Birth name Overton Vertis Wright Record label Hi Records Role Singer | Name O. Wright Years active 1964–1980 | |
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Born October 9, 1939
Lenow, Shelby County Tennessee, United States ( 1939-10-09 ) Genres R&B soul, funk, deep soul, soul blues Occupation(s) Singer-songwriter, musician, producer, instrumentalist, sideman Instruments Vocals, guitar, drums, piano/keyboards Labels Back Beat Records, Hi Records Died November 16, 1980, Mobile, Alabama, United States People also search for Charles Hodges, Darryl Carter, Grover Blake, Clyde Beyers, Rev. Jeff Brown Associated acts Otis Redding, Isaac Hayes, Al Green, Bobby Womack, James Carr Albums Into Something (Can't Sh, Memphis Unlimited, The Soul of OV Wright, Nucleus of Soul, A Nickel and a Nail and Ace | ||
O v wright god blessed our love when a man loves a woman that s how strong my love is
Overton Vertis "O. V." Wright (October 9, 1939 – November 16, 1980) was an American singer who is generally regarded as a blues artist by African American fans in the Deep South; he is also regarded as one of Southern soul's most authoritative and individual artists. His best known songs include "That's How Strong My Love Is" (1964), "You're Gonna Make Me Cry" (1965), "Nucleus of Soul" (1968), "A Nickel and a Nail" (1971), "I Can't Take It" (1971) and "Ace of Spades" (1971).
Contents
- O v wright god blessed our love when a man loves a woman that s how strong my love is
- Biography
- Legacy
- Albums
- References
Biography
Born in Lenow, Tennessee, Wright, as a youngster, began singing in the church. In 1956, while still in high school, he joined The Sunset Travelers as one of the lead singers for the gospel group. He later fronted a gospel music group, the Harmony Echoes. It was during this time that he was discovered (along with James Carr) by Roosevelt Jamison, a songwriter and manager. Their first pop recording in 1964 was "That's How Strong My Love Is," a ballad later covered by Otis Redding and the Rolling Stones. It was issued on Goldwax, the label Wright signed to after leaving his gospel career. It was later determined that Don Robey still had him under a recording contract, due to his gospel group having recorded for Peacock. After his contract was shifted to Don Robey's Back Beat label, further R&B hits followed. Working with record producer Willie Mitchell, success continued on songs including "Ace of Spades" and "A Nickel and a Nail".
Wright's hits were much more popular in the deep South. His biggest hits were "You're Gonna Make Me Cry" (R&B #6, 1965), "Eight Men, Four Women" (R&B #4, 1967) "Ace of Spades" (R&B #11, 1970), "A Nickel and a Nail" (R&B #19, 1971). The remainder of his 17 hits charted no higher than #20 on the R&B charts.
Wright was imprisoned for narcotics offenses during the mid-1970s, and, despite a new recording contract with Hi Records that led to a series of new album releases, commercial success did not follow his release from incarceration. Wright continued to battle drug addiction in the last years of his life, and in 1980, he died from a heart attack in Mobile, Alabama at age 41.
Legacy
Wright is among the most remembered voices of soul music, perhaps mostly for being sampled frequently in hip hop music. In 1996, his song, "Motherless Child" was sampled on the Ghostface Killah album Ironman on a song also called "Motherless Child." It and another Wright recording, "Let's Straighten It Out" have been published on Shaolin Soul, a compilation of tracks that have been sampled by the Wu-Tang Clan and its members. "Let's Straighten It Out" was sampled in a Wu-Tang Clan song called "America" from the charity compilation album America Is Dying Slowly. "Ace of Spades" was sampled by Slim Thug and the Boss Hogg Outlawz on a song named "Recognize A Playa".
Wright has been a big influence on many Soul and Blues singers including Robert Cray, Otis Clay, Taj Mahal as well as young Soul singer Reggie Sears among many others.
Johnny Rawls joined Wright's backing band in the mid-1970s, and played together with Wright until the latter's death in 1980. The band then continued billed as the O.V. Wright Band for another 13 years, and toured and performed with other musicians over this time span. These included B.B. King, Little Milton, Bobby Bland, Little Johnny Taylor, and Blues Boy Willie.