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Palmistry, or chiromancy (also spelled cheiromancy; from Greek kheir (χεῖρ, ός; “hand”) and manteia (μαντεία, ας; “divination”)), is the claim of characterization and foretelling the future through the study of the palm, also known as palm reading or chirology. The practice is found all over the world, with numerous cultural variations. Those who practice chiromancy are generally called palmists, palm readers, hand readers, hand analysts, or chirologists.
Contents
There are many ― often conflicting ― interpretations of various lines and palmar features across various schools of palmistry. These contradictions between different interpretations, as well as the lack of empirical support for palmistry's predictions, contribute to palmistry's perception as a pseudoscience among academics.
Ancient palmistry
Palmistry is a practice common to many different places on the Eurasian landmass; it has been practised in the cultures of India, Tibet, China, Persia, Sumeria, ancient Israel and Babylonia.
The acupuncturist Yoshiaki Omura describes its roots in Hindu astrology (known in Sanskrit as jyotish), Chinese Yijing (I Ching), and Roma (Gypsy) fortune tellers. Several thousand years ago, the Hindu sage Valmiki is thought to have written a book comprising 567 stanzas, the title of which translates in English as The Teachings of Valmiki Maharshi on Male Palmistry. From India, the art of palmistry spread to China, Tibet, Egypt, Persia and to other countries in Europe. From India, palmistry progressed to Greece where Anaxagoras practiced it. Aristotle (384–322 B.C.E.) discovered a treatise on the subject of palmistry on an altar of Hermes, which he then presented to Alexander the Great (356–323 B.C.E.), who took great interest in examining the character of his officers by analyzing the lines on their hands.
During the Middle Ages the art of palmistry was actively suppressed by the Catholic Church as pagan superstition. In Renaissance magic, palmistry (known as "chiromancy") was classified as one of the seven "forbidden arts," along with necromancy, geomancy, aeromancy, pyromancy, hydromancy, and spatulamancy (scapulimancy).
Modern palmistry
Palmistry experienced a revival in the modern era starting with Captain Casimir Stanislas D'Arpentigny's publication La Chirognomie in 1839.
The Chirological Society of Great Britain was founded in London by Katharine St. Hill in 1889 with the stated aim to advance and systematise the art of palmistry and to prevent charlatans from abusing the art. Edgar de Valcourt-Vermont (Comte de St Germain) founded the American Chirological Society in 1897.
A pivotal figure in the modern palmistry movement was the Irish William John Warner, known by his sobriquet, Cheiro. After studying under gurus in India, he set up a palmistry practice in London and enjoyed a wide following of famous clients from around the world, including famous celebrities like Mark Twain, W. T. Stead, Sarah Bernhardt, Mata Hari, Oscar Wilde, Grover Cleveland, Thomas Edison, the Prince of Wales, General Kitchener, William Ewart Gladstone, and Joseph Chamberlain. So popular was Cheiro as a "society palmist" that even those who were not believers in the occult had their hands read by him. The skeptical Mark Twain wrote in Cheiro's visitor's book that he had "…exposed my character to me with humiliating accuracy."
Edward Heron-Allen, an English polymath, published various works including the 1883 book, Palmistry – A Manual of Cheirosophy, which is still in print. There were attempts at formulating some sort of scientific basis for the art, most notably in the 1900 publication "The Laws of Scientific Hand Reading" by William G. Benham.
Techniques
Chiromancy consists of the practice of evaluating a person's character or future life by "reading" the palm of that person's hand. Various "lines" ("heart line", "life line", etc.) and "mounts" (or bumps) (chirognomy) purportedly suggest interpretations by their relative sizes, qualities, and intersections. In some traditions, readers also examine characteristics of the fingers, fingernails, fingerprints, and palmar skin patterns (dermatoglyphics), skin texture and color, shape of the palm, and flexibility of the hand.
A reader usually begins by reading the person's dominant hand (the hand he or she writes with or uses the most, which is sometimes considered to represent the conscious mind, whereas the other hand is subconscious). In some traditions of palmistry, the other hand is believed to carry hereditary or family traits, or, depending on the palmist's cosmological beliefs, to convey information about "past-life" or "karmic" conditions.
The basic framework for "classical" palmistry (the most widely taught and practiced tradition) is rooted in Greek mythology. Each area of the palm and fingers is related to a god or goddess, and the features of that area indicate the nature of the corresponding aspect of the subject. For example, the ring finger is associated with the Greek god Apollo; characteristics of the ring finger are tied to the subject's dealings with art, music, aesthetics, fame, wealth, and harmony.
Hand shape
Depending on the type of palmistry practiced, and the type of reading being performed, palmists may look at various qualities of the hand, including the shapes and lines of the palm and fingers; the color and texture of the skin and fingernails; the relative sizes of the palm and fingers; the prominence of the knuckles; and numerous other attributes of the hands.
In most schools of palmistry, hand shapes are divided into four or eleven major types, sometimes corresponding to the classical elements or temperaments. Hand shape is believed to indicate character traits corresponding to the type indicated (i.e., a "Fire hand" would exhibit high energy, creativity, short temper, ambition, etc. - all qualities believed to be related to the classical element of Fire).
Although variations abound, the most common classifications used by modern palmists:
The number and quality of lines can also be included in the hand shape analysis; in some traditions of palmistry, Earth and Water hands tend to have fewer, deeper lines, while Air and Fire hands are more likely to show more lines with less clear definition.
Lines
The three lines found on almost all hands, and generally given most weight by palmists:
Additional major lines or variations include:
According to Cheiro, this line is thought to endow a person with an intensity of purpose or single-mindedness, the nature of which is decided upon by exact position of this line on the hand and the direction of any branches shooting from it, which is normally the case. In hands where such a line exists without any branches as a singular mark, it indicates an extremely intense nature and special care is needed for such persons. The normal position for the line is starting below the index finger and ending where normally the heart line terminates at the edge of the hand below the little finger, indicating average interests for the person and the intense side of the nature is decided purely by the direction of any branches shooting from it.
The upper half of the palm lying immediately below the fingers is considered to represent the higher or intellectual nature and the lower half of the palm to represent the materialistic side of the nature. If one of these halves is larger than the other as decided by the central placement of the head line or in this case the single transverse palmar crease it shows greater development of that aspect of the nature. Based on this general principle, if this line is placed below its normal position it indicates an intensely intellectual nature; if it is placed above its normal position it indicates an intensely materialistic nature and interests.
The direction in which any branches may be found shooting from this line have a significant impact on the nature of this line resulting in suitable modifications from the above defined results depending on the nature of the mounts on the hand. For instance, if a branch from this line shoots to the mount of Moon lying on the lower edge of the hand exactly opposite the thumb, it indicates an intensely vacillating nature and emotional temperament.
Other minor lines:
Criticism
Criticism of palmistry often rests with the lack of empirical evidence supporting its efficacy. Scientific literature typically regards palmistry as a pseudoscientific or superstitious belief. Psychologist and noted skeptic Ray Hyman has written:
I started reading palms in my teens as a way to supplement my income from doing magic and mental shows. When I started I did not believe in palmistry. But I knew that to “sell” it I had to act as if I did. After a few years I became a firm believer in palmistry. One day the late Dr. Stanley Jaks, who was a professional mentalist and a man I respected, tactfully suggested that it would make an interesting experiment if I deliberately gave readings opposite to what the lines indicated. I tried this out with a few clients. To my surprise and horror my readings were just as successful as ever. Ever since then I have been interested in the powerful forces that convince us, reader and client alike, that something is so when it really isn’t.
Skeptics often include palmists on lists of alleged psychics who practice cold reading. Cold reading is the practice that allows readers of all kinds, including palmists, to appear psychic by using high-probability guessing and inferring details based on signals or cues from the other person.
In media
Palmistry has been shown in a number of books, films and television shows, including: