Birth name Andrew Heissler Years active 2006 (2006)–present | Name Pokey LaFarge | |
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Born 26 June 1983 (age 40)
Bloomington, Illinois, United States ( 1983-06-26 ) Origin St. Louis, Missouri, United States Genres American folk, American roots Occupation(s) Musician, singer-songwriter Instruments Vocals, guitar, mandolin Role Musician · pokeylafarge.net Profiles | ||
Pokey LaFarge "Pack It Up"
Pokey LaFarge (born June 26, 1983) is an American singer and songwriter from Illinois who recreates the sound of early jazz, blues, and folk music.
Contents
- Pokey LaFarge Pack It Up
- Pokey lafarge central time
- Early life
- Career
- Appearances
- Musical style
- Genre
- Influences
- Members
- Studio albums
- EPs and singles
- Compilations and other appearances
- Honors distinctions and awards
- References
Pokey lafarge central time
Early life
LaFarge was born Andrew Heissler in Bloomington, Illinois. The nickname "Pokey" was coined by his mother, who would scold him to hurry when he was a child.
LaFarge took an interest in history and literature during his childhood, and was greatly influenced by his grandfathers. One was a member of the St. Louis Banjo Club who gave him his first guitar and tenor banjo. The other, an amateur historian, taught him about the American Civil War and World War II.
LaFarge enjoyed the writings of John Steinbeck, Ernest Hemingway, and Jack Kerouac. As a teenager, he combined his appreciation for history and writing with his discovery of blues music.
In his early teens, while he was living in Normal, Illinois, LaFarge first heard blues in a local pizza parlor run by a man named Juice who played Muddy Waters and Willie Dixon. He discovered an appreciation for older blues musicians like Skip James, Robert Wilkins, and Sleepy John Estes. After hearing Bill Monroe at age 16, LaFarge traded the guitar his grandfather had given him for a mandolin.
He adopted the name "Pokey LaFarge" because it sounded like what he was looking for musically during the time he was moving around the country. After graduating from University High School in 2001, When he was seventeen, he hitchhiked to the west coast and earned a living as a busker on streets, sidewalks, and pedestrian malls. He met Ryan Koenig and Joey Glynn of the St. Louis band The Rum Drum Ramblers while he was playing on a street in Asheville, North Carolina. Adam Hoskins joined Glynn and Koenig to form the South City Three. The band joined LaFarge in 2009.
Career
LaFarge independently released his first album, Marmalade, in 2006.During the same year, he toured with The Hackensaw Boys. His second solo album, Beat, Move & Shake, was released in 2008 by Big Muddy Records.
Riverboat Soul, the first album with The South City Three, was recorded in July 2009 at the Nashville studio of producer Phil Harris using vintage instruments and electronics. It was released in 2010 by Free Dirt Records and won the Independent Music Award for Best Americana Album. The group's second album, Middle of Everywhere, won the same award in 2011. The band also released Chittlin' Cookin' Time in Cheatham County produced by Jack White for his label, Third Man Records. White asked the band to collaborate with him on the song "I Guess I Should Go to Sleep" for his album Blunderbuss, followed by opening for him on tour.
In 2013, LaFarge signed with Third Man Records and released his first album on the label, accompanied by a larger band that included Chloe Feoranzo, Matthew Meyer, and T.J. Muller. During the next year, he signed with Rounder Records and released Something in the Water.
Appearances
Musical style
The group is thought to be "artfully dodgy ambassadors for old-time music, presenting and representing the glories of hot swing, early jazz and ragtime blues" who have "made riverboat chic cool again." Stephen Thompson of NPR says of LaFarge's . .
". . music evokes the old-timey spirit of a thousand crackling 78 RPM records . . and even when you encounter him face to face, he seems to gaze at you out of a dusty archival photo . . Maybe the effect wouldn't be so jarring if LaFarge's music felt inauthentic in some unsettling way . . But his albums never feel like cheap exercises in nostalgia, in part because LaFarge directs his old-fashioned sensibilities in the service of sharp, infectious new material. It feels strange to listen to his work on a CD . . but his songs aren't stiffly posed wax-museum sculptures . . Their energy makes them feel new and alive.
Ketch Secor of Old Crow Medicine Show said
“Pokey’s got a St. Louis thing going. His muse is the Mississippi; maybe that’s what makes his songs run so deep and muddy, though it was on the Ohio that I first met him. With a Bardstown tune he stopped me dead in my tracks—just a kid back then, cutting his teeth on primitive blues, rust jazz, drunk swing – Lord! – what saintly patron brought Clifford Hayes back from the dead and sent him back to Carpet Alley to reclaim his crown? Well, all I can say for certain is nobody sings much like Jimmie Rodgers anymore and nobody crows, rakes, rips, yips, shouts, buzzes or croons quite like Pokey LaFarge either.”
Genre
His repertoire consists of a mix of Americana, early jazz, ragtime for string instruments, country blues, Western swing, Vaudeville, and Appalachian folk.
"American music is the tops: People respond to it all over the world because it's expressive and powerful," LaFarge told Madison's Isthmus newspaper in 2011.
Influences
Musicians that have influenced him include Howlin’ Wolf, Jimmie Rodgers, Bill Monroe, Milton Brown and the Musical Brownies, Modern Mountaineers, Sleepy John Estes, Henry Townsend, Frank Fairfield, Fats Waller, Emmett Miller, and Willie Dixon.