Mona Lisa (film)

Plot

George (Hoskins), a low-level working-class gangster recently released from prison, is given a job in London by his former boss, Denny Mortwell (Caine), as the driver and bodyguard for a high-priced prostitute named Simone (Tyson). Mortwell also wants George to gather information on one of Simone's wealthy customers for blackmail purposes. Simone, who has worked hard to develop high-class manners and an elite clientele, initially dislikes the uncouth and outspoken George, and he regards her as putting on airs. But as George and Simone find out more about each other, they form a friendship, and George begins to fall in love with her. George agrees to risk his own life to help Simone find her teenage friend Cathy (Hardie), who has disappeared, and whom Simone fears is being abused by her violent former pimp, Anderson (Peters).

George increasingly finds himself torn between his feelings for Simone, his obligations to his boss Mortwell, and his relationship with his teenage daughter Jeannie, a sweet normal girl who has matured while he was in prison and wants to have her father in her life.

After Anderson attacks George, Simone flees to Brighton. George finally finds Cathy and takes her to Brighton to reunite her with Simone, where he lends Simone his gun. He discovers that Simone and Cathy are lovers, and that Simone doesn't care about him and only used him to find Cathy. Mortwell and Anderson then arrive to take back control of Simone and Cathy, and an enraged Simone shoots them both dead and then threatens to shoot George. He punches her, takes the gun and leaves - upset at her ingratitude. Freed of his underworld obligations, George returns to a more normal life, working in his friend's garage and spending time with Jeannie.

Cast

Reaction

The film received positive critical reaction when released in 1986. Film critic Roger Ebert wrote of the two main characters "The relationship of their characters in the film is interesting, because both people, for personal reasons, have developed a style that doesn't reveal very much." However, Vincent Canby, writing for The New York Times, dismissed the film as "classy kitsch." Halliwell's Film Guide argued "only this actor could make a hit of this unsavoury yarn, with its highlights of sex and violence. But he did."

Bob Hoskins was praised for his performance and was awarded the Golden Globe Award, BAFTA Award, Prix d'interprétation masculine at the Cannes Film Festival, and other awards. Despite this heavy acclaim, he lost the Academy Award for Best Actor to Paul Newman in The Color of Money.