Name Roger Deakins
|Years active 1984–present|
|Full Name Roger Alexander Deakins|
Born 24 May 1949 (age 66) (1949-05-24) Torquay, Devon, England, United Kingdom
Other names Roger A. Deakins, Matt Campbell
Spouse Isabella James Purefoy Ellis (m. 1991)
Parents Josephine Messum, William Albert Deakins
Education National Film and Television School, Bath School of Art and Design
Awards BAFTA Award for Best Cinematography
Movies Sicario, Skyfall, Prisoners, No Country for Old Men, The Shawshank Redemption
Similar People Denis Villeneuve, Emmanuel Lubezki, Sam Mendes, Ethan Coen, Carter Burwell
45 minute interview w cinematographer roger deakins on shooting the man who wasn t there
Roger Alexander Deakins, (born May 24, 1949) is an English cinematographer best known for his work on the films of the Coen brothers, Sam Mendes, and Denis Villeneuve. Deakins is a member of both the American and British Society of Cinematographers. He received the 2011 American Society of Cinematographers (A.S.C.) Lifetime Achievement Award. Deakins has received thirteen nominations for the Academy Award for Best Cinematography.
- 45 minute interview w cinematographer roger deakins on shooting the man who wasn t there
- Dp 30 true grit cinematographer roger deakins
- Early life
- Feature films
- Personal life
Dp 30 true grit cinematographer roger deakins
Deakins was born in Torquay in the English county of Devon, the son of Josephine (née Messum), an actress, and William Albert Deakins, a builder. He attended Torquay Boys' Grammar School. While growing up in Torquay, Deakins spent most of his time in and out of school focusing on his primary interest: painting. Several years later he enrolled in the Bath School of Art and Design (in the city of Bath) where he studied graphic design. While studying in Bath, he discovered his love of photography. He proved to be a very talented photographer, and this led to his being hired to create a photographic documentary of his home town, Torquay. About a year later, Deakins transferred to the National Film and Television School in Buckinghamshire.
Shortly after graduating, Deakins found work as a cameraman, assisting in the production of documentaries in various locations abroad for approximately seven years. During this seven-year stint, his first project involved a nine-month trip as one of the entrants of a 'round-the-world yacht race called Around the World with Ridgeway. This project captured the lives and growing tensions between several of the yacht's crewmen. Deakins received high praise for his work out at sea showing the parallels between these teammates and shipmates. After completing Around the World with Ridgeway, Deakins was immediately hired by television studios to film several documentaries in Africa. His first, Zimbabwe, was a powerful and informative depiction of the genocide that had been going on there, following Zimbabwe's devastating civil war. His second, Eritrea – Behind Enemy Lines, was another depiction of conflict, this time within the borders of Sudan, Ethiopia and Djibouti.
From the time of his work in Africa until the early 1980s, Deakins continued his cinematographic and directorial work in documentaries as well as the burgeoning field of music videos. His early work as both a director and cinematographer of music videos including a lot of the early Madness videos. Carl Perkins' "Blue Suede Shoes" and the concert film Van Morrison in Ireland. Subsequently, he worked on Towers of Babel, Sid and Nancy, The Kitchen Toto, and Pascali's Island.
Deakins' first feature film in America as cinematographer was Mountains of the Moon (1990). He began his collaboration with the Coen brothers in 1991 on the film Barton Fink (the director Barry Sonnenfeld worked as cinematographer on the Coen brothers' previous three films Blood Simple, Raising Arizona, and Miller's Crossing). Since then, Deakins has been the Coens' main cinematic collaborator and has been their principal cinematographer.
Deakins received his first major award from the American Society of Cinematographers for his outstanding achievement in cinematography for the internationally praised major motion picture The Shawshank Redemption. The ASC continued to honour Deakins with outstanding achievement nominations for his later works, including Fargo, Kundun, O Brother, Where Art Thou?, and The Man Who Wasn't There, for which he won his second ASC Award. The U.S. National Board of Review of Motion Pictures honored him with an award for Career Achievement in Cinematography in 2007.
In 2008, Deakins became the first cinematographer in history to receive dual ASC nominations for his works The Assassination of Jesse James by the Coward Robert Ford and No Country for Old Men. The latter won the BAFTA Award for Best Cinematography and he received Academy Award nominations for both films. In 2009, he was double-nominated for the ASC Award again for Revolutionary Road and The Reader (with Chris Menges). In 2011 he was nominated again for his work on True Grit and also received an ASC Lifetime Achievement Award. In 2012 he won another ASC Award for outstanding achievement in cinematography for his work on Skyfall, his ninth ASC Award nomination and third win.
Deakins signed on as cinematographer for Skyfall, having previously worked with director Sam Mendes on Jarhead and Revolutionary Road. Deakins also worked as one of the visual consultants for the Pixar's animated feature WALL-E, DreamWorks Animation's How to Train Your Dragon, and Nickelodeon Movies' Rango.
Deakins was appointed Commander of the Order of the British Empire (CBE) in the 2013 Birthday Honours for services to film.
Deakins married script supervisor Isabella James Purefoy Ellis, professionally known as James Ellis, on 11 December 1991. Deakins' primary hobby is taking still photographs. Before he entered the National Film School, he spent a year in North Devon, England, documenting the way of life on the farms and in the villages. This cemented his passion for still photography that continues to this day. On the rare days that he is not in his boat while in Devon, he enjoys travelling to various places to augment his growing series of images.