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Paul Muni

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Other names
Muni Weisenfreund

Film actor

Paul Muni

Years active


Paul Muni Meredy39s Paul Muni Trivia Mania

Full Name
Frederich Meshilem Meier Weisenfreund

September 22, 1895 (
Lemberg, Austro-Hungarian Empire (present day Lviv, Ukraine)

August 25, 1967, Montecito, California, United States

Bella Finkel (m. 1921–1967)

Salli Weisenfreund, Phillip Weisenfreund

Academy Award for Best Actor, Tony Award for Best Lead Actor in a Play

Scarface, I Am a Fugitive from a Ch, The Life of Emile Zola, The Story of Louis Pasteur, The Good Earth

Similar People
William Dieterle, Howard Hawks, Mervyn LeRoy, Luise Rainer, Richard Rosson

Actor the paul muni story trailer 1978

Paul Muni (born Frederich Meshilem Meier Weisenfreund; September 22, 1895 – August 25, 1967) was an American stage and film actor who grew up in Chicago. Muni was a six-time Academy Award nominee, with one win. He started his acting career in the Yiddish theatre. During the 1930s, he was considered one of the most prestigious actors at the Warner Bros. studio, and was given the rare privilege of choosing which parts he wanted.



His acting quality, usually playing a powerful character, such as the lead in Scarface (1932), was partly a result of his intense preparation for his parts, often immersing himself in study of the real character's traits and mannerisms. He was also highly skilled in using makeup techniques, a talent he learned from his parents, who were also actors, and from his early years on stage with the Yiddish theater in Chicago. At the age of 12, he played the stage role of an 80-year-old man; in one of his films, Seven Faces, he played seven different characters.

Paul Muni httpsuploadwikimediaorgwikipediacommons00

He made 25 films and won the Academy Award for Best Actor for his role in the 1936 film The Story of Louis Pasteur. He also starred in numerous Broadway plays and won the Tony Award for Best Actor in a Play for his role in the 1955 production of Inherit the Wind.

Paul Muni Paul Muni

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Early life and career

Paul Muni Pictures amp Photos of Paul Muni IMDb

His Hebrew name was Meshilem; he was also called Frederich Meier Weisenfreund, born to a Jewish family in Lemberg, Galicia, a province of the Austro-Hungarian Empire. (It is now Lviv, Ukraine). His parents were Salli and Phillip Weisenfreund. He learned Yiddish as his first language. When he was seven, he emigrated with his family to the United States in 1902; they settled in Chicago.

Paul Muni PAUL MUNI Sam Maronies Entertainment Funhouse Maronie

As a boy, he was known as "Moony". He started his acting career in the Yiddish theatre in Chicago with his parents, who were both actors. As a teenager, he developed a skill in creating makeup, which enabled him to play much older characters. Film historian Robert Osborne notes that Muni's makeup skills were so creative, that for most of his roles, "he transformed his appearance so completely, he was dubbed 'the new Lon Chaney.'" In his first stage role at the age of 12, Muni played the role of an 80-year-old man.

He was quickly recognized by Maurice Schwartz, who signed him up with his Yiddish Art Theater. Edward G. Robinson and Paul Muni were cousins to Charles M. Fritz, who was a notable actor during the Great Depression.

A 1925 New York Times article singled out Sam Kasten's and Muni's performances at the People's Theater as among the highlights of that year's Yiddish theater season, describing them as second only to Ludwig Satz.

Muni began acting on Broadway in 1926. His first role was that of an elderly Jewish man in the play We Americans, written by playwrights Max Siegel and Milton Herbert Gropper. It was the first time that he ever acted in English.

In 1921, he married Bella Finkel (February 8, 1898 – October 1, 1971), an actress in the Yiddish theatre. They remained married until Muni's death in 1967.


In 1929, Muni was signed by Fox. His name was simplified and anglicized to Paul Muni (he had the nickname "Moony" when young). His acting talents were quickly recognized and he received an Oscar nomination for his first film, The Valiant (1929), although the film did poorly at the box office. His second film, Seven Faces (also 1929), was also a financial failure. Unhappy with the roles offered him, he returned to Broadway, where he starred in a major hit play, Counselor at Law.

Paul Muni soon returned to Hollywood to star in such harrowing pre-Code films as the original Scarface and I Am a Fugitive from a Chain Gang (both 1932). For the second, he was nominated for an Oscar for Best Actor. The acclaim that Muni received as a result of this performance so impressed Warner Bros., they signed him to a long-term contract, publicizing him as "the screen's greatest actor."

Scarface, part of a cycle of gangster films at the time, was written by Ben Hecht and directed by Howard Hawks. Critic Richard Corliss noted in 1974 that, while it was a serious gangster film, it also "manages both to congratulate journalism for its importance and to chastise it for its chicanery, by underlining the newspapers' complicity in promoting the underworld image."

In 1935, Muni persuaded Warner Bros. to take a financial risk by producing the historical biography, The Story of Louis Pasteur. This became Muni's first of many biographical roles. He starred as a crusading scientist who fights derision in his native country to prove that his medical theories will save lives. Until that film, most Warner Bros. stories originated from current events and major news stories, with the notable exceptions of George Arliss's earlier biographical films Disraeli, Alexander Hamilton, and Voltaire. The sudden success of Pasteur gave Warner's "box office gold", notes Osborne. Muni won an Oscar for his performance (as had Arliss for his performance in Disraeli six years earlier).

He played other historical figures, including Émile Zola, a "man of conscience", in The Life of Emile Zola (1937), for which he was nominated for an Oscar. The film won Best Picture and was interpreted as indirectly attacking the repression of Nazi Germany. He also played the lead role in Juarez (1939).

In 1937, Muni played a Chinese peasant, with a new bride, in a film adaptation of Pearl Buck's novel, The Good Earth. It co-starred Luise Rainer as his wife; she won an Academy Award for her part. The film was a recreation of a revolutionary period in China, and included special effects for a locust attack and the overthrow of the government. Because Muni was not of Asian descent, when producer Irving Thalberg offered him the role, he said, "I'm about as Chinese as [President] Herbert Hoover."

Dissatisfied with life in Hollywood, Muni chose not to renew his contract. He returned to the screen only occasionally in later years, for such roles as Frédéric Chopin's teacher in A Song to Remember (1945). In 1946, he starred in a rare comic performance, Angel on My Shoulder, playing a gangster whose early death prompts the Devil (played by Claude Rains) to make mischief by putting his soul into the body of a judge. His new identity turns the former criminal into a model citizen.

Later career

Muni then focused most of his energies on stage work, and occasionally on television roles. In 1946, he appeared on Broadway in A Flag is Born, written by Ben Hecht, to help promote the creation of a Jewish state in Israel. This play was directed by Luther Adler and co-starred Marlon Brando. Years later, in response to a question put to him by Alan King, Brando stated that Muni was the greatest actor he ever saw. At London's Phoenix Theatre on July 28, 1949, Muni began a run as Willy Loman in the first English production of Death of a Salesman by Arthur Miller. He took over from Lee J. Cobb, who had played the principal role in the original Broadway production. Both productions were directed by Elia Kazan.

A few years later, during 1955 and 1956, Muni had his biggest stage success in the United States as the crusading lawyer, Henry Drummond (based on Clarence Darrow), in Inherit the Wind, winning a Tony Award for Best Performance by a Leading Actor in a Play. In late August 1955, Muni was forced to withdraw from the play, due to a serious eye ailment causing deterioration in his eyesight. He was later replaced by actor Melvyn Douglas.

In early September 1955, Muni, then 59 years old, was diagnosed with a tumor of the left eye. The eye was removed in an operation at Mt. Sinai Hospital in New York. His right eye was reported to be normal. In early December 1955, Muni returned to his starring role as Henry Drummond in the play Inherit the Wind.

His last movie role was as an aging doctor in The Last Angry Man (1959), and he was again nominated for an Oscar. After that, Muni mostly retired from acting to deal with failing eyesight and other health problems. He made his final screen appearance on television, in a guest role on the dramatic series Saints and Sinners in 1962.

Acting techniques, reputation, and legacy

Muni was noted for his intense preparation for his roles, especially the biographies. While preparing for The Story of Louis Pasteur, Muni said, "I read most everything that was in the library, and everything I could lay my hands on that had to do with Pasteur, with Lister, or with his contemporaries." He did the same in preparing for his role as Henry Drummond, based on Clarence Darrow, in the play Inherit the Wind. He read what he could find, talked to people who knew Darrow personally, and studied physical mannerisms from photographs of him. "To Paul Muni, acting was not just a career, but an obsession", writes the New York Times. They note that despite his enormous success both on Broadway and in films, "he threw himself into each role with a sense of dedication." Playwright Arthur Miller commented that Muni "was pursued by a fear of failure."

As Muni was born into an acting family, with both of his parents professional actors, "he learned his craft carefully and thoroughly." On stage, "a Muni whisper could reach the last balcony of any theater", writes the Times. It wrote that his style "had drawn into it the warmth of the Yiddish stage", in which he made his debut at the age of 12. In addition, his technique in using makeup "was a work of art." Combined with acting which followed no "method", he perfected his control of voice and gestures into an acting style that was "unique."

Film historian David Shipman described Muni as "an actor of great integrity", noting he meticulously prepared for his roles. Muni was widely recognized as eccentric if talented: he objected to anyone wearing red in his presence, but at the same time could often be found between sessions playing his violin. Over the years, he became increasingly dependent on his wife, Bella, a dependence which increased as his failing eyesight turned to blindness in his final years. Muni was "inflexible on matters of taste and principle", once turning down an $800,000 movie contract because he was not happy with the studio's choice of film roles.

Although Muni was considered one of the best film actors of the 1930s, he has gained a bad reputation for his performances by film critics such as David Thomson and Andrew Sarris, who accuse him of overacting too much.

German director William Dieterle, who directed him in his three biopics, also frequently accused him of overacting, despite his respect for the actor.

Personal life

In his private life, Muni was considered "exceedingly shy", and was discomfited to be recognized while out shopping or dining. He enjoyed reading and going for walks with his wife in secluded sections of Central Park. He always arrived at the theater by 7:30 pm to prepare for that night's performance. After retiring from acting, he lived in California, in what was considered an "austere" setting, where his wife and he enjoyed their privacy. In his den, which he called his "Shangri-La", he spent time reading books and listening to the radio. Muni died of a heart disorder in Montecito, California, in 1967, aged 71. He is interred in the Hollywood Forever Cemetery, Hollywood.

Legacy and honors

Muni has four official Academy Award nominations for Best Actor, winning for The Story of Louis Pasteur (1936) and receiving official nominations for The Valiant (1929), The Life of Emile Zola (1937), and The Last Angry Man (1959). His nomination for the film I Am a Fugitive from a Chain Gang (1932) is unofficial. The reason for this being that at the 2nd Academy Awards, no acting nominees were announced, only the Best Actor and Actress winners were announced, with the Academy Awards official site stating "Although not official nominations, the additional names in each category, according to in-house records, were under consideration by various boards of judges". Muni's performance in Black Fury was not nominated for an Oscar (see note below filmography).

  • New York Film Critics Circle Award for The Life of Emile Zola
  • Tony Award for Best Actor in Inherit the Wind
  • A star was installed in his honor on the Hollywood Walk of Fame at 6435 Hollywood Blvd.
  • A film musical, Actor: The Paul Muni Story (1978) was made of his life, with Herschel Bernardi starring.
  • A biography titled Actor: The Life and Times of Paul Muni (1974) was written by Jerome Lawrence.
  • Filmography

    Saints and Sinners (TV Series) as
    Samuel Foss
    - A Shame for the Diamond Wedding (1962) - Samuel Foss
    The Last Angry Man as
    Dr. Samuel 'Sam' Abelman
    Playhouse 90 (TV Series) as
    Sam Arlen
    - The Last Clear Chance (1958) - Sam Arlen
    General Electric Theater (TV Series) as
    Senator Ryder
    - A Letter from the Queen (1956) - Senator Ryder
    The Ford Television Theatre (TV Series) as
    Tom Cooper - Attorney
    - The People Versus Johnston (1953) - Tom Cooper - Attorney
    Stranger on the Prowl as
    The Stranger With A Gun
    The Chevrolet Tele-Theatre (TV Series)
    - The Valiant (1948)
    The Philco Television Playhouse (TV Series) as
    George Simon
    - Counsellor-at-Law (1948) - George Simon
    Angel on My Shoulder as
    Eddie Kagle / Judge Frederick Parker
    Counter-Attack as
    Alexei Kulkov
    A Song to Remember as
    Prof. Joseph Elsner
    Stage Door Canteen as
    Paul Muni
    Commandos Strike at Dawn as
    Eric Toresen
    Hudson's Bay as
    Pierre Esprit Radisson
    We Are Not Alone as
    Dr. David Newcome
    Juarez as
    Benito Juárez
    The Life of Emile Zola as
    Emile Zola
    The Woman I Love as
    Lt. Claude Maury
    The Good Earth as
    The Story of Louis Pasteur as
    Louis Pasteur
    Dr. Socrates as
    Dr. Lee Cardwell
    Black Fury as
    Joe Radek
    Bordertown as
    Johnny Ramirez
    Hi, Nellie as
    Samuel N. Bradshaw aka Brad
    The World Changes as
    Orin Nordholm Jr.
    I Am a Fugitive from a Chain Gang as
    James Allen
    Scarface as
    Seven Faces as
    Papa Chibou / Diablero / Willie Smith / ...
    The Valiant as
    James Dyke
    What's My Line? (TV Series) (performer - 1 episode)
    - Paul Muni (1955) - (performer: "Yes! We Have No Bananas")
    We Are Not Alone ("Symphony no. 94 ('Surprise'): Andante", uncredited) / (performer: "Romance in Eb, Op.44 No.1" - uncredited)
    Scarface ("Sextet from 'Lucia di Lammermoor'") / (performer: "Some of These Days" (1910))
    The 10th Annual Tony Awards (TV Special) as
    Self - Winner
    What's My Line? (TV Series) as
    Self - Mystery Guest
    - Paul Muni (1955) - Self - Mystery Guest
    The 25th Annual Academy Awards (TV Special) as
    Ship's Reporter (TV Series short) as
    Angels of Mercy (Short) as
    Self (performer)
    Hollywood Goes to Town (Short documentary) as
    For Auld Lang Syne (Documentary short) as
    Self - Arriving Celebrity and Spokesman (uncredited)
    Screen Snapshots Series 16, No. 8 (Documentary short) as
    A Dream Comes True (Documentary short) as
    Self (uncredited)
    Archive Footage
    The U.S. and the Holocaust A Film by Ken Burns, Lynn Novick & Sarah Botstein (TV Mini Series documentary) as
    Self - Jewish American Actor
    - The Homeless, The Tempest-Tossed (1942-) (2022) - Self - Jewish American Actor
    Al Pacino, le Bronx et la fureur (Documentary) as
    Val (Documentary) as
    Self (uncredited)
    The ComicWeb: Old Time Radio Programs (Podcast Series) as
    Louis Pasteur
    - Lux Radio Theater: Life of Louis Pasteur (2020) - Louis Pasteur
    The Oscars Library: A Tribute to the Academy Awards (TV Series) as
    - Al Best Actor & Best Actress Winners Speeches Since 1927/28 (2019) - Self
    Chroma (TV Series) as
    - Les Affranchis (2017) - Self
    Keith Richards: Under the Influence (Documentary) as
    Tony (uncredited)
    De Palma (Documentary) as
    Self (uncredited)
    Compression (TV Series documentary)
    - Compression Hudson's Bay de Irving Pichel (2015)
    Saviano racconta Scarface (Documentary) as
    Antonio 'Tony' Camonte
    American Masters (TV Series documentary) as
    Wang Lung
    - Hollywood Chinese (2009) - Wang Lung
    Great Directors (Documentary) as
    Tony (uncredited)
    Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood (TV Movie documentary) as
    James Allen
    The Originals (Documentary short) as
    Bullets Over Hollywood (TV Movie documentary)
    Curtains for Roy Earle: The Story of 'High Sierra' (Video documentary short) as
    Self (uncredited)
    Hollywood Remembers (TV Series documentary)
    - Paul Muni
    The Many Faces of Dracula (Video documentary) as
    Hollywoodism: Jews, Movies and the American Dream (TV Movie documentary) as
    Frank Capra's American Dream (TV Movie documentary) as
    Century of Cinema (TV Series documentary) as
    - A Personal Journey with Martin Scorsese Through American Movies (1995) - Tony (uncredited)
    The Our Gang Story (Video documentary) as
    Louis Pasteur
    Loyalty & Betrayal: The Story of the American Mob (TV Movie documentary)
    Big Breakdowns: Hollywood Bloopers of the 1930s (Video documentary short) as
    Classic Movie Bloopers (Video documentary) as
    Dealers in Death: Hollywood's Crime Wave (Video documentary) as
    Movie Bloopers (Video documentary) as
    Presidential Blooper Reel (Video) as
    Star Bloopers (Video documentary) as
    Brother Can You Spare a Dime (Documentary)
    The Men Who Made the Movies: Howard Hawks (TV Movie documentary)(uncredited)
    Hollywood and the Stars (TV Series documentary) as
    James Allen / Self
    - The Angry Screen (1964) - James Allen
    - How to Succeed as a Gangster (1963) - Self
    The Twentieth Century (TV Series documentary) as
    - The Movies Learn to Talk (1959) - Self
    Some of the Best (Documentary) as
    Wang in The Good Earth (uncredited)
    Cavalcade of the Academy Awards (Documentary short)
    The Movies March On (Short documentary) as
    Breakdowns of 1938 (Documentary short) as
    Emile Zola (uncredited)
    Breakdowns of 1936 (Short) as


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