Nationality American Role Short story writer Other names Shale Aaron | Education University of Arizona Name Robert Boswell Movies Crooked Hearts | |
![]() | ||
Known for Tumbledown, The Heyday of the Insensitive Bastards Awards Guggenheim Fellowship for Creative Arts, US & Canada Books Tumbledown: A Novel, The Heyday of the Insen, The Half‑Known World, Mystery Ride, Century's Son Similar People Antonya Nelson, Charles D'Ambrosio, Jim Shepard |
Robert boswell at inprint
Robert Boswell is an American short story writer and novelist.
Contents

Life

Robert Boswell is the author of eleven books. His stories have appeared in the New Yorker, Best American Short Stories, O. Henry Prize Stories, Pushcart Prize Stories, Best Stories from the South, Esquire, Ploughshares, Harvard Review, Colorado Review.

He has been faculty at the Bread Loaf Writers' Conference.

He shares the Cullen Chair in Creative Writing at the University of Houston with his wife, Antonya Nelson, whom he met in a creative writing workshop at the University of Arizona taught by Mary Carter. They were married July 1984. Their daughter Jade is an art student at James Madison University, and son, Noah, is attending Macalester College as an English major.

Boswell teaches creative writing at the University of Houston.
Awards
Works
Short Stories
Novels
Nonfiction
Play
Reviews
In many ways, Robert Boswell fits the mythology of the contemporary man in the American West. Known as Boz, he's a lanky, laconic six-footer with a closely cropped beard. Typically garbed in jeans and rumpled shirts with rolled-up sleeves, he drives a pickup truck and listens to Bruce Springsteen. He lives in an adobe house near the Rio Grande in Las Cruces, New Mexico, less than fifty miles from the Mexican border. His voice is a baritone, coming from way deep, and he's a slow talker—slower still with strangers. He claims the desert as his landscape of preference, insisting that the sky really is larger out there, and too much time away from the West makes him claustrophobic.
Kirkus:
Through this collection
of 14 works, as he demonstrates again and again, the short story's pulse and meaning lie not in the places where the