Role Composer Occupation(s) Composer Children Marek Eben, David Eben | Years active 1950–2007 Grandchildren Terezka Eben Name Petr Eben | |
![]() | ||
Instruments organist, pianist, cellist, choir master Died October 24, 2007, Prague, Czech Republic Genres Classical music, 20th-century classical music, Contemporary classical music Compositions Prazske Te Deum, Prazske Te Deum, Hommage a Henry Purcell, Hommage a Henry Purcell, Protestant Chorales: I Sing the praise of our Lord, Protestant Chorales: I Sing the praise of our Lord, Momenti d'organo: I Agitato, Momenti d'organo: I Agitato, Job: VI Mystery of Creation, Job: VI Mystery of Creation, Campanae gloriosae, Campanae gloriosae, Protestant Chorales: IX Alas - truly penitent people, Protestant Chorales: IX Alas - truly penitent people, Okna: I Blue Window Ruben, Okna: I Blue Window Ruben, Mutationes: VII Duo - Agitato, Mutationes: VII Duo - Agitato, Laudes: II Lento - Allegro solenne, Laudes: II Lento - Allegro solenne, Landscapes of Patmos: II Landscape with Elders, Landscapes of Patmos: II Landscape with Elders, Four Biblical Dances: III The Dance of Jephtha's Daughter, Four Biblical Dances: III The Dance of Jephtha's Daughter, Momenti d'organo: IX Comodo, Momenti d'organo: IX Comodo, Faust: I Prologue, Faust: I Prologue, Faust: VIII Walpurgis Night, Faust: VIII Walpurgis Night, Protestant Chorales: XII Awake - all ye Christians, Protestant Chorales: XII Awake - all ye Christians, Job: I Destiny, Job: I Destiny, Sonntagsmusik: IV Finale, Sonntagsmusik: IV Finale, Landscapes of Patmos: I Landscape with Eagle, Landscapes of Patmos: I Landscape with Eagle, Momenti d'organo: VI Adagio, Momenti d'organo: VI Adagio, Hommage a Buxtehude: I Con enfasi - ma piu allegro che Buxtehude, Hommage a Buxtehude: I Con enfasi - ma piu allegro che Buxtehude, Mutationes: III Vehemente, Mutationes: III Vehemente, Job: V Despair and Resignation, Job: V Despair and Resignation, Laudes: IV Gravemente - Allegro - Vivace fermo, Laudes: IV Gravemente - Allegro - Vivace fermo, Sonntagsmusik: III Moto ostinato, Sonntagsmusik: III Moto ostinato, Job: IV Longing for Death, Job: IV Longing for Death, Mutationes: V Rapsodico, Mutationes: V Rapsodico, Ten Chorale Preludes: No 1 Da Christus geboren war, Ten Chorale Preludes: No 1 Da Christus geboren war, Faust: III Song of the Beggar with the Hurdy-Gurdy, Faust: III Song of the Beggar with the Hurdy-Gurdy, Ten Chorale Preludes: No 2 Die Nacht ist kommen, Ten Chorale Preludes: No 2 Die Nacht ist kommen, Mutationes: I Impetuoso, Mutationes: I Impetuoso, Four Biblical Dances: I The Dance of David Before the Ark of the Covenant, Four Biblical Dances: I The Dance of David Before the Ark of the Covenant, Mutationes: IV Scherzando, Mutationes: IV Scherzando, Protestant Chorales: V Rejoice in Christ the King - o daughter of Zion, Protestant Chorales: V Rejoice in Christ the King - o daughter of Zion, Hommage a Buxtehude: II Ben ritmico, Hommage a Buxtehude: II Ben ritmico, Two Chorale Fantasies: II Saint Wenceslas, Two Chorale Fantasies: II Saint Wenceslas, Landscapes of Patmos: IV Landscape with Rainbow, Landscapes of Patmos: IV Landscape with Rainbow, Chorale Fantasy "Amen - es werde wahr", Chorale Fantasy "Amen - es werde wahr", Ten Chorale Preludes: No 6 Ich dank dir schon durch deinen Sohn, Ten Chorale Preludes: No 6 Ich dank dir schon durch deinen Sohn, Job: II Faith, Job: II Faith, Versetti: I Moderato con spirito, Versetti: I Moderato con spirito, Due preludi festivi per organo: I Festivo I, Due preludi festivi per organo: I Festivo I, Hommage a Buxtehude: III Scherzando, Hommage a Buxtehude: III Scherzando, Prelude 1, Prelude 1, Gloria (Prelude 2), Gloria (Prelude 2), Ten Chorale Preludes: No 8 Lob Gott getrost mit Singen, Ten Chorale Preludes: No 8 Lob Gott getrost mit Singen, Ten Chorale Preludes: No 4 Es sind doch selig alle - die, Ten Chorale Preludes: No 4 Es sind doch selig alle - die, Ten Chorale Preludes: No 5 Hinunter ist der Sonne Schein, Ten Chorale Preludes: No 5 Hinunter ist der Sonne Schein, Job: VIII God's Reward, Job: VIII God's Reward, Protestant Chorales: VI Rejoice - o earth and starry firmament - halleluja, Protestant Chorales: VI Rejoice - o earth and starry firmament - halleluja, Triptychon: II Moderato, Triptychon: II Moderato Similar People Marek Eben, Bohuslav Martinu, David Eben, Leos Janacek, Libor Pesek |
Petr eben six love songs
Petr Eben (22 January 1929 – 24 October 2007) was a Czech composer of modern and contemporary classical music, organist and choirmaster.
Contents
- Petr eben six love songs
- Petr eben suita balladica for violoncello and piano
- His life
- His music
- Recordings
- List of selected compositions
- References

Petr eben suita balladica for violoncello and piano
His life
Born in Žamberk in northeastern Bohemia, Eben spent most of his childhood and early adolescence in Český Krumlov in southern Bohemia. There he studied piano, and later cello and organ. The years of World War II were especially difficult for the young man. Although Eben was raised as a Catholic, his father was a Jew and thus fell foul of the National Socialist occupiers of his homeland. In 1943 Eben was captured and imprisoned by the Nazis in Buchenwald, remaining there for the duration of the war.

After being released, he was admitted to the Prague Academy for Music, and there he studied piano with František Rauch and composition with Pavel Bořkovec. He graduated in 1954. Beginning in 1955 Eben taught for many years in the music history department at Charles University in Prague. Between 1977 and 1978 he was professor of composition at the Royal Northern College of Music, Manchester. In 1990 he became professor of composition at the Academy of Performing Arts in Prague and President of the Prague Spring Festival.

Always Eben refused to join the Czech Communist Party and continued openly attending church, thus forfeiting many career advancements before 1989. After the Communist government crumbled, however, he was given several important appointments and awards, among them presidency of the Prague Spring Festival (1989) and the Medal of Merit (2002). Among Eben's most important late works is his 1992-1993 oratorio "Posvátná znamení" (Sacred Symbols). Despite declining health from a stroke in his final years, Eben remained busy, composing mostly organ and choral works. He died in Prague on 24 October 2007.
Eben's compositions are often performed in both Europe and overseas, especially in the United States, Canada, Japan and Australia. In 1991, Eben was awarded the title of Knight of the French Ministry of Culture, Arts and Letters. Two years earlier he became honorary president of the Society for Sacred Music. An international organ competition bearing his name has been organized since 2004 in Opava.
The Petr Eben International Organ Competition, held in Opava, Czech Republic, is named in his honour.
His son David Eben is the founder and director of Schola Gregoriana Pragensis, an a cappella male voice choir.
His music
Over more than half a century Eben produced a good deal of music in diverse genres. His earliest large works included his 1954 First Organ Concerto (the Second came in 1984) and Concerto for Piano and Orchestra (1960–1961). He wrote numerous vocal, choral, symphonic, piano, and chamber works, but it was organ music which remained his greatest love and in which he was most prolific.
Among Eben's biggest projects were the oratorio Apologia Socratus, the ballet Curse and Benediction (Kletby a dobrořečení), written for the Holland Festival 1983, the orchestral works Hours of the Night (Noční hodiny) and Prague Nocturne (Pražské nokturno), for the Vienna Philharmonic, the Organ Concerto No. 2 for the dedication of the new organ for Radio Vienna, the mass Missa cum populo for the Avignon Festival, the oratorio Holy Symbols (Posvátná znamení) for Salzburg Cathedral, and the opera Jeremiah (intended for church, not theatrical, performance). He also wrote some enchanting children’s songs such as Sníh, a song about snow which won an award for Best Children's Choir Song in Illinois.
Eben was considered a master at improvisation on the organ and piano, but composition remained his main area of interest. However, many of his organ compositions in particular were based on his public improvisations. These improvisations were the origin for the Two Choral Fantasies, Landscapes of Patmos, and Job. Eben improvised and developed a cycle of organ movements in the years from 1991 to 2003 based on excerpts from John Comenius' famous book, Labyrinth of the World and the Paradise of the Heart that became a published work in response to positive reception.
His music has been widely performed and recorded since about 1980, with his popularity still apparently on the rise. Stylistically, his musical language can be considered as "neoexpressionistic" in many ways, however in some works we can hear some kind of new forms of impressionistic tendencies. He is often compared with Olivier Messiaen (the comparison is valid to some extent, in that both men wrote a great deal of organ music, and quite often have examples of their organ output included in the same recitals), but overall his style is less consistently experimental and voluptuous than Messiaen's.
Recordings
The majority of Eben's works has been published by Czech label Supraphon. Some recordings of his organ pieces were performed by himself. The Norwegian organist Halgeir Schiager has recorded five CDs of Petr Eben's organ music on Hyperion Records. The German organist Gunther Rost has recorded 6 discs of Petr Eben's organ music on label Motette. The interpretation recorded on this CD-SACD series was largely influenced by the composer's personal suggestions and comments. The series compiles all of Eben's works for solo organ which have been published to this date, played by Gunther Rost on various contemporary instruments. The speaker in both cycles, Job (vol. I) and The Labyrinth of the World and the Paradise of the Heart (vol. V, published in 2008), is the late Gert Westphal, one of Germany's most important contemporary reciters. Some of his CDs feature works by Sieglinde Ahrens. Petr Eben's Moto Ostinato from "Sunday Music" is played by English organist Gillian Weir in her "The King of Instruments" series (Priory Records' PRDVD 7001). The Canadian organist Philip Crozier, playing the Fulda Cathedral organ, has also recorded a number of Eben's works on the Azimuth label.