Occupation Screenwriting guru Role Screenwriter Name Syd Field | Years active 1960–2013 | |
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Born December 19, 1935 ( 1935-12-19 ) Hollywood, California, United States Died November 17, 2013, Beverly Hills, California, United States Movies Syd Field's Screenwriting Workshop, Spree Books Screenplay, The screenwriter's workbook, The screenwriter's problem s, Four screenplays, The Definitive Guide to Similar People Walon Green, Mitchell Leisen, Hal Roach - Jr, Mariska Hargitay |
Syd field in conversation part 1
Sydney Alvin Field (December 19, 1935 – November 17, 2013) was an American screenwriting guru who wrote several books on the subject of screenwriting, the first being the 1979 book Screenplay: The Foundations of Screenwriting. He also conducted workshops and seminars on the subject of producing salable screenplays. Hollywood film producers have increasingly used his ideas on structure as a guideline to a proposed screenplay's potential.
Contents
- Syd field in conversation part 1
- Syd field with michael arndt
- Biography
- The paradigm
- Books Website
- References

Syd field with michael arndt
Biography

Syd Field was born on December 19, 1935 in Hollywood, California.

Field taught screenwriting for the Master of Professional Writing Program, at University of Southern California. Field also wrote and produced the television series Men in Crisis, Hollywood and the Stars, National Geographics, and Jacque Cousteau Specials from 1963−1965 for David L. Wolper Productions.

Field died on November 17, 2013, aged 77, at his home in Beverly Hills, California, surrounded by his wife, family, and friends.
The paradigm

Field's most notable contribution is his articulation of the ideal paradigm "three-act structure". In this structure, a film's plot is set up within the first twenty to thirty minutes. Then the main character protagonist experiences a 'plot point' that provides a goal to achieve. About half the movie's running time focuses on the character's struggle to achieve this goal. This second act is the 'Confrontation' period. Field also refers to the 'Midpoint', a more subtle turning point in the plot that happens at approximately page 60 (of a 120-page screenplay). This turning point is often an apparently devastating reversal of the main character's fortune. The final third (the third act) of the film depicts a climactic struggle by the protagonist to finally achieve (or not achieve) his or her goal and the aftermath of this struggle.
Books & Website
