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Osman Hamdi Bey

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Full Name  Osman Hamdi
Name  Osman Bey
Siblings  Ismail Galib
Parents  Ibrahim Edhem Pasha
Known for  Painting, archaeology
Spouse  Maria Hamdi
Nationality  Ottoman Turk
Role  Expert

Osman Hamdi Bey FileOsman Hamdi Bey Two Musician Girlsjpg Wikimedia
Born  1842Constantinople
Died  February 24, 1910, Istanbul, Turkey
Artwork  The Tortoise Trainer, Theologist, Girl Reciting Qu'ran
Similar People  Seker Ahmed Pasha, Ibrahim Calli, Hoca Ali Riza, Jean‑Leon Gerome, Mimar Sinan

Notable work  The Tortoise Trainer

OSMAN HAMDİ BEY - 2 Turkish Artist, administrator, intellectual, art expert


Osman Hamdi Bey (30 December 1842 – 24 February 1910) was an Ottoman administrator, intellectual, art expert and also a prominent and pioneering painter. He was also an accomplished archaeologist, and is regarded as the pioneer of the museum curator's profession in Turkey. He was the founder of Istanbul Archaeology Museums and of Istanbul Academy of Fine Arts (Sanayi-i Nefise Mektebi in Turkish), known today as the Mimar Sinan University of Fine Arts.

Contents

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Osman hamdi bey mu zesi


Early life

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Osman Hamdi was the son of İbrahim Edhem Pasha, an Ottoman Grand Vizier (in office 1877–1878, replacing Midhat Pasha) who was originally a Greek boy from the Ottoman island of Sakız (Chios) orphaned at a very young age following the Chios massacre there. He was adopted by Kaptan-ı Derya (Grand Admiral) Hüsrev Pasha and eventually rose to the ranks of the ruling class of the Ottoman Empire.

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Osman Hamdi went to primary school in the popular Istanbul quarter of Beşiktaş; after which he studied Law, first in Istanbul (1856) and then in Paris (1860). However, he decided to pursue his interest in painting instead, left the Law program, and trained under French orientalist painters Jean-Léon Gérôme and Gustave Boulanger. During his nine-year stay in Paris, the international capital of fine arts at the time, he showed a keen interest for the artistic events of his day.

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His stay in Paris was also marked by the first ever visit by an Ottoman sultan to Western Europe, when Sultan Abdülaziz was invited to the Exposition Universelle (1867) by Emperor Napoleon III. He also met many of the Young Ottomans in Paris, and even though he was exposed to their liberal ideas, he did not participate in their political activities, being the son of an Ottoman pasha who was loyal to the sultan and did not challenge the old absolutist system. Osman Hamdi Bey also met his first wife Marie, a French woman, in Paris when he was a student. After receiving his father's blessings, she accompanied him to Istanbul (Constantinople) when he returned in 1869, where the two got married and had two daughters.

Osman Hamdi Bey Osman Hamdi Bey Wikipedia the free encyclopedia

Once back in Turkey, he was sent to the Ottoman province of Baghdad as part of the administrative team of Midhat Pasha (the leading political figure and reformer among the Young Ottomans who enacted the First Ottoman Constitution in 1876, Midhat Pasha served as the Grand Vizier between 1876–1877, before being replaced by İbrahim Edhem Pasha, Osman Hamdi Bey's father.) In 1871, Osman Hamdi returned to Istanbul, as the vice-director of the Protocol Office of the Palace. During the 1870s, he worked on several assignments in the upper echelons of the Ottoman bureaucracy.

Career

Osman Hamdi Bey Kocaeli Bykehir Belediyesi

Osman Hamdi exhibited three paintings at the 1867 Paris Exposition Universelle. None seem to have survived today, but their titles were Repose of the Gypsies, Black Sea Soldier Lying in Wait, and Death of the Soldier. An important step in his career was his assignment as the director of the Imperial Museum (Müze-i Hümayun) in 1881. He used his position as museum director to develop the museum and rewrite the antiquities laws and to create nationally sponsored archaeological expeditions. In 1882, he instituted and became director of the Academy of Fine Arts, which provided Ottomans with training in aesthetics and artistic techniques without leaving the empire. In 1884, he oversaw the promulgation of a Regulation prohibiting historical artifacts from being smuggled abroad (Asar-ı Atîka Nizamnamesi), a giant step in constituting a legal framework of preservation of the antiquities. Representatives or middlemen of 19th-century European Powers routinely smuggled artifacts with historical value from within the boundaries of the Ottoman Empire (which then comprised the geographies of ancient Greek and Mesopotamian civilizations, among others), often resorting to shadily obtained licenses or bribes, to enrich museums in European capitals.

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He conducted the first scientific based archaeological researches done by a Turkish team. His digs included sites as varied as the Commagene tomb-sanctuary in Nemrut Dağı in southeastern Anatolia (a top tourist's venue in Turkey and a UNESCO World Heritage Site today, within the Adıyaman Province), the Hekate sanctuary in Lagina in southwestern Anatolia (much less visited, and within the Muğla Province today), and Sidon in Lebanon. The sarcophagi he discovered in Sidon (including the one known as the Alexander Sarcophagus, although this sarcophagus is thought to contain the remains of either Abdalonymus, King of Sidon; or Mazaeus, a Persian noble who was also the governor of Babylon) are considered among the worldwide jewels of archaeological findings. To lodge these, he started building what is today the Istanbul Archaeology Museum in 1881. The museum officially opened in 1891 under his directorship.

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Throughout his professional career as museum and academy director, Osman Hamdi continued to paint in the style of his teachers, Gérôme and Boulanger.

The Tortoise Trainer

His 1906 painting, The Tortoise Trainer, broke a record in Turkey by being sold for the amount of 3.5 million dollars in December 2004. The painting expresses a sarcastic innuendo on the painter's own view of his style of work compared to those of his collaborators and apprentices, and is also a reference to the historical fact of tortoises having been employed for illuminative and decorative purposes, by placing candles on the shell, in evening outings during the Tulip Era in the early 18th century. The painting was acquired by the Suna and İnan Kıraç Foundation and is currently on display at the Pera Museum in İstanbul, which was established by this foundation.

Modern researchers have identified the animals portrayed are Testudo graeca ibera, a variety of the Spur-thighed tortoise. A reproduction of the painting appeared on the cover of the Bibliotheca Herpetologica issue in which the paper about the identification was published.

Family

  • His daughter Nazlı Hamdi (1893–1958) married an Ottoman diplomat, Esat Cemil Bey, in 1912, and the couple had one daughter, Cenan Hamdi Sarç, who lived 99 years and died in 2012. Cenan Hamdi married Ömer Celal Sarç, who was the rector of Istanbul University in 1932. She had one son, Faruk Sarç, who was born in 1933.
  • He was the brother of Halil Edhem Eldem, who became the Director of the Istanbul Archaeology Museums after his death, and served as a Member of Parliament at the Grand National Assembly of Turkey for ten years under the newly founded Turkish Republic.
  • He was the brother of İsmail Galib Bey, considered the founder of numismatics as a scientific discipline in Turkey.
  • He was the granduncle of Sedad Hakkı Eldem, a renowned Turkish architect.
  • He was the granduncle of Cemal Reşit Rey, one of the five pioneers of classical music in Turkey (termed the Turkish Five.)
  • Biography

  • Kaplumbağa Terbiyecisi, Osman Hamdi Bey'in Romanı, Emre Can, Kapı Yayınları, 2008.
  • L'ammaestratore di Istanbul, Elettra Stamboulis & Gianluca Costantini, Comma 22, 2008.
  • L'ammaestratore di Istanbul, Elettra Stamboulis & Gianluca Costantini, Giuda Edizioni, 2013.
  • Documentary films

  • Osman Hamdi Bey: Kaplumbağa Terbiyecisi ("Osman Hamdi Bey: The Tortoise Trainer") is a 2012 documentary film about the life and works of Osman Hamdi Bey, directed by Umut Hacıfevzioğlu.
  • References

    Osman Hamdi Bey Wikipedia


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