The Black Album (Jay Z album)

Background

Jay-Z said The Black Album would have a different producer for each track, and early magazine advertisements listed a series of numbers (representing tracks) and a producer for each number. Dr. Dre and DJ Premier were originally supposed to be among these producers; however, they did not make the final cut. The final album did feature a variety of producers, although Roc-A-Fella producers Kanye West and Just Blaze produced two tracks each, in addition to the two produced by frequent Jay-Z collaborators The Neptunes..

Release and reception

Jay-Z had announced that The Black Album would be his final record and went on a retirement tour after its release. When it was released, the album debuted at number one on the Billboard 200 and sold 463,000 copies in its first week. According to Billboard, it became Jay-Z's top selling record of the 2000s and the 136th highest selling record of the decade in the United States. By July 2013, the album had sold 3,516,000 copies in the US.

The Black Album received widespread acclaim from contemporary critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, it received an average score of 84, based on 19 reviews. AllMusic's John Bush claimed Jay-Z was retiring at his peak with the album. Vibe magazine said it was remarkable as an apotheosis of his genuinely thoughtful songwriting and lyrics "delivered with transcendent skill", while Steve Jones from USA Today said even with "top-shelf work" from elite producers, the album was elevated by Jay-Z's uniquely deft and diverse rapping style. Writing for The A.V. Club, Nathan Rabin felt Jay-Z returned to "brevity and consistency" on an album that demonstrated his lyrical abilities and, more importantly, hip hop's best producers. Jon Caramanica wrote in The Rolling Stone Album Guide (2004) that The Black Album was both "old-school and utterly modern", showcasing Jay-Z "at the top of his game, able to reinvent himself as a rap classicist at the right time, as if to cement his place in hip-hop's legacy for generations to come".

In a less enthusiastic review for Rolling Stone, Touré argued that The Black Album was slightly inferior to Jay-Z's best records, namely Reasonable Doubt (1996) and The Blueprint (2001). Dave Simpson from The Guardian was more critical, dismissing the music as "an aural equivalent of that old American favourite, the schmaltzy biopic." In The Village Voice, Robert Christgau gave the record a back-handed compliment: "[Jay-Z] raps like a legend in his own time—namely, Elvis in Vegas". Nonetheless, he was impressed by the stretch of songs from "Encore" to "Justify My Thug" and wrote in a retrospective review for MSN Music that "the fanfares, ovations, maternal reminiscences, and vamp-till-ready shout-outs were overblown at best", but they have come to sound "prophetic" because of the entrepreneurial success and fame Jay-Z continued to achieve after The Black Album: "He's got a right to celebrate his autobiography in rhyme because he's on track to become a personage who dwarfs any mere rapper, and not only can he hire the best help dark green can buy, he can make it sing."

In 2005, The Black Album was nominated for a Grammy Award for Best Rap Album, losing to Kanye West's The College Dropout at the 47th Grammy Awards. It was also ranked number 349 in Rolling Stone's list of the 500 greatest albums of all time. Pitchfork ranked The Black Album at number 90 on its decade-end list of the top 200 albums from the 2000s, while Slant Magazine ranked it seventh best on a similar list. In 2012, Complex named it one of the "classic" records of the previous decade.

Sample credits

Personnel

Adapted from AllMusic.