Sergio Fiorentino

Music career

Fiorentino was born in Naples and studied at the Conservatorio San Pietro a Majella in Naples under Luigi Finizio and Paolo Denza, earned his diploma in 1946 and attended a master class of Carlo Zecchi in Salzburg in 1948.

He debuted at New York's Carnegie Recital Hall in 1953. The next year, however, while on tour in Argentina and Uruguay, he suffered a near-fatal plane accident, forcing him to cut back on concert performances. This led to him becoming a teacher at the Naples Conservatory of Music, where he had once been a student.

In the late 1950s he made a new start in concert performances, both in his native country and in England. Many of his recordings were made during those years (1958–1965). But again, he withdrew from the concert stage, limiting his rare public appearances to his native country, and again started to regularly teach master classes.

After leaving the Naples Conservatory in 1993, he again began to play more in public outside his native Italy and performed in Germany, France, Taiwan, and the United States. He also made a series of acclaimed recordings for Appian Publications & Recordings (APR) in Berlin during four sessions between 1994 and 1997. An augmented 10-CD set of these recordings was issued by Piano Classics in 2012. Negotiated and contracted engagements in Russia and Canada as well as a scheduled fifth recording session for APR could not be fulfilled due to his sudden death in his home in Naples on August 22, 1998.

Fraud with Concert Artists label

Beginning in 1994 through after his death in 1998, a large number of recordings by Fiorentino were released. Recordings made in Berlin from 1994 to 1997 were released on APR whereas earlier unissued material was put out by the Concert Artists label. In February 2007, Concert Artists admitted to falsely attributing music recorded by others to the late Joyce Hatto. Subsequently, a CD of mazurkas by Fiorentino produced by Concert Artists (CACD9002-2) has been found to contain plagiarised tracks from three other performers.

Some of Fiorentino's recordings made during the late fifties and early sixties were issued after the original label's (Saga) failure under pseudonyms by the new owner (Marcel Rodd). The most frequently used pseudonym was "Paul Procopolis".

Fiorentino Edition - APR Recordings

Appian Publications & Recordings

(Alexander Scriabin: Sonata No. 2 op.19; Sergey Rachmaninov: Sonata No. 2 op. 36; Sergei Prokofiev: Sonata No. 8 op. 84)

(Fryderyk Chopin: Sonata No. 3 op. 58; Franz Schubert: Sonata No. 21 D960)

(Alexander Scriabin: Sonata No. 1 op. 6 - Sonata No. 4 op. 30; Sergey Rachmaninov: Sonata No. 1 op. 28)

(Johann Sebastian Bach: Partita No. 1 - Violin Sonata No. 1 [Transcribed Fiorentino] - Partita No. 4)

(Johann Sebastian Bach: Prelude and Fugue in D Major; French Suite No. 5; Suite from Violin Partita No. 3; Jesu, Joy of man's desiring; Prelude and Fugue in E flat Major)

(Robert Schumann: Fantasy in C Major op. 17; Arabeske op. 18; Novellette op. 21 No. 1; Sonata No. 2 op. 22; Romanze op. 28 No. 2; "Die lotosblume" - "Widmung" [Arranged Fiorentino])

(Franz Schubert: Sonata No. 13; 4 Impromptus D 899; Sonata No. 4)

(Franz Liszt: Ballade No. 1 and No. 2; Funèrailles; La Leggierezza; Waldesrauchen; Sonata in B minor)

(César Franck: Prélude, Fugue et Variations op. 18 [Transcribed Bauer]; Prélude, Chorale et Fugue; Danse Lente; Prélude, Aria et Final)

(Bach/Busoni, Beethoven; Chopin, Sciabin, Schumann, Liszt/Gounod, J. Strauss/Tausig, J. Strauss/Godowsky, Tchaikovsky, Brahms)

(The Contemplative Liszt)

(The Virtuoso Liszt)

(Liszt: Années de Pèlerinage Vol. I Suisse)

(Liszt: The Orchestral Recordings)

(Rachmaninov: 24 Preludes)

(Schumann: Carnaval; Kinderszenen; Arabeske; Symphonic Etudes)