Children Capt Peter Baker | Name Reginald Baker | |
Full Name Reginald Poynton Baker Born 19 July 1896 ( 1896-07-19 ) Leytonstone, Essex, England Died 31 January 1985(1985-01-31)
Sydney, Australia Residence Loddenden Manor, Staplehurst, Kent Occupation Chairman and managing director of Ealing Studios Spouse(s) Gwendolyn Emily Christabel Baker nee Webb
(m. 1917, died. 1962) Relatives Leslie Forsyth Baker (brother), film executive | ||
Reginald Poynton Baker, MC, FCA, FRSA, (19 July 1896 – 31 January 1985), was a British film producer and a major contributor to the development of the British film industry. Along with his younger brother Leslie Forsyth, he played a decisive role in establishing Ealing Studios. He was the father of Conservative MP Peter Baker. Baker died in Australia aged 89.
Contents
- Family and early life
- Education
- World War I
- World War II
- Parliament
- Other notable family members
- Formation of Ealing Studios
- Films produced by Baker
- Later life
- References
From 1943 to 1946, Baker was president of the Kinematograph Renter's Society of Great Britain and Ireland (KRS) and from 1950 to 1953, president of the British Film Producers Association (BFPA).
He lived at Loddenden Manor, a 300 acres estate, Staplehurst, Kent until 1954.
Family and early life
A soldier, a successful accountant and a movie magnate, Baker was descended from an old-established Norfolk family, the fourth of the five children of Samuel Henry Baker (1866–1918), a manager of chemical works of 44 James Lane, Leytonstone, Essex and his wife Jane Louisa Baker (1870-1955) née Christoffer, daughter of builder John Cort Christoffer (1834–1913).
He married in 1917 Gwendolyn Emily Christabel, daughter of Arthur Webb, a Draper from Romford, Essex.
Baker was a remote relative of British Army officers Sir Arthur Borton and Brigadier General Neville Travers Borton Pasha CMG (1870-1938), Postmaster general in Egypt and British military governor of Jerusalem, the first incumbent of the office, due to health problems was replaced by Sir Ronald Storrs. Baker was also related to Neville Arthur Blachley Borton.
Education
He studied at the University of London.
World War I
At the outbreak of World War I, Baker joined the Essex Yeomanry as a Private. He served on the Western Front with the 17th (Poplar and Stepney Rifles) Battalion, London Regiment, one of the units of the 5th London Brigade, rising through the ranks, he reached Captain.
World War II
On 17 June 1939, Captain Baker (late of 17th Lond. R) was raised to the rank of Major. On 1 February 1941, Major Baker of the Territorial Army Association Cheveney, Yalding, Kent, (19th Battalion kent Farningham) was awarded the Military Cross and promoted to the Acting rank of Lieutenant colonel.
Parliament
Baker fought for a seat in the House of Commons in the 1923 general election, he is described as an Independent candidate.
Other notable family members
Formation of Ealing Studios
A co-founder of Ealing Studios and a key figure there for some 30 years, 'Major' Reginald Baker became one of Britain's best-known producers.
Following his WWI service, he worked in accountancy negotiating the purchase of Gainsborough Pictures' Islington site from Famous Players-Lasky on behalf of Michael Balcon. The studio was small but well equipped with the latest American cameras and lighting equipement and fully staffed.The staff included an ambitious young man whose name would soon become famous, Alfred Hitchcock.
Before moving into film production, Baker was a partner in the firm of Berger,Baker and co, Chartered Accounts and Business Consultants at Southampton Row, London, the firm had connections in the film industry.
When theatre producer Basil Dean and actor Gerald du Maurier founded Associated Talking Pictures (ATP) in 1929, Baker was first to join the management team, quickly followed by textiles heir Stephen Courtauld. Construction costs on the company's new studios at Ealing having doubled by late 1931, he and Courtauld arranged additional finance, ensuring production continued.
All together about 60 pictures were made there over the seven years from 1931 to 1938 such as Perfect Understanding starring Gloria Swanson and Laurence Olivier, other coming stars started their careers there like Madeline Carroll, Margaret Lockwood or director Carol Reed
In 1938, with ATP struggling, he invited his former Gainsborough employer Michael Balcon (at that time, head of MGM-British) to take over the studio from Dean; Balcon subsequently hailed their 20-year partnership as the most successful of his career. An early collaboration was The Ware Case, which helped move Ealing beyond the Gracie Fields and George Formby vehicles that had been the studios' trademark.
Ealing Studios developed into the nearest the British film industry ever came to a studio after the classic Hollywood pattern, like, Warner Brothers in the thirties, Ealing had its roster of personnel, directors, writers, and technicians on permanent salary, its pool of actors, its recurrent thematic preoccupations, and from all theses there was derived a very recognizable house of style of film making. Ealing became the most famous British film studio in the world.
Baker was, like Balcon, a vocal critic of what he saw as the monopolisation of British film exhibition by the Rank Organisation, and in 1944 he negotiated a more favourable co-production and distribution deal for Ealing.
Backed by Rank's ample resources, Ealing entered into its finest period with the national epic Scott of the Antarctic, classic adaptation Nicholas Nickleby, romantic costume drama Saraband for Dead Lovers, the supernatural with Dead of Night. Most often remembered for its comedies such as Hue and Cry, Passport to Pimlico, The Lavender Hill Mob, Kind Hearts and Coronets starring Dennis Price, The Man in the White Suit and the black comedy The Ladykillers.
However, following the withdrawal of Courtauld's financing in 1952 having relocated to Rhodesia the previous year due to failing health, he and Balcon were reluctantly forced to end this arrangement, selling the Ealing lot to the BBC in 1955 and relocating to MGM's Boreham Wood studios.
The last Ealing film appeared in 1959.
Films produced by Baker
See Ealing Studios (1930–1959).
Later life
In the aftermath of his son's imprisonment for fraud and forgery, Baker became a major creditor of many of his son's seventeen companies, he sold off some of his assets including his Kentish manor., his son's art collection went up for auction at Sotheby's in 1966-68.
Baker retired to Australia, the home of his two grandchildren, he died in 1985, he was survived by his widow Maxine Poynton Baker née Murray-Jones (1913–2007), a friend of Australian playwright and critic Sydney John Tomholt (1884–1974).