Overgrown

Background

Following both the critical and commercial success of Blake's self-titled debut album, Blake released both the Enough Thunder and Love What Happened Here EPs. These EPs, noticeably more structured than his previous releases, featured more R&B tinged work as opposed to the dubstep-influenced electronic sound of CMYK. Many reviewers speculated in the year between releases that Blake was headed in the wrong direction, with Pitchfork's Larry Fitzmaurice saying that "James Blake's reliance on piano-based singer/songwriter electro-soul perhaps played it a bit too safe, prompting comparisons to the once-outré, now-gear spinning career of fellow avant-crooner Jamie Lidell".

Blake admitted to Hot Press in an interview about Overgrown that his relationship affected the album. He said, "I can't deny it. There's no point in trying to come up with some other explanation for what I've been writing about....When it happened, I was really struck. Y'know—suddenly I'm hit!".

Earlier in 2012, Blake spent time with American rapper Kanye West and singer Justin Vernon. In 2012, after months of speculation, Blake announced a new collaborative non-single release under the moniker Harmonimix. This release featured British rapper Trim and the single "Confidence Boost/Saying" was released on 24 September 2012. It was a return to form for Blake and featured the distinct characteristics present in his previous efforts (Though "Confidence Boost" has been floating around on the internet for three or four years).

Promotion and release

During the final weeks of 2012, Blake performed three intimate shows where he débuted five of his new songs, the five being "Our Love Comes Back", "Overgrown", "Retrograde", "To the Last" and "Every Day I Ran."

Blake announced via Facebook on 7 February 2013 that his second album, Overgrown, would be released on 8 April. The first single from the album, "Retrograde", was débuted the same day on BBC Radio 1, and was released on 11 February.

On 7 March, Blake and his labelmates at 1-800 Dinosaur released both the dub version of "Voyeur" and the album cut of "Digital Lion" featuring Brian Eno.

Critical reception

Overgrown received widespread critical acclaim upon its release. At Metacritic, which assigns a rating out of 100 to reviews from mainstream critics, the album received an average score of 82, based on 40 reviews, which indicates "universal acclaim". Martyn Young of musicOMH stated that "Overgrown is more diverse and dynamic than before. Blake seems to have found an ideal middle ground between restrained and measured balladry and disorientating electronic soul". This sentiment was echoed by The Guardian's Paul MacInnes, who wrote that "Blake's palette is unique, his abilities as a composer are great and quite obviously growing." In a review for AllMusic, Fred Thomas described the album as existing "somewhere between the vacant echoes of dub and trip-hop, dubstep's sample-slicing production, and the contained heartbreak of a singer/songwriter playing piano to himself in an empty room," and noted that "while it might take listeners a few spins to find the right head space for the album, once they get there, it's an easy place to get lost in." Clash said the album is "paradoxically less fragmented than its illustrious predecessor, ideas rotating core values guided by an affirmatively unseen hand. Which ultimately makes this an even better record."

On 30 October 2013 the album won the Mercury Music Prize Award for album of the year.

Overgrown ranked among the top albums for the year, making it on to many end-of-year lists. According to "Album of the Year," an aggregation website for end of the year album lists, Overgrown is a runner-up for Album of the Year, alongside Neko Case's The Worse Things Get... and Drake's Nothing Was The Same. The lead single, "Retrograde," also won an Ivor Novello Award for "Best Contemporary Song."