First performance 8 May 1981 Setting Vittoriale degli italiani Place premiered Trinity Bellwoods Park | Original language English Genre Fiction | |
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Date premiered May 8, 1981 (1981-05-08) Subject Painter Tamara de Lempicka | ||
Tamara is a play of 1981 by John Krizanc about the painter Tamara de Lempicka. The play is based on the historical meeting of Gabriele d'Annunzio and Lempicka, who was hoping to be commissioned by d'Annunzio to paint his portrait. He had invited her to his villa at Gardone Riviera, on the southwest shore of Lake Garda, a villa now known as Il Vittoriale degli Italiani.
Contents
Style
The play draws the audience into a labyrinthine story which reflects complicity in civic responsibility. Lempicka declines to use her voice, despite the power given it through her cultural preeminence. She sells her art to the highest bidder without comment.
In Tamara, the barrier between spectator and actor has been dissolved; the spaces intermingle, and spectators become actors on many stages. Tamara is postmodern theatre performed in a large house with ten actors performing simultaneous scenes in several different rooms; at other times there is simultaneous action in eleven rooms. The spectator can accompany the character of their choice and experience the story they choose, knowing that with the simultaneous performances they cannot experience the whole play. Thus the members of the audience make a series of choices, and depending upon these choices, each spectator creates and develops an individual viewing of it.
Productions
The play was premiered at Strachan House in Trinity-Bellwoods Park, Toronto, Canada, on May 8, 1981, and was published in book form the same year as Tamara: A Play. Tamara won two Dora Mavor Moore Awards in 1982, one as an outstanding new play, and another as an outstanding production.
In May, 1984, Tamara opened in Los Angeles, where it was to run for nine years. The Art Deco-styled American Legion Hall on Highland Ave in Hollywood was used as the venue. The hall was originally decorated with about a dozen paintings by the title character, Tamara de Lempicka, drawn from various collections including those of Barbra Streisand and Jack Nicholson, until the insurance costs proved prohibitive.
Soon after the play opened in New York in 1987, it starred Anjelica Huston as Lempicka; Huston had first played the role in Los Angeles. The New York production enjoyed a five year run. It also played from 1990 to 1994 in Buenos Aires and was performed in Mexico City.
In spring of 1992 American producer Peter Klein produced and presented Tamara for a month at Villa Brasini in Rome and then for another month at Villa Erbe on Lake Como, with George Rondo directing.
In 2003, a twentieth anniversary production was mounted in Toronto with Tamara Hickey in the lead role.
In 2014, Quantum Theatre put on Tamara for six weeks at the Rodef Shalom Temple in Pittsburgh, Pennsylvania.
Structure
There are five key choices in the play:
1. As characters leave and separate from a room, which will you follow?2. Or will you wait and see who shows up in one or several rooms?3. Will you follow the same character all the time, or switch characters as the play progresses?4. Will you stay with a friend, or each adopt different strategies?5. How will you respond when an actor gives you instructions (i.e. to follow them, or wait in the room, etc.)?Responses
In 1995 David Boje wrote an article for Academy of Management Journal about the play, and how people coming to a room in the play from different room sequences, will have very different organizational storytelling sensemaking of what is happening. Inspired by the play, Boje founded an academic journal titiled Tamara Journal for Critical Organization Inquiry.