Name Richard Spear | ||
Education Princeton University (1965), University of Chicago Awards Guggenheim Fellowship for Humanities, US & Canada Books Painting for Profit: The Economic, The "Divine" Guido: R, From Caravaggio to Artemis, Renaissance and Baroque, Caravaggio and his followers | ||
Richard E. Spear (born 1940 in Michigan City, Indiana) is an American art historian and professor who specializes in Italian Baroque painting.
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Education and academic career
Spear was educated in art history at the University of Chicago (B.A., 1961) and Princeton University (Ph.D., 1965). His research and publications have focused on seventeenth-century European art, ranging from a two-volume catalogue raisonné on Domenichino (1581–1641) to studies based on iconographic, psychoanalytic, feminist, and economic methodologies. He taught at Oberlin College from 1965 until 2000, where he also directed the Allen Memorial Art Museum (1972–83). He was appointed Distinguished Visiting Professor at George Washington University in 1983-84 and held the Harn Eminent Scholar Chair at the University of Florida, Gainesville, in 1997-98. Since 1998, he has been Distinguished Visiting and Affiliated Research Professor at the University of Maryland, College Park.
Main publications and research
Spear’s research on prices paid to painters in seventeenth-century Rome is a searchable online database administered by the Getty Research Institute. In addition to nearly a hundred articles on Baroque art (see From Caravaggio to Artemisia: Essays on Painting in Seventeenth-Century Italy and France, pp. 601–06, for a complete bibliography through 2002), he has published studies on the European painting collection in the Prince of Wales Museum, Bombay, India, and written for the Times Literary Supplement, The Artnewspaper, The Washington Post, and The International Herald Tribune. He was Editor-in-Chief of The Art Bulletin from 1985 to 1988.
Distinctions and awards
Spear was Art Historian in Residence at the American Academy in Rome in 1988. He received many research grants, including a post-doctoral Fulbright scholarship to Italy (1966–67), and fellowships from the American Council of Learned Societies (1971–72), the National Endowment for the Humanities (1980–81), the Center for Advanced Study in the Visual Arts of the National Gallery of Art in Washington, D.C. (1983–84), the Guggenheim Foundation (1987–88), and the National Humanities Center (1992–93). Twice he won a residency at the Rockefeller Foundation’s Bellagio Center (1996, 2007). In 1972 he was awarded the Daria Borghese Gold Medal for the best book of the year dealing with a Roman subject.