Seven Doors to Death

Plot

At the Hamilton Court shops in Los Angeles, a shot rings out in a darkened apartment. A woman (June Clyde) screams and flees, seeing a car driven by architect Jimmy McMillan (Chick Chandler). Ordering him at gunpoint to speed away, in the rush to get away, the car crashes but the woman disappears. After returning to the scene, McMillan finds a corpse and calls Capt. William Jaffe (Michael Raffetto) but by the time the police arrive, the corpse has mysteriously changed to that of a different victim.

The Police Captain recognizes the dead man as Mary Rawling's lawyer. Summoning Rawlings, the owner of the Hamilton Court, McMillan immediately sees that she was the woman in his car. Her alibi does not seem convincing to Jaffe or McMillan, who decides to start his own investigation, starting with the shopkeepers at the Hamilton Court. Antique dealer Donald Adams (Milton Wallace), recalls on the night of the murder, a rare Egyptian chest was stolen from his shop. When McMillan finds the stolen chest, he also finds the man who was killed.

Another suspect, the silversmith Claude Burns (Edgar Dearing) is killed, and as furrier Charles Eaton (George Meeker) becomes involved, Mary is arrested but she is convinced that she is being framed. Ultimately, a confrontation between her accusers leads to the discovery of stolen jewels and the real culprit.

Production

Principal photography on the production took place from May 17 to late May 1944 in Los Angeles. The Crossroads of the World Center in Hollywood featured prominently as the setting for the film. Although produced on a minuscule budget, Clifton made films in the 1940s in a very professional manner, working in various genres including western films. Chick Chandler, more known as a character or bit part comic actor had one of his few starring roles in Seven Doors to Death.

Reception

Seven Doors to Death was hampered by a limited budget and stagey production values, and as a B-movie, was not reviewed by traditional sources. In a more recent appraisal, the film did not stand up well. Reviewer Bill Barstad called it "one dull mystery" and "(a) ... mediocre mystery plot with a weak screenplay."

The film was broadcast in the 2004 New Condensed Classics television series in a abbreviated 20-minute version.