| 寧瀛 (traditional)|
Beijing Film Academy
| Golden Rooster Award for Best Director|
Kung Fu Man, On the Beat, The Double Life, I Love Beijing, To Live and Die in Ordos
Yuen Cheung‑yan, Tiger Hu Chen, Liu Sola, Yuan Wenkang, Han Sanping
Ning Ying Wikipedia
Ning Ying (born 1959 in Beijing) is a female Chinese film director often considered a member of China's "Sixth Generation" filmmaker coterie, a group that also includes Jia Zhangke, Zhang Yuan and Wang Xiaoshuai. However, this is more a result of a shared subject matter than anything else, as chronologically, Ning is closer to the earlier Fifth Generation. Her sister, the screenwriter Ning Dai, is a frequent collaborator and the wife of fellow director Zhang Yuan. In 1997, she was a member of the jury at the 47th Berlin International Film Festival.
Part of the first class to reenter the Beijing Film Academy in 1978 (along with Fifth Generation helmers Zhang Yimou, Tian Zhuangzhuang and Chen Kaige), Ning Ying's career veered away from the path of her male counterparts when she was allowed to study abroad in Italy's Centro Sperimentale di Cinematografia. While in Italy, she met Italian director Bernardo Bertolucci, whom she would act as an assistant director for in the 1987 epic The Last Emperor.
Her own career first reached international prominence with 1993's For Fun (also known as Looking for Fun), which would become the first of Ning Ying's "Beijing Trilogy," a loosely tied grouping of films that all take place in Beijing — the other two films being the black comedy, On the Beat and the drama, I Love Beijing. Together, the films are an analysis of the massive changes that China's national capital has undergone in the recent decades.
In 2003, the trilogy was shown in its entirety by the Harvard Film Archive in an event touted as "From China with Love: The Films of Ning Ying."
Ning followed her Beijing trilogy with a full-length documentary, Railroad of Hope in 2002, which followed the mass migration of cheap labor throughout China. The film managed to win the Grand Prix du Cinema du Reel in 2002.
In 2005, she made Perpetual Motion, which premiered in several major film festivals, notably Venice and Toronto.