So Dark the Night

Plot

So Dark the Night is the story of a detective, Henri Cassin (Steven Geray) from Paris, who, while on a long overdue vacation, falls in love with innkeeper Pierre Michaud's daughter Nanette (Micheline Cheirel). She is a country girl with a jealous boyfriend. Nonetheless, the detective becomes engaged to her. Then, the night of her engagement party, the girl vanishes and later turns up dead. Cassin believes that the obvious suspect is Leon (Paul Marion), the old boyfriend, but soon he is also found killed. Soon after Mama (Ann Codee) receives a warning that she will be the next to die, she is found strangled.

Pierre, fearing for his safety, decides to sell the inn. Henri returns to Paris and, because of his investigative skill, he is able to come up with a sketch of the killer by expanding and elaborating on information provided by a footprint found beside Leon's body.

To Henri's astonishment, the sketch bears the exact likeness of himself, and when he fits his shoe into the footprint, he realizes that he is undoubtedly the killer. After making a full confession to the police commissioner, Henri is evaluated by a psychiatrist, who determines that he is schizophrenic. Though placed under watch of a guard, Henri escapes back to St. Margot, where he tries to strangle Pierre. However, the police commissioner, who has followed Henri to the village, catches the detective in the act and shoots him.

Cast

Critical reception

Critic Karl Williams called the film, "[A] well-plotted and executed film noir [which] suffered from its lack of star power, but has become something of a cult classic."

The staff at Variety magazine gave the film a positive review, writing, "Around the frail structure of a story [by Aubrey Wisberg] about a schizophrenic Paris police inspector who becomes an insane killer at night, a tight combination of direction, camerawork and musical scoring produce a series of isolated visual effects that are subtle and moving to an unusual degree."

Critic Dennis Schwartz lauded the film and wrote, "This is Joseph H. Lewis's second feature and one that has the same intense energy as his The Big Combo (1955) and My Name is Julia Ross (1945). The Freudian story is wacky and strains credibility, but the elegant style Lewis uses is mesmerizing. The film noir's light touches are magnificently caught in the rich depiction of rural life and the character study of a psychological breakdown due to a pressured psyche that induces schizophrenia. This makes for a fascinating watch. So Dark the Night is a rarely shown obscure film, and it is a beauty. Burnett Guffey used his camera effectively in many strange angled shots while his dark black shadings express the contrasting somber mood to the airy country landscape."