5/101 Votes Alchetron5
Directed by Wuershan
Music director Kôji Endô
1.5/4 Roger Ebert
Produced by Chen Kuo-Fu
Box office 278.3 million USD
|Mandarin Guĭ Chuī Dēng Zhī Xún Lóng Jué|
Cantonese Gwai Ceoi Dang Zi Cam Lung Kyut
Initial release 17 December 2015 (Australia)
Awards Hundred Flowers Award for Best Supporting Actress
Cast Chen Kun, Angelababy, Shu Qi, Huang Bo, Xia Yu
Similar Young Detective Dee: Rise of the Sea Dragon, Journey to the West: Conquering the Demons, The Mummy: Tomb of the Dragon Emperor
Mojin the lost legend official trailer 1 2015 shu qi chen jun action movie hd
Mojin: The Lost Legend (previously titled The Ghouls) (English: Touching Gold: The Lost Legend) is a 2015 Chinese action adventure fantasy thriller film based on the novel Ghost Blows Out the Light. It was directed by Wuershan and produced by Chen Kuo-Fu. The film was released on December 18, 2015.
- Mojin the lost legend official trailer 1 2015 shu qi chen jun action movie hd
- Mojin the lost legend official us trailer 2015 shu qi action movie hd
- Box office
- Critical reception
Mojin the lost legend official us trailer 2015 shu qi action movie hd
At the beginning of the 1990s, famous tomb explorer Hu Bayi, Wang Kaixuan and Hu's fiancée Shirley Yang decided to retire to Manhattan. After a supposingly split of the team, Wang Kaixuan was pulled into a deal to locate the ancient tomb of a Mongolian princess. Hu Bayi have been having recurring nightmare of his first love, Ding Sitian, who had supposedly died 20 years ago in a underground tomb beneath the mongolian plains.The team is lured back to their original vocation by a mysterious, businesswoman/cult leader Ying Caihong who wants them to find the ancient tomb of a Mongolian princess. They eventually learn that what she really wants is to possess a famed artifact known as the Equinox Flower that allegedly has the power to raise the dead.
The film is based on the popular adventure novel series Ghost Blows Out the Light about a trio of legendary grave robbers, and is the second film following Chronicles of the Ghostly Tribe to be adapted based on the series. Mojin was based on the series' last four volumes while Chronicles of the Ghostly Tribe was based on series’ first four volumes. After Wanda Media acquired the rights to film the last four volumes, other production companies such as Huayi Brothers Media and Beijing Enlight Pictures came on board, adding financial and produced the project.
The film was released in 2D, 3D, IMAX and IMAX 3D formats in China on December 18, 2015, and on the same day in the United States and Canada in 2D by Well Go USA Entertainment across 30 theaters. Following the huge commercial success of Chinese films like Monster Hunt and Lost in Hong Kong, Greg Foster, senior executive VP, IMAX Corporation and CEO of IMAX Entertainment said the company was looking forward to witness such success again with the film because the suspenseful and visual nature of the film, combined with the Chinese cultural interest in treasure-hunting, makes Mojin: The Lost Legend a perfect fit for the IMAX experience. It was released in a total of 269 IMAX screens in mainland China.
Due to sensitive issues about the circulation of national treasures abroad and the reported prevalence of grave robbing in poorer parts of China, the subject was feared to be taboo on screen, making the project one of the Chinese film industry's most anticipated movie over its three and a half production period.
Prior to its release, various film critics were predicting the film would be a significant hit at the box office. It is the highest-grossing IMAX film of all time in China with $27.1 million (as of January 6, 2016). Mojin: The Lost Legend earned US$26.4 million on its opening day in China which is the highest-grossing opening day for a 3D local language film. This includes the US$1.34 million it earned from midnight screenings, also a new record for a 3D local film. In addition to this, it earned the largest single-day gross for a local 3D title ($35.5 million on Saturday, December 19). Through its opening weekend, it grossed US$85 million (per Rentrak), US$91.9 million (per Entgroup) and debuted at No. 1 in China and No. 2 worldwide (behind Star Wars: The Force Awakens). The film has the third biggest three-day opening of all time in China behind Monster Hunt and Lost in Hong Kong (both of which were also released in 2015). Furthermore, it also broke the record for the biggest IMAX midnight gross (US$300,000), opening day (US$2.7 million) and opening weekend (US$7.5 million) from 250 IMAX screens.
In its second weekend, it grossed another US$44 million – US$95.7 million in its full second week – falling behind newcomer Devil and Angel. Of that US$6 million alone came from 259 IMAX screens for a 10-day cume of US$17.6 million becoming the second-highest grossing local language film for IMAX ever in China. The film went on to surpass Monster Hunt (US$27.0 million) to become the highest-grossing Chinese-language IMAX film in China, with US$27.1 million. It is only behind Furious 7 (US$39 million) when incorporating all kinds of films.
In the United States and Canada, it opened with US$280,000 from 22 theaters.
While the performances of the cast, special effects and action sequences have been praised, the film overall has received largely mixed reviews from western critics. The review aggregator website Rotten Tomatoes reported a 50% approval rating, based on 6 reviews, with an average rating of 4.6/10.
Daniel M. Gold of The New York Times gave a negative review saying the film wastes some fine actors such as Shu Qi "on predictable, one-dimensional characters, and once the tomb is entered, the underground sets become all but interchangeable. What starts eerie becomes strictly cartoonish." Likewise, the Los Angeles Times gave a negative review. David Noh of Film Journal International states "Grab a big bag of popcorn and a soda and sink yourself into this rambling but skillfully done and surprisingly deep Chinese action romp." Writing for rogerebert.com, Mark Dujsik awarded the film one and a half stars out of four calling it, "equal parts shabby and discomforting."
However, not all reviews were negative. Frank Scheck of The Hollywood Reporter while criticising the film for being overlong, convoluted and repetitive praised the action sequences and special effects deeming it superb in addition to lauding the performances of the leads. Chief Asia film critic Maggie Lee of Variety agreed that the film provided "enough robust action and technical moxie to make audiences overlook its formulaic plotting and rote characterizations." Jake Wilson of The Sydney Morning Herald gave the film three stars out of five writing, "the result can feel a bit disjointed: it takes a long time for things to get started, and there are too many distractions for the hints of social commentary and tragedy to register with much force." He praised the cinematography comparing to that of Peter Jackson's work on The Lord of the Rings trilogy. The Taipei Times said the movie "is lavish, packed with eye-dazzling action and fantastic plots, making it feel right at home among the Lara Croft: Tomb Raider films."