Sanshiro Sugata Part II

Plot

In the 1880s, a martial arts student continues his quest to become a Judo master, from that discipline's founder. Eventually, he learns enough to demonstrate his skill in a boxing match between American and Japanese fighters- at the end of the movie. The whole movie is actually about the rivalry between karate and judo martial artists, and Sanshiro's struggle to do whats right. On one side there is the morally right thing to do, and on the other the rules in the dojo. Eventually he decides to break literally all the rules, leave the dojo, fight the American boxer and, also, the karate masters. He wins both fights and at the end of the movie smiles while washing his face, finally able to sleep and finally be happy

Cast

Critical reviews

Christian Blauvelt writing a review of the Criterion DVD release of the First Films of Akira Kurosawa saw merit in the film though somewhat tainted by noticeable propaganda as a Japanese WWII film released before the end of the war in 1945. Blauvent's review of the film started with a reference to Kurosawa; "His Sanshiro Sugata Part II also incorporates an element of propaganda. His first judo epic had been reviled by the censors for being too Western, even though its villain wore a Western business suit to separate himself from the more spiritual dimension of Japanese martial arts. In Sanshiro Sugata Part II, Sanshiro comes to the aid of defenseless Japanese who are being beaten up by a drunken American sailor. He later must take part in an exhibition where he pits his judo against an American boxer—and of course, his inevitable victory is taken as a sign of Japanese physical, moral, and spiritual superiority. But again, Kurosawa does not portray his society as being monolithically patriotic. Sanshiro must later fight the insane brothers of the first film’s villain, Gennosuke Higaki. Their battle takes place on a snow-covered hillside and matches the natural beauty of the first film’s windstorm finale. In his years apprenticing at P.C.L., Kurosawa had become exposed to the films of John Ford, many of which played in Japan, before the foreign-film embargo that accompanied Japan’s declaration of war on the United States in 1941. Like Ford, Kurosawa would emphasize the place of landscape in his films, often pairing his characters’ emotional turmoil with the Elements. The rain in One Wonderful Sunday, Rashomon, or Seven Samurai, the beating sun in Stray Dog, the sinkhole in Drunken Angel, the snowfall in The Idiot, the wind in Dersu Uzala, and the crashing waves of Kagemusha would express some emotional anguish of the characters and, as a kind of cinematic synecdoche, society as a whole."

Home media

The film was released in 2010 as part of a DVD box set of Kurosawa's early films under the following designation: