Stranger on the Third Floor
7 /10 1 Votes
Director Boris Ingster Budget 171,200 USD Duration Country United States | 7/10 Genre Crime, Drama, Film-Noir Music director Roy Webb Writer Frank Partos (story) Language English | |||||||||||||||||||||||||||||||||
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Release date August 16, 1940 (1940-08-16) (United States) Cast Peter Lorre (The Stranger), John McGuire (Michael Ward), Margaret Tallichet (Jane), Charles Waldron (District Attorney), Elisha Cook Jr. (Joe Briggs), Charles Halton (Albert Meng)Similar movies Focus , Double Indemnity , The Big Sleep , The Asphalt Jungle , Out of the Past , The Killing |
Stranger on the third floor 1940 movie clip what a gloomy dump peter lorre
Stranger on the Third Floor is a 1940 film noir, starring Peter Lorre and released by RKO Radio Pictures. The film was directed by Boris Ingster and written by Frank Partos with Nathanael West (uncredited).
Contents
- Stranger on the third floor 1940 movie clip what a gloomy dump peter lorre
- Stranger on the third floor faux trailer
- Plot
- Cast
- Critical response
- References
![Stranger on the Third Floor movie scenes](https://alchetron.com/cdn/Stranger-on-the-Third-Floor-images-750e82c8-eacb-4e7d-bd63-b68666f5276.jpg)
Stranger on the Third Floor is often cited as the first "true" film noir of the classic period (1940–1959), though other films that fit the genre such as Rebecca and They Drive by Night were released earlier. Nonetheless, it has many of the hallmarks of film noir: an urban setting, heavy shadows, diagonal lines, voice-over narration, a dream sequence, low camera angles shooting up multi-story staircases, and an innocent protagonist falsely accused of a crime who is desperate to clear himself.
![Stranger on the Third Floor movie scenes](https://alchetron.com/cdn/Stranger-on-the-Third-Floor-images-c1b90868-9bac-4ebf-825c-98bbdf1b035.jpg)
Stranger on the third floor faux trailer
Plot
![Stranger on the Third Floor movie scenes](https://alchetron.com/cdn/Stranger-on-the-Third-Floor-images-bab5c895-be68-4ac1-bc7d-828479ff2d4.jpg)
Reporter Michael Ward is the key witness in a murder trial. His evidence – that he saw the accused Briggs standing over the body of a man in a diner – is instrumental in having Briggs found guilty.
![Stranger on the Third Floor wwwgstaticcomtvthumbdvdboxart6265p6265dv8](https://alchetron.com/cdn/stranger-on-the-third-floor-8cd8bea4-9a38-4a00-b07d-99b8d0ee4b4-resize-750.jpg)
Afterwards Ward's fiancee Jane is worried whether Ward was correct in what he saw and Ward becomes haunted by this question. Next, Ward's neighbor is killed the same way as the man in the diner, but Ward is arrested for trying to point this out to the police. As a result, Jane goes out to try to clear Ward by finding the sinister stranger that Ward saw on the stairwell.
Cast
![Stranger on the Third Floor Stranger on the Third Floor Notes on the First Film Noir Parallax](https://alchetron.com/cdn/stranger-on-the-third-floor-1e81edf9-c5a3-4e52-8c55-dac9ff7fc1f-resize-750.jpg)
Critical response
![Stranger on the Third Floor Streamline The Official Filmstruck Blog For the Love of Film](https://alchetron.com/cdn/stranger-on-the-third-floor-2b5fc030-61e5-4ad3-be67-c5d863c0eb2-resize-750.jpg)
Upon its release in 1940, The New York Times film critic, Bosley Crowther, called the film pretentious and derivative of French and Russian films, and wrote, "John McGuire and Margaret Tallichet, as the reporter and his girl, are permitted to act half-way normal, it is true. But in every other respect, including Peter Lorre's brief role as the whack, it is utterly wild. The notion seems to have been that the way to put a psychological melodrama across is to pile on the sound effects and trick up the photography."
![Stranger on the Third Floor Stranger on the Third Floor Alchetron the free social encyclopedia](https://alchetron.com/cdn/stranger-on-the-third-floor-d9e1821b-82f3-48ac-8cc6-64c806b83c2-resize-750.jpg)
The staff at Variety also believed the film was derivative, and wrote, "The familiar artifice of placing the scribe in parallel plight, with the newspaperman arrested for two slayings and only clearing himself because of his sweetheart's persistent search for the real slayer, is used ... Boris Ingster's direction is too studied and when original, lacks the flair to hold attention. It's a film too arty for average audiences, and too humdrum for others."
![Stranger on the Third Floor Slides from Stranger on the Third Floor 1940 YouTube](https://alchetron.com/cdn/stranger-on-the-third-floor-fa0d5357-c2c9-412b-967c-ec832fcc32c-resize-750.jpg)
Dave Kehr, writing for the Chicago Reader, calls the film "An RKO B-film from 1940, done up in high Hollywood expressionism. It's absurdly overwrought (which was often the problem with the German variety), but interesting for it. The director, Boris Ingster, is better with shadows than with actors—venetian blinds carve up the characters with more fateful force than Paul Schrader's similar gambit in American Gigolo, and there's a dream sequence that has to be seen to be disbelieved."
![Stranger on the Third Floor Stranger on the Third Floor](https://alchetron.com/cdn/stranger-on-the-third-floor-1c2d9aaa-0356-4e67-855c-72d69e26585-resize-750.jpg)
The review aggregator website Rotten Tomatoes reported an 83% approval rating with an average rating of 6.6/10 based on six professional reviews.
References
Stranger on the Third Floor WikipediaStranger on the Third Floor IMDb Stranger on the Third Floor themoviedb.org