Puneet Varma (Editor)

Self insertion

Updated on
Edit
Like
Comment
Share on FacebookTweet on TwitterShare on LinkedInShare on Reddit
Self-insertion

Self-insertion is a literary device in which a fictional character who is the real author of a work of fiction appears as an idealized character within that fiction, either overtly or in disguise.

Contents

In art, the equivalent is the inserted self-portrait, where the artist includes a self-portrait in a painting of a narrative subject. This has been a common artistic device since at least the European Renaissance.

This literary device should not be confused with a first-person narrator, an author surrogate, or a character somewhat based on the author, whether the author included it intentionally or not. Many characters have been described as unintentional self-insertions, implying that their author is unconsciously using them as an author surrogate.

Examples

  • The Razor's Edge by Somerset Maugham.
  • Slaughterhouse-Five by Kurt Vonnegut
  • The French Lieutenant's Woman by John Fowles
  • Stan Lee in different Marvel comic books and movies.
  • Clive Cussler author of Dirk Pitt novels, has inserted himself as a deus ex machina character in several of his books.
  • Gargantua and Pantagruel by François Rabelais, in the chapter "How Pantagruel with his tongue covered a whole army, and what the author saw in his mouth."
  • Milton: A Poem in Two Books by William Blake.
  • The Divine Comedy by Dante Alighieri.
  • The title character of the Rush Revere series by Rush Limbaugh.
  • I am the Messenger by Markus Zusak
  • Homestuck by Andrew Hussie
  • JPod by Douglas Coupland
  • References

    Self-insertion Wikipedia