Name Poul Ruders | Role Composer | |
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Education Royal Danish Academy of Fine Arts Nominations Grammy Award for Best Contemporary Classical Composition Compositions The Handmaid's Tale, The Handmaid's Tale, Breakdance for piano and brass, Breakdance for piano and brass, Bravour studies for solo cello over "L'homme arme": V Var 4: Potpourri, Bravour studies for solo cello over "L'homme arme": V Var 4: Potpourri, Corona, Corona, Symfonie nr 1, Symfonie nr 1, Gong, Gong, Bravour studies for solo cello over "L'homme arme": VI Var 5: Etude, Bravour studies for solo cello over "L'homme arme": VI Var 5: Etude, Bravour studies for solo cello over "L'homme arme": VII Var 6: Intermezzo, Bravour studies for solo cello over "L'homme arme": VII Var 6: Intermezzo, Bravour studies for solo cello over "L'homme arme": X Var 9: Finale: Variation classique, Bravour studies for solo cello over "L'homme arme": X Var 9: Finale: Variation classique, Bravour studies for solo cello over "L'homme arme": I Theme, Bravour studies for solo cello over "L'homme arme": I Theme, Bravour studies for solo cello over "L'homme arme": IV Var 3: Serenade I, Bravour studies for solo cello over "L'homme arme": IV Var 3: Serenade I, Tundra, Tundra, Bravour studies for solo cello over "L'homme arme": VIII Var 7: Fantasia, Bravour studies for solo cello over "L'homme arme": VIII Var 7: Fantasia, Psalmodies: II Solo for Two, Psalmodies: II Solo for Two, Psalmodies: I Entrance for one, Psalmodies: I Entrance for one, Zenith, Zenith, Saledes saae Johannes, Saledes saae Johannes, Bravour studies for solo cello over "L'homme arme": II Var 1: Overture, Bravour studies for solo cello over "L'homme arme": II Var 1: Overture, Bravour studies for solo cello over "L'homme arme": IX Var 8: Serenade II, Bravour studies for solo cello over "L'homme arme": IX Var 8: Serenade II, Piano Concerto no 2, Piano Concerto no 2, Bravour studies for solo cello over "L'homme arme": III Var 2: Recitative, Bravour studies for solo cello over "L'homme arme": III Var 2: Recitative Similar People Michael Schonwandt, Leif Segerstam, Joseph Haydn | ||
The Santa Fe Opera: The Thirteenth Child
Poul Ruders (pronounced [pʰoʊ̯l ˈʁuːdəʂ]) (born 27 March 1949 in Ringsted) is a Danish composer.
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Life
Ruders trained as an organist, and studied orchestration with Karl Aage Rasmussen. Ruders's first compositions date from the mid-1960s. Ruders regards his own compositional development as a gradual one, with his true voice emerging with the chamber concerto, Four Compositions, of 1980. His notable students include Marc Mellits.
Writing about Ruders, the English critic Stephen Johnson states: "He can be gloriously, explosively extrovert one minute - withdrawn, haunted, intently inward-looking the next. Super-abundant high spirits alternate with pained, almost expressionistic lyricism; simplicity and directness with astringent irony."
Music
Ruders has created a large body of music ranging from opera and orchestral works through chamber, vocal and solo music in a variety of styles, from the Vivaldi pastiche of his first violin concerto (1981) to the explosive modernism of Manhattan Abstraction (1982).
Other works include the operas Tycho (1986), The Handmaid's Tale (1990), Proces Kafka/Kafka's Trial (2005), and Selma Jezkova (2007, after Trier's ‘Dancer in the Dark’), five symphonies, four string quartets, Violin Concerto No. 1 (1981), Etude and Ricercare (1994) for guitar, for David Starobin, The Bells (songs) with Lucy Shelton, soprano, and the Christmas Gospel (1994) and two piano sonatas; Abysm (2000) for Birmingham Contemporary Music Group. Ruders has written several works for the American guitarist and promoter of new music David Starobin: Psalmodies (1989) and Paganini Variations for guitar and orchestra (1999–2000), and Psalmodies Suite (1990), Etude and Ricercare (1994) and Chaconne (1996) for solo guitar. Ruders has composed a Concerto in Pieces (1995), which is a set of variations on the "Witches' Chorus" from Purcell's opera Dido and Aeneas.
His fourth symphony, An organ symphony, (with a significant part for organ) was a joint international commission by the Dallas Symphony Orchestra, Odense Symphony Orchestra and the City of Birmingham Symphony Orchestra. The world premiere took place in the Morton H. Meyerson Symphony Center, Dallas, Texas, 20 January 2011.