pure Dynamite (Mainstream, 1972)
  • Composer

    "The Closer I Get to You" written with Reggie Lucas. Performed by Roberta Flack and Donny Hathaway on Blue Lights in the Basement. Atlantic Records, 1977.

    References

    James Mtume Wikipedia


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